Dora Clement Movies
Dora Clement (sometimes credited as Dora Clemant) spent most of her professional acting career in the far west of the United States, where she was born, in Spokane, WA, in 1891. The tall, elegant actress -- who made one think of Frieda Inescourt -- was in almost 700 plays before making her Broadway debut in November 1944 in the original cast of Harvey as Betty Chumley (the role played by Nana Bryant in the 1950 movie). By that time, she was no longer doing movies, having been in some 73 of them (usually in uncredited roles) between 1934 and 1942. Most of her movie work involved small roles with no more than a day -- or, at most, a few days' -- shooting at a time, and Clement was able to squeeze them in around acting in the theater and also lecturing and teaching about theater. She usually played smaller roles that required dignity and distinctly middle-aged beauty -- mothers, society matrons, middle-level female executives, and secretaries -- in bigger movies, such as a saleslady in Mitchell Leisen's Easy Living (1937) or the woman under the sunlamp in George Cukor's The Women (1939). She was called by all of the major studios at one time or another, including Fox, MGM, Paramount, and Columbia, but she seemed to get some of her best roles at Universal, most notably in Buck Privates (1941), Abbott & Costello's debut starring vehicle. She actually had three major scenes in that picture (one of them excellent) as Miss Durling, the woman in charge of the camp hostesses (which include co-stars Jane Frazee and the Andrews Sisters). And Clement's most important movie role in terms of plot -- also at Univeral -- was in one of the lowest budgeted vehicles in which she ever appeared, as Ann Zorka, the beloved wife of Bela Lugosi's mad scientist Alex Zorka, in the serial The Phantom Creeps (1939). Her character's death, caused accidentally by her husband in the second chapter -- when he disables a plane carrying the government agents pursuing him (on which his wife, unbeknownst to him, also happens to be traveling) -- pushes Zorka over the edge, to seek revenge on the entire world for the next 10 chapters. In the early '50s, she made a few appearances in various early television dramas and on anthology shows such as Philco Television Playhouse and Goodyear Television Playhouse, but she had retired from that medium, as well, by the middle of the decade. She reportedly passed away a quarter century later in Washington, D.C. ~ Bruce Eder, All Movie GuideForgotten Faces is the third of four versions of the old chestnut Heliotrope Harry. Herbert Marshall stars as Harry Ashton, a gambler-turned-jailbird saddled with a vindictive ex-wife named Cleo (Gertrude Michael). Seventeen years after the break-up, an impoverished Cleo, now a cheap burlesque performer, searches for her daughter Sally (Jane Rhodes), whom she gave up for adoption. She blackmails Sally's foster parents, threatening to tell the girl that her real mother is a tramp and her real father has just served a long prison term. But Harry, recently paroled, stops Cleo in her tracks by killing her. This grand gesture also costs him his own life, but at least he can shuffle off his mortal coil secure in the knowledge that his daughter will be spared the truth. Director E. A. Dupont is at his Germanic best in Forgotten Faces, which is altogether suitable to the melodramatic nature of the storyline. ~ Hal Erickson, All Movie Guide
- Starring:
- Herbert Marshall, Gertrude Michael, (more)
King of Hockey was one of three low-budget hockey films released during the 1936-37 season, each one produced by a different studio. Dick Purcell stars as swell-headed hockey champ Gabby Dugan, whose career is abruptly terminated when he's accused of shaving points during a crucial game. Even worse, a blow on the skull induces temporary blindness, causing Gabby to wonder if he'll ever get to play again. Not only does he stage a spectacular comeback, but he also wins back the love of his estranged sweetheart Kathleen O'Rourke (Anne Nagel). A goodly portion of the film is given over to juvenile performer Ann Gillis, whom Warner Bros. evidently hoped would develop into the "new Shirley Temple" (even though there was still plenty of mileage left in the "old" Shirley Temple). ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Purcell, Anne Nagel, (more)
In this drama, the big city wife of a small town doctor learns a valuable lesson as she struggles to adapt to rural life. ~ Sandra Brennan, All Movie Guide
- Starring:
- Pat O'Brien, Josephine Hutchinson, (more)
Ann Sothern essays the title role in My American Wife. The story opens in Smelter City, Arizona, where the richest man in town is grizzled old Indian fighter Lafe Cantillon (Fred Stone). Lafe's social-climbing sister-in-law (Billie Burke) insists that her daughter Mary wed a titled European, Count Ferdinand (Francis Lederer). Much to Lafe's delight, Mary isn't assimilated into Continental high society; instead, she instructs Count Ferdinand in the virtues of good, old-fashioned American democracy. And, of, course, the Count and Lafe become great chums when the "furriner" proves that he can ride a bucking bronco with the best of 'em. ~ Hal Erickson, All Movie Guide
- Starring:
- Francis Lederer, Ann Sothern, (more)
The first major film about psychiatry, Private Worlds stars Claudette Colbert as a psychiatrist with more than a few problems of her own. Colbert's appointment to a top mental hospital is frowned upon by head doctor Charles Boyer, who doesn't have much confidence in woman doctors of any kind. A secondary storyline involves Boyer's sister Helen Vinson, who lusts for a young married doctor (Joel McCrea). The doctor's wife (Joan Bennett) subsequently goes insane in an "off-angled" scene anticipating the techniques of film noir by nearly a decade. Meanwhile, doctors Boyer and Colbert establish a mutual respect which deepens into love. Based on a novel by Phyllis Bottomes, Private Worlds is stronger in its vignettes (including a scene in which Boyer comforts a dying patient by speaking a few words in the patient's native tongue) than in its longer "plot" scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Charles Boyer, (more)
The old British musical-hall ditty "The Man Who Broke the Bank at Monte Carlo" provides the title for this lightweight Ronald Colman vehicle. Colman, playing a refugee Russian prince, is the "man" in question, and the owners of the "broken bank"--that is, the proprietors of the Monte Carlo casino where Colman scored the big win--are anxious to get their money back. They dispatch the beautiful Joan Bennett to lure Colman back into the casino. He falls for her and loses his winnings in the process, but she has pangs of remorse when she learns that Colman had been gambling on behalf of his impoverished countrymen. Bennett joins Colman as he merrily heads off to chase another rainbow. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Joan Bennett, (more)
"She" is secretary Claudette Colbert and "Her Boss" is Melvyn Douglas. Once married, Colbert discovers that Douglas expects her to work as usual. She must also contend with his wealthy, snooty family, whose most hateful member is his spoiled brat of a daughter (Edith Fellows) by a previous marriage. Rebelling against her repressive existence, Colbert eventually puts her in-laws in their place and arouses the ardor of the "strictly business" Douglas. While consistently amusing throughout, the highlight of She Married Her Boss is a first-reel bit of pantomimic whimsy involving Claudette Colbert and a roomful of department store mannequins. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Melvyn Douglas, (more)
Oklahoma's own Will Rogers stars in In Old Kentucky. The storyline is in the grand tradition of most films about the Bluegrass State: There's a long-standing family feud, a pair of star-crossed lovers, and a crucial horse race. Rogers cuts through the banality with his seemingly off-the-cuff observations about Kentucky life in particular and the World in general. The best moment of In Old Kentucky has Rogers attempting to escape from jail by putting on blackface makeup and disguising himself as Bill "Bojangles" Robinson--whereupon he's forced to tap-dance to prove his identity. 1935's In Old Kentucky was the third film version of Charles T. Dazey's 1895 stage play. ~ Hal Erickson, All Movie Guide
- Starring:
- Will Rogers, Dorothy Wilson, (more)
Based on an idea by Will Rogers, the story concerns the efforts by the President of the United States to get the public's mind off the Depression. To this end, he appoints Broadway impresario Lawrence Cromwell (Warner Baxter) to the new cabinet position of "Secretary of Amusement." Wasting no time, Cromwell sets about to nationalize the entertainment industry, organizing singers, dancers, actors and other variety artists into batallion-like touring units. Cromwell is fought at every turn by a cartel of wealthy industrialists, who've been profiting from the Depression and have no desire to see America pull itself upward. Happily, every effort to bribe or cajole Cromwell into giving up his mission is thwarted and the Department of Amusement goes on to help the the country at a time when its citizens most needed it. Among the highlights are an energetic "revival-meeting" musical number by Aunt Jemima (Theresa Gardella), and 6-year-old Shirley Temple's rendition of "Baby Take a Bow." Originally released at 80 minutes, Stand Up and Cheer was edited to 69 minutes for reissue, then to 65 minutes (removing most of Stepin Fetchit's scenes) for television: it was this last version which was computer-colorized in 1987. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, Madge Evans, (more)
Student Tour looks like an MGM musical two-reeler that was expanded to feature length as it went along. Charles Butterworth and Jimmy Durante are teamed respectively as fey philosophy professor Lippincott and brash athletic coach Hank. The two comics shepherd a co-ed college rowing team on a world tour, with orders to keep the team's rowdy captain Bobby (Phil Regan) out of trouble. Lackluster leading lady Maxine Doyle co-stars as Ann, a plain-jane who takes off her glasses at a Monte Carlo masquerade ball and wins BMOC Bobby for her very own. Ann also brings the story to a rousing conclusion by substituting for the cockswain in the climatic rowing race, urging the team to victory with a peppy song-and-dance. Nelson Eddy also shows up to sing "The Carlo," a pulsating number obviously inspired by "Bolero." The film's giddy highlight is "Taj Mahal," in which a group of pretty students (including a young Betty Grable) go swimming in the pool of the famous Indian shrine! According to studio publicity, a crop of genuine college coeds were hired to play the students in Student Tour, but to the trained eye they sure look like standard Hollywood extras and bit players. ~ Hal Erickson, All Movie Guide
- Starring:
- Jimmy Durante, Charles Butterworth, (more)












