George Cleveland Movies

Newcomer Kelly Ryan plays Kate, The Outlaw's Daughter, in this medium-scale western. Led astray by outlaw leader Jess (Bill Williams), Kate joins Jess' gang and follows in her dad's footsteps. Town marshal Dan (Jim Davis) tries his best to reform the girl, but this proves difficult inasmuch as Kate holds Dan responsible for her father's death. Only after most of the bad guys have been decimated by Dan does Kate discover the true identity of her dad's murderer. Having fallen in love with Kate, marshal Dan offers to let her escape prosecution, but she's made of sterner stuff than that. ~ Hal Erickson, Rovi

Judy Canova is right in her element in the rowdy Republic musical Untamed Heiress. Canova plays Judy, the daughter of a famous opera singer who once bankrolled prospector Andrew "Cactus" Clayton (George Cleveland). Now Clayton hopes to repay the favor, but first he must reclaim his stash of gold from the crooked Williams (Hugh Sanders). Judy helps the old coot by taking on not only Williams, but duplicitous private detectives Walter Martin (Taylor Holmes) and Eddie Taylor (Chick Chandler), not to mention gangsters Spider Mike (Donald Barry) and Louie (Jack Kruschen). It'd be cute to say that too many crooks spoil the broth, but the truth of the matter is that Untamed Heiress is most entertaining, even for non-fans of the rambunctious Canova. ~ Hal Erickson, Rovi

Walking My Baby Back Home is a bubbly musical of no significance whatsoever, but this doesn't diminish its enjoyability factor. The film wastes no time in showing off the singing and dancing skills of star Donald O'Connor, who is seen cavorting about during the opening credits. O'Connor plays war veteran Jigger Millard, who forms a band with several other musically inclined ex-GIs. Unfortunately, Jigger's music isn't what the public craves, so he's forced to join a minstrel show headed by Colonel Wallace (George Cleveland), the uncle of pretty Chris Hall (Janet Leigh). As he performs the old "down in Dixie" numbers required of him, Jigger is inspired to reorganize his band into a Dixieland aggregation, with the considerable input of black musician Smiley (Scatman Crothers). Buddy Hackett is on hand as comedy relief Blimp Edwards. A tantalizing excerpt from Walking My Baby Back Home was seen in an ironic context during a 1970s Columbo TV episode, guest-starring Janet Leigh as the murderer. ~ Hal Erickson, Rovi

Republic "regulars" Rod Cameron, Arleen Whelan and Forrest Tucker star in the A-minus western San Antone. During the Civil War, Texan Carl Miller (Rod Cameron) adopts a neutral stance regarding the conflict. Miller is branded a coward by Brian Culver (Forrest Tucker), a Confederate blowhard whose bravado masks his own cowardice. The animosity between the two men reaches the boiling point after the war, when Culver kills Miller's father. Soon afterwards, Culver finds himself the prisoner of Mexican rebel leader Chino Figueroa (Rudolpho Acosta). Miller heads to Mexico to rescue Culver -- not out of altruism, but so that he can kill Culver himself. Reversing the usual typecasting procedure, leading-lady Arleen Whelan is the villainess, while second lead Katy Jurado, cast as Figueroa's sister, plays a sympathetic role. San Antone was adapted by Steve Fisher (I Wake Up Screaming) from a novel by Curt Carroll. ~ Hal Erickson, Rovi

Cripple Creek is an excellent example of Columbia's "A-minus/B-plus" Technicolor westerns of the 1950s. Government agent Bret Ivers (George Montgomery) goes undercover to infiltrate a gang of gold smugglers. Ivers and his two partners (Jerome Courtland and Richard Egan) face exposure and sudden death at every turn; indeed, one of the federal agents meets his demise before the film is a third over. The villains are the erudite-but-deadly Denver Jones (John Dehner) and the just-plain-deadly Silver Kirby (William Bishop). With so much already in its favor, Cripple Creek hardly needs a romantic interest, but Columbia had to keep contract actress Karin Booth busy, thus she shows up briefly as a flashy saloon gal. ~ Hal Erickson, Rovi

Army Capers was the bland British title of the raucous Republic musical The Wac From Walla Walla. Hillbilly songstress Judy Canova is the eponymous heroine, who accidentally enlists in the army at the outset of the film. Canova proves the equal of any man in uniform when she foils the insidious schemes of enemy agents Roy Barcroft and Allen Jenkins. And, of course, she finds true love, in the form of tall, dark and handsome lieutenant Steve Dunne. Judy Canova gets to sing four songs in this sappy but successful military farce. ~ Hal Erickson, Rovi

Sterling Hayden and Forrest Tucker, two of Hollywood's most rugged leading men, head the cast of Paramount's Flaming Feather. Rancher Tex McCloud (Hayden) and cavalry lieutenant Tom Blaine (Tucker) despise each other at first sight. Even so, McCloud and Blaine are forced to work together to seek out and capture an elusive outlaw named Lucky Lee (Victor Jory), who heads a band of renegade Indians. Also involved in the manhunt are vengeful saloon gal Carolina (Arleen Whelan) and marriage-minded Nora Logan (Barbara Rush), each pursuing her own agenda (just like everyone else in the film!) The film's violent outcome is predicated upon the desultory romance between Lucky Lee and dour Indian maiden Turquoise (Carol Thurston). ~ Hal Erickson, Rovi

Producer Val Lewton abandoned the "psychological horror" efforts of his RKO days when he moved to MGM in 1950. Lewton's Please Believe Me is a simple, sometimes simplistic romantic comedy, designed principally as a showcase for Deborah Kerr. The star plays Alison Kirbe, an English girl who inherits a Texas ranch. Once word gets out that Alison is in town, she is pursued by three bachelors. Terence Keath (Robert Walker) hopes to marry Alison so that he can square his gambling debts. Jeremy Taylor (Peter Lawford) is too wealthy to consider marriage, but he hopes to have a no-strings-attached good time with Alison. And Matthew Kinston (Mark Stevens) is Alison's all-business attorney, ever on the alert for any fortune hunters who might prey on his client. Guess who she winds up with in the end. As it turned out, Please Believe Me was Val Lewton's cinematic swan song; he died not long after the film's release. ~ Hal Erickson, Rovi

According to Roy Rogers himself, this action-packed western remained one of his favorites. The manager of a traveling show, Rogers is wintering at a ranch belonging to wheelchair-bound Colonel Harkrider (George Cleveland), his daughter Kay (Dale Evans) and grandson Larry (Peter Miles). The latter, whose mother, a circus bareback rider, was killed during a performance, grows up with a paralyzing fear of horses. In contrast, Roy wants to purchase a wild stallion accused of being a killer but his bid is turned down and the stallion instead condemned to death. Unbeknownst to Roy, however, Monty Manson (Grant Withers), who heads a crooked "Range Patrol," saves the beast and uses it to terrorize the area's horse-breeders. Putting two and two together, Roy attempts to unmask Manson for the criminal he is but is ambushed by the patrol. The stallion, meanwhile, attacks both Colonel Harkrider and Roy's horse Trigger, Jr. but is chased off the property by Trigger himself. Overcoming his fears, Larry mounts Trigger, Jr. and joins the party searching for Roy. With Trigger's aid, Roy destroys the killer stallion in a final battle and Manson is brought to justice. Backed by Foy Willing, The Riders of the Purple Sage and Dale Evans, Roy Rogers takes time out to perform "May the Good Lord Take a Likin' to Ya", by Peter Tinturin; "The Big Rodeo", by Foy Willing; and "Stampede", by Willing and Carol Rice. ~ Hans J. Wollstein, Rovi

Bargain-budget Screen Guild Productions was in the process of metamorphosing into Lippert Studios when Rimfire was filmed in 1949. This "government vs. gold thieves" affair has all of the virtues of the eager-to-please Lippert production team and none of the shortcomings of the pinchpenny Screen Guild operation. James Millican heads the cast as a special agent tracking down a lost shipment of Army gold. This leads him to a superstition-laden village where the townsfolk are convinced that the ghost of a hanged gambler is wreaking all sorts of havoc. It doesn't take Millican long to get to the bottom of the occult activity-and to locate the gold robbers in the process. With bigger star names, Rimfire might have secured better bookings; still, it did respectable business under the circumstances. ~ Hal Erickson, Rovi

Lucille Ball is Miss Grant, an efficient but naïve secretary hired by William Holden. Ostensibly a legit real estate salesman, Holden is actually the brains of a bookie ring. It takes forever for Ball to tumble to what's going on, but when she does she settles matters in the same fashion as her later I Love Lucy character would--by adopting a disguise and a line of snappy patter. The chastened Holden marries Ball and agrees to devote his life to running an honest real-estate firm on behalf of the deserving homeless. Among the contributors to the success of Miss Grant Takes Richmond are producer S. Sylvan Simon, director Lloyd Bacon and scenarist Frank Tashlin, all of whom would later team up again for the zany Lucille Ball vehicle The Fuller Brush Girl. ~ Hal Erickson, Rovi

In this psychological drama, a group of people are stranded in a remote jungle after a plane crash. The disparate reactions of each are chronicled through out the story as they learn to survive in their new jungle home. Fortunately, they are helped by a man who was similarly stranded several years before. He not only teaches them how to survive, he also teaches them about humility. They are all rescued when the pilot manages to make it to civilization and returns with a helicopter. ~ Sandra Brennan, Rovi

Hero Rod Cameron kills Sheriff Sam Borden (George Cleveland) at point-blank range and in front of several witnesses in the opening of this Republic Pictures Western, released in the company's patented Trucolor system. The "killing," however, is merely a ruse set up to allow army agent Johnny Drum (Cameron) to infiltrate a gang of highway robbers. The gang is led by Whit Lacey (Forrest Tucker), and although Johnny is determined to bring Whit and his men to justice, he cannot help befriending the charming rascal. It all comes to a head when the Sioux attack the local fort and both Johnny and Whit prove that they at least have something in common -- bravery and loyalty. Ilona Massey, as Cameron's love interest, performs "Walking Down Broadway," by William H. Lingard and Charles E. Pratt, and "I'll Sing a Love Song," with lyrics by Jack Elliott and Aaron Gonzales. ~ Hans J. Wollstein, Rovi