Lisa Gay Hamilton

Tyrone (Danny Glover) is the proprietor of the Honeydripper juke joint. When business at the once-popular club begins to trail off and Tyrone hires unpredictable electric guitarist Sonny (Gary Clark Jr.) against his better judgment, Tyrone's last-ditch bid to draw in crowds during harvest time has surprising results that neither desperate Tyrone nor the ambitious Sonny could have ever anticipated. Blues guitarist Keb' Mo' co-stars in the film, which was written and directed by John Sayles. ~ Jason Buchanan, All Movie Guide

Filmmaker Rodrigo García takes an unusual look into the lives of nine different women in this episodic drama. Each of the film's nine sequences has been staged as a single shot, using the Steadicam system to allow the camera to follow the action fluidly and without cuts. In these short episodes (lasting between ten and 14 minutes), Holly (Lisa Gay Hamilton) has a brief moment of reverie while confronting the specters of her past in her old neighborhood. Maggie (Glenn Close) escorts her young daughter Maria (Dakota Fanning) to a cemetery as they visit the graves of their family members. Ruth (Sissy Spacek) is a married woman contemplating an affair while visiting Henry (Aidan Quinn) in his hotel room. Diana (Robin Wright Penn) unexpectedly runs into an old boyfriend, Damian (Jason Isaacs), while shopping for groceries. Camilla (Kathy Baker) is a hospital patient awaiting surgery for cancer. Samantha (Amanda Seyfried) is a teenage girl who helps look after her handicapped father Larry (Ian McShane). Sandra (Elpidia Carrillo) is a female prison inmate who is expecting a visit from her children. Sonia (Holly Hunter) lashes out at her boyfriend Martin (Stephen Dillane) when she finds out he's been cheating on her. And Lorna (Amy Brenneman) has an unexpectedly moving encounter with her ex-husband Andrew (William Fichtner) as she pays her respects to his second wife, who has just passed away. Nine Lives premiered at the 2005 Sundance Film Festival. ~ Mark Deming, All Movie Guide

First-time filmmaker Abby Epstein directs Until the Violence Stops, an hour-long documentary capturing the impact of V-Day in five different international communities. Following the success of Eve Ensler's award-winning play The Vagina Monologues, V-Day was created as a global movement to end violence against women and girls. In 2002, hundreds of V-Day benefit events occurred all over the world in order to raise both awareness and funds. This program focuses on specific V-Day events in New York, California, the Philippines, South Dakota, and Kenya. Includes appearances by founder Eve Ensler along with celebrity activists Jane Fonda, Glenn Close, and Isabella Rossellini. Until the Violence Stops was shown at a special screening of the Sundance Film Festival prior to its commercial-free broadcast premiere on Lifetime Television in February of 2004. ~ Andrea LeVasseur, All Movie Guide

Directed and written by Rodrigo Garcia, Ten Tiny Love Stories features ten women who, in a series of monologues, talk about the men who have made the largest impact on their respective lives. Though each woman is unique in her experiences with love, sex, death, loss, and many other aspects of the human condition, they all have one thing in common: their memories are the only remaining connection they have to the man who affected them to an extent he will probably never realize. Ten Tiny Love Stories is Garcia's second feature film, and features Kathy Baker, Radha Mitchell, Lisa Gay Hamilton, Debi Mazar, and Elizabeth Peña. ~ Tracie Cooper, All Movie Guide

Campbell Scott is both star and co-director of this elaborate (albeit economically produced) four-hour TV version of Shakespeare's immortal tragedy Hamlet, Prince of Denmark. The film is based on Scott's earlier theatrical production of the same play, with several of the same actors repeating their same roles. Updated to 1900 New York, the text remains substantially the same as it has always been: Hamlet (Scott), the "melancholy" Danish prince, discovers to his horror that his late father, the King, was murdered by his brother (and Hamlet's uncle) Claudius (Jamey Sheridan), who upon ascending to the throne, added insult to injury by wedding Hamlet's mother, Gertrude (Blair Brown). Though his desire for revenge is strong, Hamlet does not want any more bloodshed, and concocts an elaborate scheme to "catch the conscience" of Claudius and force him into a confession. Part of this scheme involves Hamlet's feigned descent into madness -- which, as interpreted by Scott, may not be as "feigned" as he thinks it is. Caught in the middle of this intrigue is Hamlet's lady love, Ophelia (Lisa Gay Hamilton), daughter of Claudius' chief consul, Polonius (played in the manner of a protocol-conscious Victorian diplomat by Roscoe Lee Browne). Some of the choices made by Scott in adapting Hamlet to the screen -- the turn-of-the-century setting; the utilization of black actors in the roles of Polonius, Ophelia, and Laertes (who is played by Roger Guenveur Smith); the casting of Byron Jennings to play both the Ghost of Hamlet's father and the Player King, who pretends to be the father -- were applauded by the critics. Other innovations, notably the use of slow jazz music throughout the action, and Hamlet's violent treatment of poor Ophelia during the "Get thee to a nunnery" scene, were not so enthusiastically received. Whatever the case, Scott does a remarkable job with a tiny budget and a slim 29-day shooting schedule. In addition to the actors' lilting interpretation of the Shakespearean dialogue and soliloquies, the film boasts a truly exciting climactic duel, shot in long takes without the use of stunt doubles. Initially produced for a theatrical release, this Hamlet made its American debut as a cable TV miniseries on the Odyssey Channel, beginning December 10, 2000. ~ Hal Erickson, All Movie Guide

Investigative reporter Steve Everett (Clint Eastwood) has just relocated to the west coast after getting fired from the New York Times. Thanks to his old friend, Alan Mann (James Woods), the editor-in-chief of The Oakland Tribune, Everett still has a job, but that's hardly the end of his problems. An alcoholic and a womanizer, he's been sober for two months and his marriage to Barbara (Diane Venora) is in as bad a shape as his car. Everett has also earned the hatred of city editor Bob Findley (Denis Leary), and not without reason -- Everett has been sleeping with his wife. One day, when another reporter dies in an automobile accident, Findley asks Everett to take over her assignment -- the final interview of condemned murderer Frank Beachum (Isaiah Washington). Everett researches the case before the interview, and finds Beachum was convicted of a robbery and homicide in an Oakland convenience store. But the reporter finds several discrepancies in the story, and a visit to death row only confirms Everett's suspicions that Beachum was not the killer. The reporter begins a hurried search for information that will stay the execution. Plagued by his inner demons, the reporter has 12 hours left to save the life of a man he knows is innocent. ~ Ron Wells, All Movie Guide

Quentin Tarantino wrote and directed this adaptation of Elmore Leonard's 1995 Rum Punch, switching the action from Miami to LA, and altering the central character from white to black. Ruthless arms dealer Ordell Robbie (Samuel L. Jackson), who lives with perpetually stoned beach-babe Melanie (Bridget Fonda), teams with his old buddy Louis Gara (Robert De Niro), just released from prison after serving four years for armed robbery. ATF agent Ray Nicolette (Michael Keaton) and cop Mark Dargus (Michael Bowen) bust stewardess Jackie Brown (Pam Grier), who was smuggling money into the country for Ordell. Ordell springs Jackie, but when middle-aged bail bondsman Max Cherry (Robert Forster) picks her up at the jail, he's attracted to her, and they choose a romantic route with detours. Mistrust and suspicions surface after Jackie pits Ordell and the cops against each other, convincing Ordell that she's going to double-cross the cops. Tarantino commented on the film's budget: "Jackie Brown only cost $12 million. You can't lose. You absolutely, positively can't lose. And you don't have to compromise." ~ Bhob Stewart, All Movie Guide

Luke Perry stars in this surprisingly moving adult drama about a devoted husband whose wife (Francie Swift) is dying of cystic fibrosis. Because of her rare blood type, she can't get new lungs, so Perry begins a frantic search to find a donor. Eventually, he becomes so desperate that he starts having an affair with a real-estate agent (Gia Carides) whom he plans to murder because she's a match with Swift and has signed her donor card. Director P.J. Posner shows a surprising amount of sensitivity and character development in what was obviously designed to be no more than a cheap erotic thriller. Perry and Swift are believable and sympathetic, and the portrait of Swift's degenerating condition and Perry's desperation is moving and poignant. Only a cliched scene tacked on at the end gives the film's intentions away despite its frequent sexual situations and nudity. ~ Robert Firsching, All Movie Guide