Carol Henry Movies

Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, All Movie Guide

Joel M. Reed directed this notorious cult-horror comedy, which was the center of impassioned protests by Women Against Pornography. Seamus O'Brien stars as the epicene Sardu, who stages Grand Guignol torture performances at a downtown New York club. What the amazed audiences don't know is that the performances are real, using kidnapped victims who are kept in cages, mutilated, and later sold into white slavery by Sardu and his cackling dwarf assistant, Ralphus (Luis De Jesus). Sardu finally goes too far when he kidnaps a famous ballerina (Viju Krim) and a noted critic (Niles McMaster) for his demented shows, resulting in a revolt by the "Caged Sexoids." Reed pours on the gore by the bucket, as a nude victim is turned into a human dartboard, Ralphus gets oral sex from a severed head, Sardu uses human fingers to play backgammon, and a sadistic dentist sucks out a woman's brain through a straw. The fact that the film is intended as a comedy will relieve some and disgust others. Krim and De Jesus co-starred in Gerard Damiano's Let My Puppets Come the following year. ~ Robert Firsching, All Movie Guide

A bizarre western that at times veers dangerously close to outright burlesque, Shoot-Out at Medicine Bend concluded Randolph Scott's long-term contract with Warner Bros. and sat on the shelf for nearly two years before being dumped on the double-bill market in 1957. Scott and two fellow cavalry officers (Gordon Jones and a very young James Garner) have their clothes stolen while skinny-dipping. Offered new apparel by a group of Quakers (or are they Mormons? It is never made quite clear), the threesome go on to prevent James Craig from supplying the territory with faulty guns and ammo. Dani Crayne (the wife of actor David Janssen at the time) seductively warbles {&"Kiss Me Quick") and a young Angie Dickinson lends further femininity to the proceedings. Much of this is strangely watchable, but as a western Shoot-Out at Medicine Bend can never make up its mind whether to play it straight or for comedy. Not too surprisingly, director Richard L. Bare had gotten his start helming the studio's "Joe McDoakes" comedy shorts in the 1940s. A final paradox: There is nary a shoot-out in the entire film. ~ Hans J. Wollstein, All Movie Guide

Cowboy star Whip Wilson keeps whipping along in Monogram's Night Raiders. This time, Wilson and saddle pal Tom Farrell are federal marshals, assigned to stop the activities of a nocturnal terrorist group. These so-called Night Raiders lay waste to local ranches, but curiously never steal anything. The trail of clues leads to a motivation (fixing an upcoming election) and, inevitably, a Least Likely Suspect who turns out to be the brains of the organization. Fuzzy Knight supplies laughs, while Terry Frost and Marshall Reed provide menace. Whip Wilson's Night Raiders co-star Tom Farrell was the son of actress Glenda Farrell. ~ Hal Erickson, All Movie Guide

The "badmen" of the title in this average western from Monogram are Waller (I. Stanford Jolley), a greedy express agent and Banker Jensen (Bill Kennedy, who conspire to separate Bob Bannon (Kenne Duncan) from the gold found on his property. Bob's brother Jim (Jim Bannon) and his two pals Whip Wilson and Texas (Fuzzy Knight) arrive too late to save Bob from the bad guys. Hoping to flush out the killer, Whip arranges to auction off the property. The ruse works and the hidden mine is handed over to Bob's lovely daughter, and heir, Carol (Phyllis Coates). ~ Hans J. Wollstein, All Movie Guide

Johnny Mack Brown stars in the Monogram oater Outlaw Gold. The plot is motivated by revenge: sentenced to five years in prison, vicious gunman Sonny Lang (Myron Healey) vows to "get" Dave Willis (Brown) the moment he's released. Our Hero, however, can't be bothered by such trivialities. He's too busy trying to prevent the hijacking of a gold shipment on the Mexican border. Inevitably, Willis and Lang's paths cross, but not before Willis exposes the mastermind behind the robbery. The film's romantic element is handled by Marshall Reed (cast as a crusading newspaperman) and Jane Adams. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown stars in the rubber-stamp western Over the Border. Bringing Bart Calhoun (Marshall Reed) to justice for his complicity in a robbery/murder, Johnny assumes that his job is over. Not by a long shot! Calhoun's arrest leads to the uncovering of a wide-ranging conspiracy to smuggle silver from Mexico to the United States. With Calhoun's cooperation, Johnny exposes the "Mister Big" behind the whole operation. There isn't much action in Over the Border; the screenwriters seem more concerned with mystery and intrigue. Johnny Mack Brown is obviously getting too old for this sort of thing, but he carries his years -- and excess poundage -- quite well. ~ Hal Erickson, All Movie Guide

Judy Garland was originally slated to star in MGM's film version of Irving Berlin's Annie Get Your Gun, but she was forced to pull out of the production due to illness (recently discovered out-takes reveal a gaunt, dazed Garland, obviously incapable of completing her duties). She was replaced by Betty Hutton who, once she overcame the resentment of her co-workers, turned in an excellent performance--perhaps the best of her career. Hutton is of course cast as legendary sharpshooter Annie Oakley, who ascends from dirty-faced backwoods gamin to the uppermost rungs of international stardom. Her mentor is Buffalo Bill, played by Louis Calhern (like Hutton, Calhern was a last-minute replacement: the original Buffalo Bill, Frank Morgan, died before production began). Annie's great rival is arrogant marksman Frank Butler (Howard Keel) with whom she eventually falls in love. She goes so far as to lose an important shooting match to prove her affection--a scene that hardly strikes a blow for feminism, but this is, after all, a 1950 film. Of the stellar supporting cast, J. Carroll Naish stands out as Sitting Bull, whose shrewd business acumen is good for several laughs. Virtually all the Irving Berlin tunes were retained from the Broadway version, including "Doin' What Comes Naturally", "You Can't Get a Man with a Gun", "Anything You Can Do", "The Girl That I Marry", "My Defenses are Down", "They Say It's Wonderful" and the rousing "There's No Business Like Show Business", which was later tantalizingly excerpted in MGM's pastiche feature That's Entertainment II. Alas, due to a complicated legal tangle involving the estates of Irving Berlin and librettists Herbert Fields and Dorothy Fields, Annie Get Your Gun hasn't been shown on television in years. ~ Hal Erickson, All Movie Guide

Lippert Studio's first 1951 release was the compact western 3 Desperate Men. The title characters are the Denton Brothers, played by Preston S. Foster, Jim Davis and Ross Latimer. Accused of crimes they didn't commit, the Dentons are obliged to become outlaws to survive. So long as they stay away from their home town, the brothers are able to pull off their crime spree unabated. But their fate is sealed the moment they head homeward to exact revenge against those who framed them. Critics of the period were satisfied with 3 Desperate Men, though it was felt that at least two of the three Dentons could have used some lessons in horsemanship. The film secured pretty good bookings for a Lippert production. ~ Hal Erickson, All Movie Guide

Monogram's Whip Wilson western series occasionally produced a better-than-average entry. In Range Land, Wilson and saddle pal Andy Clyde try to get the goods on a gang of stagecoach bandits. The robberies are being staged by a "solid citizen" who hopes to accumulate a fortune in gold bars. Whip goes undercover, joins the gang, has a few close shaves, and collars the crooks. And, in keeping with his screen nickname, Wilson wields a mean bullwhip whenever the occasion arises. One of the villains is played by Leonard Penn, the father of actors Sean and Christopher Penn. ~ Hal Erickson, All Movie Guide

Singing cowboy Jimmy Wakely was in his final year of movie stardom when Gun Runner was released by Monogram. Wakely has more action than songs this time out, as he searches for an old pal who has gone sour and is selling guns to the Indians. The pathos of this situation is counterpointed by the pig-bladder comedy of Dub "Cannonball" Taylor. The leading-lady lineup is an interesting one: co-starring with Wakely are Noel Neill, the future Lois Lane on TV's Superman, and Mae Clarke, she of the "grapefruit massage" in 1931's Public Enemy. The comparatively sympathetic villain is portrayed by real-life sharpshooting champ Kenne Duncan. ~ Hal Erickson, All Movie Guide

In one of his better later Westerns, singing cowboy Jimmy Wakely comes to the aid of a reformed outlaw and his wayward son. Wrongfully accused of a shooting, the outlaw, Hank Cardigan (Lee Phelps), is rescued by Jimmy, who manages to obtain a job for his new friend at the local express office. But Cardigan's unruly son, Tom (John James), is determined to repeat his father's mistakes -- until, that is, Jimmy and sidekick Cannonball (Dub Taylor) convince him that crime does not pay. Wakely and an unbilled Ray Whitley perform "I Have Looked the Whole World Over" and Foy Willing's "Rose of Santa Fe." ~ Hans J. Wollstein, All Movie Guide