Aurore Clément Movies

Francis Coppola had more than his share of production difficulties while shooting his epic-scale Vietnam War drama Apocalypse Now, including disastrous weather conditions, problems with his leading men (Harvey Keitel was fired after less than two weeks on the project and was replaced by Martin Sheen, who suffered a heart attack midway through production), and a schedule and budget that quickly spiraled out of control (originally budgeted at $10 million, the film's final cost was over $30 million). But Coppola's troubles didn't end when he got his footage into the editing room, and he tinkered with a number of different structures and endings before settling on the film's 153-minute final cut in time for its initial theatrical release in 1979. Twenty-two years later, Francis Coppola returned to the material, and created Apocalypse Now Redux, an expanded and re-edited version of the film that adds 53 minutes of footage excised from the film's original release. In addition to adding a number of smaller moments that even out the film's rhythms, Apocalypse Now Redux restores two much-discussed sequences that Coppola chose not to include in his original edition of the film -- an encounter in the jungle between Willard (Martin Sheen), his crewmates Chief (Albert Hall), Clean (Larry Fishburne), Chef (Frederic Forrest), and Lance (Sam Bottoms) and a trio of stranded Playboy models on a U.S.O. tour, as well as a stopover at a plantation operated by French colonists De Marais (Christian Marquand) and Roxanne (Aurore Clement). Apocalypse Now Redux received a limited theatrical release in August of 2001 after a well-received screening at the Cannes Film Festival -- the same month that the film finally reached theaters in 1979, after a rough cut received a Golden Palm award at the Cannes Festival. ~ Mark Deming, All Movie Guide

A junior executive (Giancarlo Giannini) is exasperated with his sexually repressed wife (Angela Molina) in this black comedy dripping with satire. The couple later ends up in bed with the man's mistress (Ombretta Colli) for a menage a trois. The man is pestered by his frantic friend Gualitiero (Paolo Bonacelli), who is convinced that someone is out to kill him. Ada (Aurore Clement) is the worried man's nymphomaniacal wife who is always on the outlook for some kinky sex. The theme is that human triviality and hang-ups hamper the quests of basic needs that can lead to a satisfying existence. ~ Dan Pavlides, All Movie Guide

Dear Father and Dear Papa are the English-language titles for the Italian domestic drama Caro Papa. Vittorio Gassman plays a flint-hearted industrialist who thinks as little of destroying his business partner as he does of cheating on his wife. Gassman's son is an apparently weak-willed lad, who may or may not have become involved in the "Red Brigade". When Gassman learns that his son has been appointed to execute someone known only as "P", he assumes the victim is his ex-partner. Only as he is being gunned down does the industrialist realize that "P" stands for Papa. But that's not the end of Dear Father; there's still a viciously ironic coda before the final fade-out. ~ Hal Erickson, All Movie Guide

The very busy actor Michel Serrault lends his talents to the depiction of a monstre sacree of French literature, the extremely repugnant but very clever Paul Leautaud, who was famous for his rude, clever observations and his epigrams. Although unkempt and very mean, his rapier-like wit and strong lust were sufficiently magnetic that at the time of this film he was engaged in a long-term relationship with his equally vile mistress (Annie Girardot), and a new relationship with a librarian (Aurore Clement) who is a fan of his writing. The story is based on the author's personal diaries from the period. ~ Clarke Fountain, All Movie Guide

Based on a short story from Giuseppe Pontiggia's popular Italian book Vite di uomini non illustri (Lives of Non-Illustrious Men), this comedy chronicles the many lively phases in the life of Claudia Bertelli, who lived between 1949 and 2011. Born to former radicals turned conservative middle-class Milanese, Claudia realizes that her parents can never consciously decide whether they find her behavior shocking or tolerable. During the 1960s, Claudia gets involved with protesting and falls in love for the first time with an idealistic, angry reactionary who subsequently disappears "underground" for many years. By the time he finally emerges he has become a corrupt devotee of the Socialist Party leader Bettino Craxi. By the 1970s, Claudia's protests have taken a feminist bent. She shocks her parents when she gives birth to a black baby from an unknown father and then later marries a Jewish philosopher. It doesn't last, but Claudia continues to be socially conscious for the rest of her life. ~ Sandra Brennan, All Movie Guide

The endearing efforts of a divorced, simple baker to capture the attentions of a bourgeois society woman fuel the action in this comedy by Pupi Avati. It is 1950 and the coastal town of Rimini is about to experience another influx of the monied elite who come to wile away their time in elegant beach houses. Among them is the wealthy Gaia (Aurore Clement), her philandering husband, and her daughter Sandra (Lidia Broccolino). Vanni the baker (Carlo Delle Piane) is excited because he has been infatuated with the beautiful Gaia for 10 years now. When Gaia asks him to prepare a graduation party for her daughter Sandra, Vanni pulls out all the stops and sinks into debt to do a good job. Meanwhile, his son Nicola (Nik Novecento) is chasing after Sandra. Without any way of knowing beforehand, Vanni is heading toward total disaster -- and an education on the morals of the worst of the Italian bourgeoisie. ~ Eleanor Mannikka, All Movie Guide

In this post-apocalpytic adventure story, narrated by Van Johnson), Teo (Fabrice Josso) lives underground in a cave with his father, who is a member of a ruling clan. Except for people within a family, all contacts between citizens are supposed to be electronic. However, Teo manages to contact and arrange to meet a girl named Beatrice (Ines Sastre). Not only that, but they use forgotten conduits to travel to the forbidden aboveground world. There, he and Beatrice meet and have some adventures with rat-like mutants living in the ruins of old cities while a man from the caves (Horst Buchholz) hunt for them. At first these adventures with the mutants are purely hostile, but eventually Teo becomes a leader among them, and takes them to a place where they may be safe from attacks by the underground people. ~ Clarke Fountain, All Movie Guide

Writer, director, and actor Yvan Attal takes another look at the ups and downs of love and monogamy in this biting romantic comedy. Vincent (Yvan Attal), Fred (Alain Cohen), and Georges (Alain Chabat) are three Parisian men in their early forties who are coming to the unfortunate realization that their love lives are not what they dreamed of in their youth. Vincent is married to Gabrielle (Charlotte Gainsbourg), and while there's still some spark left in their marriage, it usually appears only after an argument. Vincent is having a furtive affair with a beautiful woman (Angie David), while Gabrielle is tempted to do the same when a handsome man in a record shop (Johnny Depp) begins silently flirting with her. Fred is the bachelor of the group, and seems to have an endless parade of women passing through his bedroom, but no one misses the fact that he longs for the sort of long-term relationship that has so far evaded him. And Georges is reaching the end of his rope with his wife, Nathalie (Emmanuelle Seigner), an abrasive feminist who insists on making every aspect of their lives a political matter, but lacking the courage to break up with her, Georges deals with his feelings in the traditional manner -- he buys a new car. Happily Ever After was Attal's first project as writer and director after his international hit Ma Femme Est une Actrice. ~ Mark Deming, All Movie Guide

In the working-class Paris suburb of Montreuil, Jimmy's (Bruno Solo) restaurant, the Bombay Bar, is on the verge of being closed down by creditors. Jimmy is despondent -- the fact that his wife is about to have a baby isn't helping matters -- when he and his business partner Fifi (Lorant Deutsch) find unlikely inspiration in the form of "Riches et Sympas," a TV show dedicated to the lives of the rich and famous. Figuring that getting the "right" people to frequent their business will ensure its reputation, Jimmy and Fifi persuade Jimmy's friend, the laid-back, unemployed Mike (Samuel Le Bihan), to pose as a nobleman and lure his moneyed associates to the Bombay Bar. Mike agrees, and after crashing a posh charity ball, he finds himself being taken in by the likes of society fixture Arthus de Poulignac (Lambert Wilson) and Evrard (Guillaume Gallienne), the latter of whom ensconces Mike in his private mansion. Unfortunately, Mike soon becomes a little too fond of his newly-acquired lifestyle, leaving Jimmy to wonder what to do with the monster he unwittingly created. ~ Rebecca Flint Marx, All Movie Guide

Although there are women in the lives of the three main protagonists -- a middle-aged architect, his construction designer, and a journalist -- the women are not as crucial to the men's search for an identity as the title might suggest. When the three men run into a former professor of the architect and designer, they are inspired by his fanfare and expansive nature. Still in search of solutions to their particular problems, the men head out to visit the professor and get to the bottom of their own issues. Unfortunately, the professor turns out to be more "loco" than otherwise, and the three men watch their hopes burst like a popped balloon -- it seems like their ability to assess human character should now be added to their list of problem spots. ~ Eleanor Mannikka, All Movie Guide

The master of French suspense joins forces with the queen of English suspense fiction for this tense tale of the treacherous love affair between a disturbed bridesmaid and an unsuspecting young man. Philippe (Benoit Magimel) lives in a quiet French town with his hairdresser mother Christine (Aurore Clément) and two younger sisters. Soon after the news breaks about a local girl who has mysteriously vanished, Philippe's mother introduces her children to Gerard (Bernard Le Coq) -- a local businessman who may have matrimonial intentions toward the attractive beautician. Soon after receiving permission from her children to present Gerard with a sculpture of a woman's head that had previously adorned the family garden, however, the elusive beau seems to disappear without a trace. Philippe is intent on recovering the captivating piece of art, and after stealthily recovering it in a clandestine mission he places it in his closet without telling the rest of the family. Later, at his sister's wedding, Philippe meets attractive bridesmaid Senta (Laura Smet) and passion between the pair quickly ignites during a stormy seduction. A model and aspiring actress who lives alone in a massive villa inherited from her father, sultry Senta may be physically irresistible, yet she also seems to have a few morbid preconceptions about life, love, and death. As the affair between the pair grows increasingly heated, Philippe at first takes her request to murder a stranger as a means of proving his love as a joke. The more he gets to know her the more that it appears that Senta is in fact deadly serious about her dark request. ~ Jason Buchanan, All Movie Guide