Lee Van Cleef Movies

Kansas City Confidential, Phil Karlson's low (low) budget, B-grade film noir, opens on a Kansas City armored-car robbery perpetrated by cynical, corrupt ex-policeman Timothy Foster (Preston S. Foster). Foster devises an outrageous scheme: he will recruit three of the most vicious and unrelenting criminals he can find (screen heavies Lee Van Cleef, Jack Elam and Neville Brand) to undertake a robbery, blackmailing them into the heist with incriminating evidence from other "jobs." As an eccentric and clever conceit, Foster forces each of the perpetrators to wear masks, thus concealing their identities from one another and preventing the old pitfall of the men squealing and backstabbing. The heist comes off without a scratch, but a complication arises when the ignorant cops pick up an unrelated fellow, Joe Rolfe (John Payne) for his ownership of a van similar to the one used in the caper. In time, Rolfe is cleared, but he grows irate over the accusations and sets off to find Foster and co. and teach them a lesson. He finally happens upon one of the perpetrators in Mexico, beats him nearly to death, and assumes the victim's identity - and that's when things really get complicated. Though produced under the Hays Code censorship regulations, Kansas City Confidential constituted one of the most brutal and violent crime pictures made up through that time; as such, it retains historical significance. It also claims a strong cult following. ~ Nathan Southern, All Movie Guide

This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly). But his happiness is short-lived when he is informed that the Miller gang, whose leader (Ian McDonald) Will had arrested, is due on the 12:00 train. Pacifist Amy urges Will to leave town and forget about the Millers, but this isn't his style; protecting Hadleyburg has always been his duty, and it remains so now. But when he asks for deputies to fend off the Millers, virtually nobody will stand by him. Chief Deputy Harvey Pell (Lloyd Bridges) covets Will's job and ex-mistress (Katy Jurado); his mentor, former lawman Martin Howe (Lon Chaney Jr.) is now arthritic and unable to wield a gun. Even Amy, who doesn't want to be around for her husband's apparently certain demise, deserts him. Meanwhile, the clocks tick off the minutes to High Noon -- the film is shot in "real time," so that its 85-minute length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, steeling himself for his showdown with the murderous Millers. Considered a landmark of the "adult western," High Noon won four Academy Awards (including Best Actor for Cooper) and Best Song for the hit, "Do Not Forsake Me, O My Darling" sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, one of Hollywood's most virulent anti-Communists. John Wayne, another notable showbiz right-winger and Western hero, was so appalled at the notion that a Western marshal would beg for help in a showdown that he and director Howard Hawks "answered" High Noon with Rio Bravo (1959). ~ Hal Erickson, All Movie Guide

Bob Danvers, an arrogant, irresponsible rodeo star, retaliates for losing his wife by having an affair with a pretty fan in this melodrama. His wife, Ruth, really loves him, but she can no longer handle his selfishness and leaves. Hob has his moment of truth at a major Tucson rodeo when his ex-buddy, now a rodeo clown, sacrifices his life to save Hob from being gored by a berserk Brahma bull. The film features realistic scenes from a rodeo and was originally a 3-D picture. ~ Sandra Brennan, All Movie Guide

Though both Edward G. Robinson and Paulette Goddard were at career low points when they filmed Vice Squad, both actors were too professional to give anything less than their very best. Robinson plays Captain Barnaby of the titular squad, who during a routine day at the station takes charge of a case involving the killing of a patrolman. Barnaby holds Jack Hartrampf (Porter Hall), a witness to the murder, in protective custody. Hartrampf had been making a clandestine meeting with a pretty young lady, and is afraid to tell the police what he knows for fear of losing his reputation and getting the girl involved in the mess. With the help of Mona (Goddard), head of the so-called escort bureau who arranged the tryst, Barnaby is able to follow the trail of clues to bank robbers Barkis (Edward Binns) and Pete (Lee van Cleef). There's many an additional complication -- including a kidnapping and a false arrest -- before Barnaby is able to call it a day. ~ Hal Erickson, All Movie Guide

In this entry in the long-running Bowery Boys series, Sach becomes a mind-reader after he is punched in the nose. To capitalize on his new talent, he and the boys open the Eagle Eye Detective Agency. Their first client, a forgetful fellow, desperately needs them to find the combination to the vault where he placed an envelope containing secret information about a group of gangsters. The young detectives then don disguises and sneak in to the gangsters' lair to stop them. ~ Sandra Brennan, All Movie Guide

Audie Murphy plays wagon train scout Jim Harvey in Universal-International's Tumbleweed. Through a series of unfortunate circumstances, Harvey is wrongly accused of saving himself while allowing the people under his protection to be slaughtered by Indians. With the help of sheriff Murchoree (Chill Wills) and his Native American friend Tigre (Ernesto Iglesias), Harvey breaks out of jail to prove his innocence. Figuring largely in the proceedings are horse-rancher Nick Buckley (Roy Roberts) and his wife Louella Buckley (K.T. Stevens), who provide Harvey with a "loser" horse that turns out to be a winner when the hero needs it most. The revelation of the film's true villain should be amusing for fans of TV's Gilligan's Island. ~ Hal Erickson, All Movie Guide

Virile leading man Phil Carey heads the cast of the 3D western The Nebraskan. Carey plays U.S. Army scout Wade Harper, assigned to keep his Native American aide Wingfoot (Maurice Jara) in protective custody. Accused of killing an Indian chief, Wingfoot is dearly coveted by the dead man's tribe, who'd like to exact their own brand of justice. Stirring up trouble among the whites is the scurrilous Reno (Lee Van Cleef), who gives psychos a bad name. The film's tiny budget is able to accommodate a few gratuitous "comin' at ya" 3D effects, which do little to enhance the overall quality of the film. More fascinating is the presence of Richard Webb, TV's stalwart "Captain Midnight", as a craven coward. ~ Hal Erickson, All Movie Guide

The Yellow Tomahawk stars Rory Calhoun as a Wyoming Indian scout who forms a strong friendship with Cheyenne warrior Lee Van Cleef. Their relationship is sorely tested when martinet army major Warner Anderson inaugurates a vicious anti-Indian policy, targetted at the Cheyenne women and children. Despite valiant efforts to stem the carnage, Calhoun is eventually forced into a fight to the finish with the understandably vengeful Van Cleef. Much-needed comedy relief is provided by Noah Beery Jr. as a Mexican (!) and Rita Moreno as Beery's Indian bride. Peggie Castle costars as Calhoun's white love interest. ~ Hal Erickson, All Movie Guide

Rails into Laramie is one of the more obscure Universal-International western programmers of the 1950s, but this is no reflection on its entertainment value. John Payne stars as "town tamer" Jefferson Harder, who intends to clean up the wide-open community of Laramie. Everyone knows that the outlaw gang headed by Jim Shanessy (Dan Duryea) is responsible for preventing the railroad from building a line into Laramie, but Shanessy always manages to intimidate the all-male juries into releasing him. He and saloon-hall gal Lou Carter (Mari Blanchard) want to keep the rails out of Laramie so that both can pursue their criminal activities unabated. But when Lou switches sides and aligns herself with Harder, it's the beginning of the end for the scurrilous Shanessy. The film's resolution is "borrowed" from the 1941 western The Lady From Cheyenne and works just as well here as it did in the earlier picture. ~ Hal Erickson, All Movie Guide

The third of four Wayne Morris B-westerns for Allied Artists, Desperado casts Morris as fugitive gunman Sam Garrett. The early reels are devoted to Tall Cameron (James Lydon) and Ray Novac (Rayford Barnes), who run afoul of the post-Civil War Texas State Police, as represented by sadistic Captain Thornton (Nestor Paiva). Escaping Thornton's wrath, Tall and Ray meet Garrett, who becomes Tall's friend and advisor when Ray proves to be a louse. Seeking revenge, Ray kills Thornton and frames Tall for the crime. Sympathetic sheriff Jim Langley (Dabbs Greer) joins forces with "friendly enemy" Garrett to clear Tall and mete out just desserts to Ray. Beverly Garland costars as a more resourceful heroine than one usually finds in westerns of this nature. Though hamstrung by a low budget, Desperado is an intellingently written, well-paced endeavor. ~ Hal Erickson, All Movie Guide

Randolph Scott is tall in the saddle once more in the Scott-Brown production Ten Wanted Men. The star is cast as John Stewart, who attempts to establish law and order on his vast Arizona spread without resorting to violence. Less peacefully inclined is Stewart's chief rival Wick Campbell (Richard Boone), who believes that might is right. To this end, Campbell recruits the services of hired gun Frank Scavo (Leo Gordon) and eight other pluguglies to drive all competition out of the territory. Jocelyn Brando costars as the woman in Stewart's life, while Donna Martell plays Campbell's much-abused mistress. Also registering well is Skip Homeier as Stewart's resentful nephew, who'd rather be anywhere else but Arizona. Ten Wanted Men might have been better had Budd Boetticher handled the direction instead of the competent but pedestrian H. Bruce Humberstone. ~ Hal Erickson, All Movie Guide

In this drama, a divinity student endeavors to help the police break up the rackets by impersonating his jailed brother, a gangster. In his disguise, he gets into his brother's gang and cons them into to uniting with other gangs to improve efficiency. He then coerces them into keeping careful records of their various rackets. Trouble ensues when the real gangster brother busts out of jail and threatens to expose his brother. Fortunately, he is accidently killed by one of his own men. The good brother's actions bear fruit when all the racketeers are exposed, rounded-up, and sent to jail. ~ Sandra Brennan, All Movie Guide