Jill Clayburgh Movies
American actress Jill Clayburgh was fortunate enough to find work in her field of endeavor directly after graduation from Sarah Lawrence University. She acted with the Williamstown Theatre Festival, the Charles Playhouse in Boston, and, with such future film luminaries as Al Pacino she appeared in several off-Broadway productions A tentative stab at film acting in The Wedding Party, filmed at Sarah Lawrence in 1963 but released in 1969, might have been forgotten save for its roster of celebrities-to-be: Jill Clayburgh, Robert DeNiro and director Brian De Palma. Otherwise, Clayburgh's "official" stepping stones into stardom would include her continuing role on the TV daytime drama Search for Tomorrow and her Broadway appearances in such successes as The Rothschilds and Pippin. The actress' earliest mainstream films-- Portnoy's Complaint (1972) and The Thief Who Came to Dinner (1974)--were not exactly vehicles for her talent. It would take her vivid performance as a battered prostitute on the 1974 TV-movie Hustling to make audiences aware of her extraordinary talents. Unfortunately, her turn as Carole Lombard in the unsuccessful 1976 Gable and Lombard set her back a few steps. It helped to be in the box-office winner Silver Streak (1977), though the actress wasn't served well playing second fiddle to Gene Wilder and Richard Pryor; she was given a better chance to shine opposite Burt Reynolds and Kris Kristofferson in Semi-Tough (1977). In 1978 came the turn-around: An Unmarried Woman, in which Clayburgh's richly textured performance as a thirtyish divorcee trying to make sense of her disoriented life should have won her an Academy Award. It didn't, but Clayburgh was now firmly an "A"-list actress. Bucking the usual trend, she decided not to complacently go the "moneymaking vehicle" route but risked her success to stretch her talent in such films as director Bernardo Bertolucci's Luna (1979) and Costa-Gavras' Hannah K (1983). As expected, these non-blockbuster appearances put her career in the doldrums, compelling her to toil for her paycheck in such indifferent films as the 1986 thriller Where are the Children?. But Clayburgh is one of those rare American film stars to whom the work itself is more important than the fame. ~ Hal Erickson, All Movie Guide
A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jill Clayburgh, Alan Bates, (more)
Burt Reynolds and Kris Kristofferson star as two pro-football pals who both fall for the team-owner's very rich daughter. Kind of goofy, kind of funny, and somewhat endearing--those are the qualities that surface in this light-hearted comedy built upon an extremely predictable scenario. ~ All Movie Guide
- Starring:
- Burt Reynolds, Kris Kristofferson, (more)
- 1976
This 1976 episode of Saturday Night Live is hosted by Jill Clayburgh and features musical guest Andy Kaufman. ~ Skyler Miller, All Movie Guide
- Starring:
- Jill Clayburgh, Andy Kaufman, (more)
The love affair between two of Hollywood's greatest stars of the 1930s and '40s is recounted in this biopic. Clark Gable (James Brolin), the tough but quick-witted leading man often called "the King of Hollywood," meets tart-tongued comic actress Carole Lombard (Jill Clayburgh) at a party, and while the attraction between them isn't immediate (in fact they hate each other at first), as fate keeps bringing them together, they fall deeply in love. Gable is married at the time, and studio chief Louis B. Mayer (Allen Garfield) is afraid that his affair with Lombard will lead to a scandal that will destroy the career of his most valuable star, but Gable and Lombard weather the storm of negative publicity, and after Gable's wife grants him a divorce, he marries Lombard. However, their happy marriage is cut short by Lombard's tragic death as she was selling defense bonds during World War II. ~ Mark Deming, All Movie Guide
- Starring:
- James Brolin, Jill Clayburgh, (more)
- 1976
Jeff Griffin (Peter Falk) is dying of cancer. Sarah Phoenix (Jill Clayburgh) is suffering from terminal leukemia. Ignored or reviled by their respective families, Griffin and Phoenix turn to each other for emotional support. Deciding to live their last months to the fullest, they indulge in outrageous, childish public behavior and vent their anger at their conditions full-force, knowing full well that they won't have to answer for their silliness or rage. They also fall in love with each other. The only proviso to their relationship is that Griffin must promise not to visit Phoenix in her final days, and vice versa. Written by John Hill, Griffin and Phoenix: A Love Story was first telecast on February 27, 1976. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Falk, Jill Clayburgh, (more)
While taking a train trip from L.A. to Chicago, mild-mannered George Caldwell (Gene Wilder) makes the acquaintance of Hilly Burns (Jill Clayburgh). As they indulge in a brief bit of spooning, Hilly tells George that her boss is on the verge of exposing a group of vicious art forgers. Later that evening, George sees the body of Hilly's boss being thrown off of the train. Detective Sweet (Ned Beatty) agrees to investigate, but he too is bumped off. The instigator of these outrages is master forger Roger Devereau (Patrick McGoohan), who, with his crony Mr. Whiney (Ray Walston) is planning a particularly diabolical crime. Worse still, they take Hilly prisoner so she can't tip off the cops. When George is also targeted for elimination, he manages in slapstick fashion to elude the killers. Falling off the train, he ends up being arrested on some trumped-up charge or other by a local sheriff. He makes his escape in the company of petty thief Grover Muldoon (Richard Pryor) -- and that's only the beginning. A box-office smash, Silver Streak paved the way for the equally successful 1980 Wilder-Pryor vehicle Stir Crazy. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Wilder, Jill Clayburgh, (more)
- 1975
This TV movie was originally telecast under the simpler title The Art of Crime; it was planned as the pilot for a series to be called Roman Grey. Ron Liebman essays the title role, an "assimilated" gypsy who runs a fashionable antique dealership. When he's not busy bargaining or wooing his live-in lady friend, Liebman tries to help a gypsy friend who has been accused of murder. Filmed on location in New York City, The Art of Crime was based on Bill Smith's novel Gypsy in Amber. The film has the pace of molasses in January, but it does tell you everything you ever cared to know (or ever will care to know) about gypsy lore and customs. ~ Hal Erickson, All Movie Guide
- 1975
Originally produced as the pilot for a prospective TV series and based on a novel entitled Gypsy in Amber, this is the story of a detective, who also happens to be a gypsy, who becomes involved in a homicide case when one of his friends, a fellow antique dealer, is charged with the murder. Interesting and unusual premise. ~ Tana Hobart, All Movie Guide
- 1974
- PG
Based on a novel by Michael Crichton, Terminal Man is a sci-fi thriller about a scientist who decides to be the lab rat in an experimental surgery to control his violent tendencies. During the surgical procedure, a miniature computer is implanted in his head. Unfortunately, the mechanism malfunctions, and he becomes a vicious killer. ~ Kristie Hassen, All Movie Guide
- Starring:
- George Segal
- 1974
This episode offers the viewer a glimpse of two stars in the making: Jill Clayburgh and Suzanne Somers). Clayburgh plays Marilyn Polanski, a model whom Jim Rockford (James Garner) meets while working for Ginny Nelson (Somers), the "widow" of a man (Fred Beir) reported killed in a plane crash. It turns out that Ginny's husband Steve is still alive, and up to his neck in an insurance swindle. And as luck (?) would have it, Marilyn is the only eyewitness when Jim is kidnapped by the minions of two shady characters who have a vested interest in maintaining the illusion of Steve's demise. ~ Hal Erickson, All Movie Guide
- 1973
- PG
Bud Yorkin directed this middling comedy, written by Walter Hill from a novel by Terrence Lore Smith. Ryan O'Neal plays a computer expert named Webster, who alleviates on-the-job doldrums by moonlighting as a successful jewel thief. Webster invites himself to upscale soirees, where he cases out the location and proceeds with his heists. During his adventures, he meets up with Laura (Jacqueline Bisset), a high society woman who teams up with Webster to assist on his heists. Gradually the two fall in love. However, it's not all easy going, since an insurance detective (Warren Oates) suspects that Webster is the jewel thief but he has no proof ... yet. ~ Paul Brenner, All Movie Guide
- Starring:
- Ryan O'Neal, Jacqueline Bisset, (more)
- 1973
In this crime drama, a famous writer must come up with a million dollars to save the life of his baby son who was recently kidnapped. ~ Sandra Brennan, All Movie Guide
- 1972
- R
Screenwriter Ernest Lehman, whose credits include the screenplays for North by Northwest, Sabrina, West Side Story, and The Sweet Smell of Success, made a less than distinguished debut as a director with this adaptation of Philip Roth's controversial novel about Alexander Portnoy (Richard Benjamin), a Jewish man who, during a session with his analyst, goes on one long tirade after another about his family, his childhood, his sexual fantasies and desires, his problems with women, and his obsession with his own Judaism. If ever there was a novel that by its nature would defy accurate presentation onscreen, this was it; but for all its flaws, Portnoy's Complaint does feature a few good performances, most notably Karen Black as Portnoy's Gentile lust object, "The Monkey," Jeannie Berlin as the memorably named local slattern Bubbles Girardi, and Jill Clayburgh as Naomi, a woman Portnoy meets in Israel. Lehman never directed again. ~ Mark Deming, All Movie Guide
- Starring:
- Richard Benjamin, Karen Black, (more)
- 1972
First telecast December 16, 1972, The Snoop Sisters was the pilot for a Richard Levinson/William Link detective series. Helen Hayes and Mildred Natwick play a couple of mystery writers who happen to be siblings. With the help of their pragmatic chauffeur (Art Carney), the Snoop Sisters take it upon themselves to solve real-life mysteries. In this instance, the ladies try to uncover the truth behind the murder of reclusive film star Paulette Goddard. The highlights of The Snoop Sisters include a slapstick car chase and an extended vignette from Ms. Goddard's 1940 feature film The Ghost Breakers. Also worth noting is the early supporting-cast appearance by Jill Clayburgh. When packaged for local syndication, The Snoop Sisters was retitled Female Instinct. ~ Hal Erickson, All Movie Guide
- 1971
In this film that seeks to make a comedy about obscene telephone callers, several callers and their victims are shown. Most of the film is about one of the callers who is so beguiling that before long, many of his victims are hoping that he will call them back. Indeed, one of his victims is so entranced that she exerts considerable effort trying to find him, not for prosecution, but to see how his real-life virility compares with his virtuoso telephoning. One interesting sidelight is that the film contains three members of Andy Warhol's art-gang (including Ultra Violet). ~ Clarke Fountain, All Movie Guide
This dark comedy finds Charlie (Charles Pfulger) traveling to stay at the house of his fiancee's parents two days before his wedding to Josephine (Jill Clayburgh). With his two friends, he discusses Vietnam, the sexual revolution, black power, and compares bachelor life to that of a married man. Charlie tries to talk Josephine's former suitor into resuming his quest, is propositioned by the church organist, and misses his own bachelor party before finally making to the wedding at the insistence of his friends. Robert De Niro plays the role of Charlie's friend Cecil in this unusual comedy with lots of improvisational dialogue. ~ Dan Pavlides, All Movie Guide
- Starring:
- Jill Clayburgh, Charles Pfluger, (more)
