Frank Henson Movies

Directed by Kerry Conran, Sky Captain and the World of Tomorrow revolves around the mysterious disappearance of some of the world's most revered scientists. When an investigation is launched, Polly Perkins (Gwyneth Paltrow), reporter for the prestigious Chronicle, and Sky Captain (Jude Law), resident flying ace, are at the forefront of the case. Though the mission's perks include traveling around the world, the stout-hearted duo are nonetheless risking their lives with each passing moment, as the culprit is none other than the nefarious Dr. Totenkopf, and his goal, from what they can gather, is to destroying the earth in its entirety. Luckily, Sky Captain and Polly are not alone -- Franky Cook (Angelina Jolie), the commander of an all-female amphibious squadron, and Dex (Giovanni Ribisi), an unparalleled technical genius, have joined them in hopes of saving the planet before it's too late. Laurence Olivier appears posthumously as Dr. Totenkopf, via old film-clips "recycled" (or CG-altered) to fit the dialogue and scenes at hand. ~ Tracie Cooper, All Movie Guide

Love means never having to say that you're ugly in the extravagant fantasy film Enemy Mine. Earthling Dennis Quaid is Davidge, one of many space warriors engaged in a bloody extraterrestrial battle against the Draconians. Crash-landing on a faraway planet, Davidge is forced into an "up close and personal" with the Drac (Lou Gossett Jr.), a repellant, reptilian creature. Evidently a bivalve, the Drac gives birth to a baby Drac just before expiring. Now a reluctant foster father, Davidge tries to keep himself and the baby alive while the war continues to rage all around them. The special effects (courtesy Industrial Light and Magic) are serviceable if not brilliant, and the acting is okay so far as it goes. What socks over Enemy Mine is Rolf Zehetbauer's awe-inspiring production design and Chris Walas' superb makeup work. Though a favorite on home video, the film deserves to be seen on a wide theatre screen. ~ Hal Erickson, All Movie Guide

While wandering the English moors on vacation, college yanks David (David Naughton) and Jack (Griffin Dunne) happen upon a quaint pub with a mysterious patronage who warn them not to leave the road when walking after dark. Irreverent of such advice as characters in horror films always are, the two decide to find a short cut....David wakes up in the hospital with a nasty bite wound to his shoulder; the freshly deceased, and rapidly decomposing, Jack arrives soon after to deliver the grim news that, unless he commits suicide, David will become a werewolf when the moon is full. David dismisses the encounter as a hallucination, but all indicators point to lycanthrope; evenings of barking and bloodletting follow closely behind. While the story is thin and much of the tongue-in-cheek humor is overdone, there are plenty of genuine jolts thanks to makeup guru Rick Baker's eye-popping special effects. The werewolf, resembling a cross between a bear and a wolverine, appears frighteningly real, and, given the fantastic premise, the gore is most convincing (although surprisingly and refreshingly scant). The hospital dream sequences are creative, and the scenes in which the werewolf runs rampant through downtown London are particularly good. In all, An American Werewolf in London is an original, atmospheric film that manages both to scare and amuse. While dismissed by most American critics upon its release, the film managed to secure a place in the annals of American cinema when Baker won an Academy Award for his amazing effects and creature designs. ~ Jeremy Beday, All Movie Guide

While attempting to destroy a Federation communications base on Saurion Major, Blake (Gareth Thomas), Vila (Michael Keating), and Avon (Paul Darrow) find a new ally in the form of Cally (Jan Chappell), a telepathic alien and sole survivor of a guerilla organization on her own planet. Meanwhile, back on the Liberator, Jenna (Sally Knyvette) and Gan (David Jackson) are faced with a long-dormant death squad, which is fiercely guarding an ancient genetics bank -- and is willing to kill anyone who crosses its path. This episode, which originally aired January 23, 1978, marked the series debut of Peter Tuddenham as the voice of master computer Zen. ~ Hal Erickson, All Movie Guide

Michael Caine stars as an espionage agent whose young son is kidnapped. Complicating matters is the fact that the kidnappers (John Vernon and Delphine Seyrig) are Caine's own colleagues. They want to secure Caine's aid in rounding up a diamond smuggling ring, and they don't care who they have to hurt to do so. He agrees to go along, all the while searching for his missing son. Janet Suzman co-stars as Caine's estranged wife, who is compelled to join him in his search. Helmed by veteran filmmaker Don Siegel, The Black Windmill is based on Seven Days to a Killing, a novel by Clive Egleton. ~ Hal Erickson, All Movie Guide