Nigel Harbrow Movies

Xena (Lucy Lawless) and a small band of Greek soldiers have sworn to make a stand against rival Roman warriors Caesar (Karl Urban) and Pompey (Jeremy Callaghan). It is not that the two "noble" Romans have buried their own hatchet; it is simply that their civil war threatens to spill over into, and ultimately destroy, Greece. Meanwhile, Gabrielle (Renee O'Connor) is ridden with guilt over her participation in a battle that will cost thousands of lives for the sake of a single village. ~ Hal Erickson, Rovi

Xena (Lucy Lawless) goes to the rescue of an old friend's daughter, who has been kidnapped by the warlord Xerxes (Kevin J. Wilson). In order to infiltrate the dungeon where the girl is held, Xena pretends to be one of Xerxes' minions. Before long, she is enmeshed in an organized revolt against the warlord, led by a mysterious and charismatic figure known only as the Black Wolf. ~ Hal Erickson, Rovi

"Rainbow Warrior" was the name of a real-life Greenpeace vessel, which embarked upon a worldwide pro-ecological mission in the early 1980s. While docked in New Zealand in 1985, the Rainbow Warior was destroyed by a bomb, and a crew member was killed. In this dramatization, Sam Neill and Jon Voight play two polar opposites-a hardbitten cop and a eco-activist, respectively--who team up to track down the bomber. Wisely, the script avoids making "save the whales"-type speeches, concentrating on the matters at hand in a no-frills fashion. Rainbow Warrior was released directly to video. ~ Hal Erickson, Rovi

New Zealand educator Sylvia Ashton-Warner (played by Eleanor David) is the subject of this informative and slightly uneven biography, based on the events in Ashton-Warner's adult life. During the 1930s Ashton-Warner moves to a remote village with her husband who has been appointed to be the headmaster in the school there. She tries to teach the Maori children but is having absolutely no luck at all -- that is especially discouraging considering that she is also fighting off culture shock and the effects of a recent emotional breakdown. Driven to find some solace in music, painting, and sculpting, she one day realizes she can use these types of creative activities as teaching tools -- and begins to develop an innovative way to reach her students. She is surprisingly successful, a fact which does not interest the all-male administrators at the school who insist she teach using traditional methods. The stand-off is severe enough that the men burn the manuscript for a new primer Ashton-Warner wrote, insisting later that this was an accident. No one seems to have come out a winner in Sylvia Ashton-Warner's battle with the provincial educators, least of all the students. ~ Eleanor Mannikka, Rovi