Lee Van Cleef Movies

Of the many filmed versions of the October 26, 1881, O.K. Corral shootout in Tombstone, Arizona, Gunfight at the O.K. Corral was one of the most elaborate and star-studded. Burt Lancaster plays Wyatt Earp, the renowned lawman, while Kirk Douglas is consumptive gambler (and gunfighter) Doc Holliday -- the two meet in difficult circumstances, as Earp discovers that Holiday, for whom he initially feels little but loathing, is being held on a trumped up murder charge and being set up for a lynching, and intercedes on his behalf. The action shifts to Dodge City, Kansas, where Earp is marshal and Holiday, hardly grateful for the good turn, shows up right in the middle of all kinds of trouble, this time mostly on Earp's side of the ledger. And, finally, the two turn up in Tombstone, Arizona, where Wyatt's brother Virgil is city marshal, and where Wyatt finally gets to confront the Clanton/McLowery outlaw gang (led by Lyle Bettger as Ike Clanton). Since the time-span of the actual gunfight was at most 90 seconds, the bulk of the film concerns the tensions across many months leading up to the famous battle. As scripted by Leon Uris (from a magazine story by George Scullin), the story involves two unrelated but parallel plot-lines -- a long-standing vendetta against Holliday and the efforts of Earp to bring the Clanton/McLowery gang to justice -- that are eventually drawn together on the streets of Tombstone. Woven into these proceedings are Earp's and Holliday's romantic dalliances with lady gambler Laura Denbow (Rhonda Fleming) and Kate Fisher (Jo Van Fleet), whose switch in affections from Holiday to outlaw fast-gun Johnny Ringo (John Ireland) only rachets up gambler's rage and the reasons behind the bloody climax. There are plenty of bribery attempts, terse dialogue exchanges and "Mexican standoffs" before the inevitable gunfight takes place. Director John Sturges takes some dramatic license with this confrontation, as well, stretching things out to nearly six minutes, but this is after all an "A" production, and a minute-and-a-half of gunfire just wouldn't cut it. The huge cast of western veterans includes Earl Holliman as Charles Bassett, Dennis Hopper as Billy Clanton, Kenneth Tobey as Bat Masterson, Lee Van Cleef as Ed Bailey, Jack Elam as Tom McLowery, and John Hudson, DeForest Kelley and Martin Milner as Virgil, Morgan, and James Earp, respectively. And there's that Dimitri Tiomkin score, pushing the movie's momentum as relentlessly as the two driven heroes, complete with a song (sung by Frankie Laine) underscoring the major transitions of scenes that's impossible to forget, once heard. Sturges himself would produce and direct a more fact-based and realistic version of the story -- focusing mostly on its aftermath -- a decade later, entitled Hour of the Gun, starring James Garner, Jason Robards, Jr., and Robert Ryan, which wasn't nearly as attractive or successful. But after Gunfight At The OK Corral, there would not be so impressive a lineup of talent at the OK Corral again until the twin Earp biopics of 1994, Wyatt Earp and Tombstone.
~ Hal Erickson, All Movie Guide

Though Roger Corman was still new to sci-fi in 1956, he made up for lost time with the above-average quickie It Conquered the World. Peter Graves heads the cast as Paul Nelson, who suspects that his best friend, eccentric genius Tom Anderson (Lee Van Cleef), is up to no good. Sure enough, Tom has contacted the denizens of the planet Venus, who hope to exploit Tom's weak nature in order to take over the world. Before long, the Venusians have taken over the minds and bodies of virtually all of Tom's friends and loved ones. It is up to Paul and a handful of un-brainwashed earthlings to halt this subversive alien invasion. Scripted by Charles Griffith (of Little Shop of Horrors fame), It Conquered the World is a thinly disguised attack on totalitarianism, from both the Left and Right. Corman regulars Beverly Garland, Dick Miller and Jonathan Haze make brief but significant appearances. The film represented first "monster" creation of Paul Blaisdel, whose Venusian leader looks like a surly carrot. It Conquered the World was remade--badly--as Zontar, the Thing from Venus (1968). ~ Hal Erickson, All Movie Guide

In the historical epic The Conqueror, John Wayne stars as Temujin, better known as Genghis Khan. Red-haired Susan Hayward costars as Bortai, the Tartar princess whom Temujin claims as the spoils of battle. Eventually, Bortai's hatred for her captor metamorphoses into love, while Temujin's hordes lay claim to the entire Gobi Desert. Director Dick Powell, many of the actors (John Wayne, Susan Hayward, Pedro Armendariz, Thomas Gomez, Agnes Moorehead), and several of the crew members later fell victim to cancer, allegedly the result of producer Howard Hughes' decision to lens the film on location near the atomic testing grounds in the Utah desert. ~ Hal Erickson, All Movie Guide

In this drama, a divinity student endeavors to help the police break up the rackets by impersonating his jailed brother, a gangster. In his disguise, he gets into his brother's gang and cons them into to uniting with other gangs to improve efficiency. He then coerces them into keeping careful records of their various rackets. Trouble ensues when the real gangster brother busts out of jail and threatens to expose his brother. Fortunately, he is accidently killed by one of his own men. The good brother's actions bear fruit when all the racketeers are exposed, rounded-up, and sent to jail. ~ Sandra Brennan, All Movie Guide

Zachary Scott heads the cast of the heavily plotted western Treasure of Ruby Hills. The son of a notorious outlaw, Haney (Scott) intends to settle down peacefully in Soledad, Arizona. This proves difficult when Haney finds himself in the middle of a violent feud over water rights. The heavy of the piece is ranch foreman Doran (Dick Foran), who plays both sides down the middle in hopes of grabbing control of the water for himself. Carole Mathews co-stars as Sherry, Haney's sweetheart, while Lola Albright steals every scene she's in as the voluptuous May. Treasure of Ruby Hills was lensed by Allied Artists in the same locations later utilized by the studio's "Bowery Boys" opus Dig That Uranium. ~ Hal Erickson, All Movie Guide

Police Lt. Leonard Diamond (Cornel Wilde) is criticized by his superior Capt. Peterson (Robert Middleton) for his obsessive but fruitless investigation of organized crime boss Mr. Brown (Richard Conte). Peterson calls it a waste of the taxpayers' money motivated by Diamond's love for Brown's girlfriend Susan Lowell (Jean Wallace). Watched at all times by henchmen Mingo (Earl Holliman) and Fante (Lee Van Cleef), and masochistically drawn to Brown, Susan is unable to walk away from him. She overdoses on pills in a suicide attempt and, in her delirium, utters the name "Alicia." Diamond follows up on that new lead, and as he gets closer to defeating his adversary, the arrogant and sadistic Brown retaliates by capturing and torturing Diamond. Meanwhile Brown's former boss but now humiliated underling, Joe McClure (Brian Donlevy), believing that Brown has gone too far in his personal vendetta against Diamond, tries to enlist Mingo and Fante in overthrowing him. However, they remain loyal, and, in a chillingly silent scene visually punctuated by flashes of gunfire, they shoot the deaf McClure after Brown removes his hearing aid. Though superficially a story of good vs. evil, Joseph H. Lewis's film noir presents a complex world, visually captured by John Alton's stark photography, in which the lines between good/evil and love/hate are not always clear. ~ Steve Press, All Movie Guide

Debra Paget displays as much epidermis as the 1954 censors would allow in the escapist adventure Princess of the Nile. Ms. Paget is cast as Taura, a fearless 13th century princess who does her best to defend Egypt against an invading Bedouin (Michael Rennie). When not wielding her trusty scimitar, Taura poses as a dancing girl to undermine the Bedouin's plans. She is aided by the Prince Haidi (Jeffrey Hunter), son of the Caliph of Baghdad. The plotline is negligible: the audience was more interested in watching Debra Paget and scores of underclad lovelies undulating to the quasi-Eastern musical score by Lionel Newman. ~ Hal Erickson, All Movie Guide

Gypsy Colt was based on a story by Eric Knight, better known for his enduring dog saga Lassie Come Home. This time, a beautiful black colt subs for Lassie, undergoing all sorts of perilous adventures out of love for its mistress, little Meg McWade (Donna Corcoran). Living with her mother and father (Ward Bond, Frances Dee) in a drought-ridden farming community, Donna is dismayed to learn that her parents may be forced to sell her beloved colt to pay off their mounting debts. But the colt manages to escape its new owner, making a 500-mile journey back to Meg's waiting arms. Future spaghetti-western star Lee Van Cleef has a meaty supporting role as a dour groom. A 60-minute version of Gypsy Colt was made available in 1967 as part of the weekly TV anthology Off to See the Wizard. ~ Hal Erickson, All Movie Guide

Arrow in the Dust is an intelligently assembled story of regeneration. Deserting cavalry trooper Bart Laish (Sterling Hayden) is forced by a series of circumstances to assume the identity of his dead commanding officer. In this guise, Laish is put in charge of a wagon train heading through Indian country. At first intending to weasel out of the responsibility, Laish eventually takes his duties seriously, and in so doing he restores his own innate courage and self-respect. Alas, he is undermined by duplicitous Tillotson (Tudor Owen), who intends to betray his fellow passengers and sell guns to the Indians. Coleen Gray costars as Christella, who comes to love the renegade Laish and helps him to rebuild his tarnished reputaton. ~ Hal Erickson, All Movie Guide

Rory Calhoun stars as veteran gunfighter Brett Wade in Dawn at Socorro. In a lengthy flashback, the audience learns why Wade has hung up his guns and turned to gambling. Upon meeting dance-hall girl Rannah Hayes (Piper Laurie), he vows to take her out of the shady saloon run by Dick Braden (David Brian). He engages Braden in a card game, winner take all, with Rannah as the stakes--only to lose everything. Sorely tempted to strap on his guns again to claim Rannah, Wade is saved from this fateful decision by the timely arrival of another notorious fast gun, Jimmy Rapp (Alex Nicol). Less of a traditional western than a character study, Dawn at Socorro received better-than-usual reviews when it first came out in July of 1954. ~ Hal Erickson, All Movie Guide

The psychological makeup of a dangerous gunman is probed in Jack Slade. Beginning with his childhood, Slade (Mark Stevens) is shown to be extremely unbalanced; in fact, he kills his first man at age 13. Growing up in the West, Slade comes to the conclusion that his gun is his only friend. At first, he is regarded as a hero because he does his killings on the side of the law; eventually, however, his homicidal tendencies overwhelm him, and he shoots without discretion or even reason. It is a tribute to actor Mark Stevens that he is able to make this character fascinating, rather than totally repellant. The only fault that can be found in Jack Slade is its length; the film would be twice as effective if shorn by 15 minutes or so. ~ Hal Erickson, All Movie Guide

Bandits of Corsica was also released as The Return of the Corsican Brothers. Bearing only the faintest resemblance to the Alexandre Dumas original, the film stars Richard Greene in the dual role of good brother Mario and his evil twin Lucien. Mario leads his fellow Corsicans in a revolt against the despotic Jonatto (Raymond Burr). Meanwhile, Lucien beats his brother's time at home by making love to his brother's wife (Paula Raymond). He also intends to see Mario dead, even though he feels his brother's pain--literally--at every juncture. Way down near the bottom of the cast list was Clayton Moore, who was between episodes of TV's The Lone Ranger. ~ Hal Erickson, All Movie Guide