Adam Gregor Movies

Rock star Adam Ant tops the cast in Trust Me. The premise is as old as dirt, maybe older: art dealer Ant decides that his paintings would be far more valuable if the artists were dead. Now comes the twist: Ant fully intends to make certain that his artists are dead. In particular danger is Ant's chief protege, Brian Packer, who is on the verge of outliving his usefulness. Slapstick, satire and irony are blended in equal measure, resulting in a diverting (if not brilliant) filmic experience. Cast as another art dealer is Barbara Bain, who after years on stage and television is here making her theatrical-feature debut. ~ Hal Erickson, All Movie Guide

In the second episode of The A-Team's three-part Season Five opener, the Team is betrayed by Vietnam vet Josh Curtis (Sandy McPeak) and forced to stand trial for their lives, accused of killing their former commanding officer Col. Morrison and robbing a Hanoi bank. Curiously, Murdock (Dwight Schultz) is not held for trial, and is thus able to secure the services of defense attorney Benny Conway (Byrne Piven). Alas, as the trial progresses, it is painfully clear that the witnesses are lying and the evidence has been manufactured--but who is behind this travesty of justice? ~ Hal Erickson, All Movie Guide

Previously filmed in Argentina in 1951, black author Richard Wright's powerful race-conscious novel Native Son was remade in this barely released 1986 version. The story involves Bigger Thomas (Victor Thomas), an angry Depression-era Chicago black who hopes to elevate himself through his chauffeur's job with a prosperous white Gold Coast family. The family's daughter (Elizabeth McGovern) takes advantage of Bigger's servile status by ordering him to drive her to a rendezvous with her communist-activist lover (Matt Dillon). Their "parlor liberal" attitude both pleases and confuses Bigger, as do the girl's apparent sexual advance towards him. One evening, Bigger drives the girl home after she's gotten herself drunk. She flirts harmlessly with him in her bedroom; when her blind mother (Carroll Baker) stumbles onto the scene, the terrified Bigger, certain that he'll be accused of rape, tries to muffle the girl so she can't talk. He accidentally kills her, whereupon the panicky Bigger hides the body and tries to pin the girl's "kidnapping" on her lover. Tragedy piles upon tragedy before Bigger's climactic murder trial and execution; throughout, we are given the impression that this sorry state of affairs would never have taken place without the black-white tensions and divisiveness that existed in 1930s, and which still exist to this day. During the trial scene, TV talk host Oprah Winfrey makes a heavily-made-up cameo appearance as Bigger's mother. The whole scene has the earmarks of an "Oscar clip," but Oprah's excessive histrionics pale in comparison to her brilliant, well-modulated performance in the earlier The Color Purple. The 1986 version of Native Son was co-produced by PBS' American Playhouse. ~ Hal Erickson, All Movie Guide

Originally made for television, a psychotic blackmails his beloved by demolishing areas of the city until she goes out with him. ~ John Bush, All Movie Guide