Willoughby Goddard Movies
To say that portraying screen "heavies" came naturally to Willoughby Goddard would be putting it mildly. His vast girth and his weight -- over 300 pounds at times -- and almost equally imposing height put him in a league with such rotund screen figures as Francis L. Sullivan, Sydney Greenstreet, Robert Emhardt, Ronald Long and Robert Middleton. He did occasionally play benevolent parts, and officious government types, but Goddard was most often seen as a villain. And for a certain generation of television viewer, Goddard was permanently etched in the memory for his portrayal of the corpulent, despotic Landburgher Gessler in the late 1950s series William Tell -- across 39 episodes (which were rerun on both sides of the Atlantic for years), his evil Austrian ruler menaced the Swiss patriot William Tell (Conrad Phillips, his family and friends, reveling in his villainy and on-screen gluttony (which was sometimes strikingly portrayed in close-up). But that role was only the tiniest tip of the iceberg in Goddard's nearly five decade career, which encompassed over 100 film and television portrayals, in everything from The Avengers TV series to the feature films The Wrong Box (1966) and Young Sherlock Holmes (1985), and innumerably more theater work. Born Willoughby Rittenham Reese Goddard in Bicester, Ovfordshire in 1926, he made his stage debut in a 1943 revival of Shaw's Saint Joan, and spent the next few seasons in repertory -- his performance in Donald Pleasence's 1952 play Ebb Tide elicited favorable comparisons with Robert Morley. He also did memorable turns as Woolsey in the original production of A Man For All Seasons, and as Mr. Bumble in the Broadway production of Lionel Bart's Oliver! But Goddard's defining role on stage, across several continents and a lot of years, was Sir Toby Belch in Shakespeare's Twelfth Night -- it was a part that he seemed almost to "own" in the minds of many critics for years, and made him a theatrical star. He might also have made a superb Sir John Falstaff, but it was Twelfth Night where Goddard planted his Shakespearean flag. And in between those and other theatrical productions, he busied himself on the big- and small-screens from 1950 until 1987. And even without the William Tell series, he was a ubiquitous figure on British television, turning up as a sadistic gang leader on The Invisible Man, as Mr. Bumble in a 13-part non-musical Oliver Twist serial adaptation (with Max Adrian as Fagin), and Sir Geoffrey Norton in The Man In Room 17 in the mid-1960s -- as well showing up simply as "large man" in Carry On Cruising, or as the president in The Millionairess on theater screens. Ironically, if he had not been quite so busy on the small-screen, and so closely associated with British television, he might well have ended up on the short-list of possible candidates for the role of corpulent villain Auric Goldfinger in the 1964 James Bond film Goldfinger. Goddard had been retired for 21 years when he passed away in 2008, at age 81. ~ Bruce Eder, Rovi

- 1987
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Author Tom Sharpe's outrageous best-seller about the power struggle that emerges when the dean of a Cambridge University dies before naming his successor gets the big screen treatment in director Robert Knights' four-part comedy. Porterhouse College is an institute of higher education steeped in five hundred-years of tradition, so when the Head Master passes away and his reform-minded replacement Sir Godber Evans (Ian Richardson) arrives to take his place the staff is outraged. Head Porter Skullion (David Jason) in particular seems hell-bent on subverting Sir Evans' every decree. ~ Jason Buchanan, Rovi
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- Starring:
- David Jason, Ian Richardson, (more)

- 1986
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Docudrama about William Tyndale who was hunted like a criminal by the sixteenth-century church for attempting to translate the Bible into English for all to read. ~ Rovi
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- 1985
- PG13
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Also released under the title Young Sherlock Holmes and the Pyramid of Fear, this film follows the adventures of young John Watson (Alan Cox) when he is shipped off to boarding school and meets up with the brilliantly bizarre Sherlock Holmes (Nicolas Rowe). The two boys strike up a friendship and promptly become involved in the investigation of a number of mysterious murders. When their curiosity gets them into trouble with a dangerous religious cult, Watson and Holmes must struggle to avoid capture while attempting to notify the authorities. ~ Iotis Erlewine, All Movie Guide
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- Starring:
- Nicolas Rowe, Alan Cox, (more)

- 1983
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It is now the year 1492: Edmund (Rowan Atkinson) is still jockeying to become King of England, while the actual monarch, Richard IV (Brian Blessed), is busily making enemies of everyone in Europe. In order to prevent a war with Spain, Edmund is ordered to marry that country's Princess Maria (Miriam Margoyles). This, he figures, will put him in an excellent position to fulfill his dream of ruling England -- but things don't quite work out as planned. The episode's funniest moments belong to Jim Broadbent as the Princess' interpreter, Don Speekingleesh. "The Queen of Spain's Beard" first aired on July 6, 1983. ~ Hal Erickson, Rovi
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- Starring:
- Rowan Atkinson, Tony Robinson, (more)

- 1973
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In this historical fantasy, based on the classic medieval poem during the days of King Arthur, the gallant Green Knight gallops into the court and makes a gruesome challenge to the Round Table Knights. He dares any of them to successfully chop off his head. If they fail, he gets to hack off theirs. Brave Gawain accepts the challenge and with a mighty swing slices off the Green Knight's noggin. Unfortunately, the headless body calmly picks up the head and places it back on his shoulders. The honor-bound Gawain then must fulfill his destiny at the palace of the Green Knight. ~ Sandra Brennan, Rovi
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- 1971
- R
Italian director Pier Pasolini tells four of the Chaucer tales in this graphic and satirical picture that chronicles the 14th-century's social, sexual, and religious standards in England. In Pasolini's Trilogy of Life, this second entry follows The Decameron and precedes The Arabian Nights. ~ Kristie Hassen, Rovi
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- 1969
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During the excavation of an old Norman church, several top archeologists are killed. Upon further investigation, Steed and Tara discover that the dead men had been sapped of all their energy. The cause of this phenomenon is a tiny black box containing a deadly supercharge of electricity, which in turn has spawned a race of omniverous pure-energy creatures, bent on destroying all of England. Written by Terry Nation, "Thingumajig" first aired in America on March 24, 1969, then in England on April 2 of that year. ~ Hal Erickson, Rovi
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- 1968
- PG13
- Add The Charge of the Light Brigade to Queue
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During the ill-fated charge of British troops at Balaclava in the Crimean War, loyal soldiers who blindly followed orders were led to certain death. This is the fifth time the story has been told on film, but the actual event is an afterthought to the main plot. Snobbish aristocrats and ineffectual politicos combine with pompous blue-bloods to make decisions affecting 600 men thousands of miles away. A decidedly anti-war and satirical slant is presented, as inept generals stand knee-deep in bodies, each blaming the other for the fiasco. Vividly underscored here is the fanaticism, dedication, and blind loyalty which caused the total annihilation of hundreds of soldiers. This 5-million-dollar epic film recouped only 1 million after the initial release, leaving critics to compare the real-life disaster with the financial one suffered by the producers. Trevor Howard, John Gielgud and Vanessa Redgrave head the excellent cast. ~ Dan Pavlides, Rovi
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- Starring:
- Trevor Howard, Vanessa Redgrave, (more)

- 1966
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Years before the story proper in The Wrong Box gets under way, a "tontine" is drawn up on behalf several young British boys. Each of the boys' parents had placed 1000 pounds in a pool, to be invested and expanded upon. The resultant fortune will go to the last surving member of the tontine. A series of montages depicts the various demises of the heirs (our favorite occurs when one of them is inadvertently beheaded while being knighted by Queen Victoria). Finally, only two of the tontine participants are left: aged brothers Ralph Richardson and John Mills. On his last legs, Mills is determined that Richardson will not outlive him, and to that end attempts to kill his brother; each attempt fails spectacularly, with the doddering Richardson none the wiser. Standing to benefit from the tontine are Mills' dimwitted med-student son Michael Caine and Richardson's greedy nephews Peter Cook and Dudley Moore. When Richardson is supposedly killed in a train wreck, Cook and Moore don't want the authorities to find out, so they appropriate what they think is their uncle's corpse and ship it home in a box. Thus it is that Caine finds the body of a perfect stranger on his doorstep. The farcical complications begin flying about thick and fast from this point onward. Among the participants in this wacky gigglefest are such formidable talents as Peter Sellers, Tony Hancock, Wilfred Lawson, Thorley Walters, Norman Rossington, Irene Handl and Cicely Courtenedge. Based on a novel by Robert Louis Stevenson, The Wrong Box is a delightful harkback to the glory days of Britain's Ealing comedies. We were so wrapped up in the story that we didn't even notice all those TV antennae sprouting up on the rooftops of Victorian London. ~ Hal Erickson, Rovi
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- Starring:
- John Mills, Ralph Richardson, (more)

- 1962
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Timothy Bateson stars as a timorous bank clerk who fancies himself a brilliant scientist. Experimenting with alchemy in his spare time, Bateson stumbles across a method of manufacturing gold. Naturally, a group of unscrupulous businessmen gets wind of Bateson's marvelous discovery, and do their best (or worst) to appropriate it for themselves. Before the picture is over, the nervous clerk is obliged to rescue his kidnaped girlfriend Maureen Beck. Featured in the cast of The Golden Rabbit is Willoughby Goddard, whom 1950s TV addicts will remember as Gessler on the weekly series William Tell. ~ Hal Erickson, Rovi
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- 1961
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This episode was originally telecast May 27, 1961. The title refers to an organization that specializes in "persuading" people to do their bidding via brutal beatings. The head of the crooks is a man called The Deacon (Willoughby Goddard). The current target for the Frighteners is a man who disapproves of his daughter's fiancée, a man who specializes in marrying wealthy women in order to square his debts. As Steed tries to establish a link between the fiancée and the Frighteners, Dr. Keel goes undercover in hopes of exposing the Deacon, or at least to beat him at his own game. "The Frighteners" was written by Berkley Mather. ~ Hal Erickson, Rovi
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- 1961
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Set in post WW II-Vienna this British spy adventure centers on an international effort to thwart the communists that is led by an American newspaper journalist trying to save the two innocents from certain death. ~ Sandra Brennan, Rovi
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- 1961
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A beautiful and wealthy woman in the market for a husband believes she has found the right man -- only to discover he isn't especially interested, in this comedy based on a play by George Bernard Shaw. Epifania Parerga (Sophia Loren) is a woman who has inherited a vast fortune, making her the wealthiest woman on Earth. All Parerga really wants is a happy marriage, but her first stab at matrimony, with Alastair (Gary Raymond), is a disaster, and when she visits a psychiatrist in hopes of learning what she did wrong, her analyst, Dr. Adrian (Dennis Price), attempts to seduce her. Parerga is nearly ready to give up when she meets Dr. Ahmed el Kabir) (Peter Sellers), a shy and well-mannered Indian physician who operates a clinic for the underprivileged. While Kabir is personable, he seems to have no interest in Parerga's money and is unfazed by her beauty; convinced he can love her simply for who she is, Parerga decides Kabir is the man for her. However hard Parerga tries to throw herself at him, Kabir refuses to budge, and even after she bankrolls a new clinic for him, he does not respond to her advances. Eventually, Parerga offers Kabir a challenge -- she bets him that he can't triple his profits at his new clinic in three months, while he in turn wagers her that she cannot live without money for the same period of time. A spin-off of the The Millionairess was a novelty song called "Goodness Gracious Me", in which Sellers and Loren duetting as a doctor from India and his alluring patient; a recording of the tune became a hit single in the United Kingdom. ~ Mark Deming, Rovi
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- Starring:
- Sophia Loren, Peter Sellers, (more)

- 1961
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In this routine mystery story by director Basil Dearden, someone who favors mysteries and comedies, Stewart Granger is John Brent, a VIP in a shipping company with a prison record behind him. When a quarter of million dollars goes missing from the company's vault, he is the primary suspect of Detective Superintendent Hanbury (Bernard Lee). Complications arise when Hanbury starts looking carefully at John's estranged wife Nicole (Haya Harareet) and the men she has on a string. The suspect list has suddenly expanded. ~ Eleanor Mannikka, Rovi
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- Starring:
- Stewart Granger, Haya Harareet, (more)

- 1961
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A battered houseboat on the Thames provides the setting for this romantic British comedy. Two newlyweds rent the leaky floating home. The trouble begins when the husband decides to move the scow to a better location. The rickety barge disrupts river traffic. Next the two get lost in a fog bank. When it finally lifts, they find themselves in France. Fortunately, their landlord's yacht is moored nearby and they are able to borrow some petrol. The landlord bets that he can beat them across the Channel with his yacht. The race begins. The yachtsman gets terribly drunk and his cannot stay on course. The newlyweds win the race. ~ Sandra Brennan, Rovi
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- Starring:
- Ian Carmichael, Janette Scott, (more)

- 1960
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An unfortunate sailor (Tony Wright) gets implicated in a murder he never committed in this confusing drama by David Eady. After a bookie is murdered, the sailor is caught in an ever-tightening vice that would trap him as the killer unless he can clear himself. Along the way to struggling free and tracking down the real culprits, several unsavory characters cross his path as well as a rather interesting woman (Shirley Eaton) who sets romantic sparks flying. Although director Eady and the cast have done their best with the story, it is too thin to survive even the short running time of 69 minutes. ~ Eleanor Mannikka, Rovi
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- Starring:
- Tony Wright, Shirley Eaton, (more)

- 1960
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Based on a British TV comedy, this is the tale of a London couple who inherit a pub in the country, only to find that their troubles are just beginning. Someone doesn't seem to want to make their business a success, but their invention should stop all that nonsense. ~ Tana Hobart, Rovi
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- 1958
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Peter Brady is forced to use his invisibility to help a gang of thieves rob a bank; if he doesn't cooperate, the villains will kill Peter's niece Sally (Deborah Watling), who has been kidnapped right under the nose of her schoolmistress. Playing the head of the robbers is Willoughby Goddard, who also appeared as the scurrilous Gessler in the British TV series William Tell (which, incidentally, was filmed by the Invisible Man production crew). "Bank Raid" is a reworking of the series' abortive pilot episode, utilizing several yards of stock footage. ~ Hal Erickson, Rovi
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- 1958
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Under the stress of wartime privations, a young Austrian boy is beaten by his Father, who threatens to sell his dog, a St. Bernard, to the butcher to help pay for food for the family. A kindly veterinarian and spinster finally take a hand in rectifying the situation. ~ Tana Hobart, Rovi
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- 1956
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Alistair Sim plays a mild, innocuous little watchmaker who spends his off-hours as a professional assassin. His present target is windbag cabinet member Raymond Huntley. After various misfire attempts, Sim plants a bomb in a small radio and waits for the tube to warm up--but the authorities by now are on to him. The Green Man has some excellent setpieces, notably a droll snatch of black humor involving a body stuffed in a piano. The film's only debit is that, in the play upon which it is based, Frank Launder and Sidney Gilliat's Meet the Body, Sim's character is secondary, almost peripheral. By reshaping the film into a star vehicle, much of the play's intimate (albeit ghoulish) charm is dissipated. ~ Hal Erickson, Rovi
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- Starring:
- Alastair Sim, George Cole, (more)

- 1956
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A bellboy gets sweet revenge upon the employers at the hotel where he once worked after he inherits a lot of money in this lively British comedy. The sweetest revenge of all comes when he and the other lackeys team up to scam the wealthy, who look down upon them, hoping to get them to finance his attempt to buy the posh establishment. ~ Sandra Brennan, Rovi
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- 1950
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Ladylike Diana Napier is unexpectedly coarse as the female gang boss in Bait. Napier only behaves herself around her lover John Bentley-at least until he spurns her. In retaliation, she frames Bentley for her brother's murder. A knuckle-tough British programmer, Bait is well acted by all concerned. Frank Richardson directed this cinema adaptation of his own stage play. ~ Hal Erickson, Rovi
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