Nicholas Clay Movies

This four-hour fantasy miniseries, elaborating on the Arthurian legend and filmed in England and Wales, offers a portrait of the wizard Merlin (Sam Neill), following his life as a youth (Daniel Brocklebank) to his later conflicts with the evil Queen Mab (Miranda Richardson) and his love for Nimue (Isabella Rossellini), who is kidnapped by Lord Vortigern (Rutger Hauer). Amid battles and displays of magic and mysticism (courtesy of London's Framestore and the Jim Henson Creature Shop), Merlin strides the English countryside encountering Excalibur, the unbreakable sword, and a Camelot cast of colorful characters including the morphing manservant Frik (Martin Short), Morgan le Fey (Helena Bonham Carter), King Arthur (Paul Curran), Lancelot (Jeremy Sheffield), and Guinevere (Lena Heady). Premiered April 26, 1998 on NBC. ~ Bhob Stewart, All Movie Guide

A novice knight and his unlikely allies lead a crusade against evil in this adventure set in 12th century France. Robert Nerra (Eric Stoltz) is a young knight who, after the death of his older brother, abandons the struggle to defend his father's property in a skirmish over land rights and instead sets out to offer his services to King Richard the Lionhearted. As Nerra makes his way through a France racked with poverty and sickness, he encounters a group of orphans who are trying to flee from the Black Prince (Gabriel Byrne), a dark-clad rogue knight who steals children and sells them to Arab slave merchants. At first thinking him to be King Richard himself, the children follow Nerra, and he tries to protect and organize them as best he can. As they march through France, the orphans' numbers grow, and soon Nerra finds himself leading a crusade of children as he at once leads them to safety and fights off the Black Prince's forces. Lionheart was one of the final films from veteran director Franklin J. Schaffner; the film received an unfortunately short-lived theatrical release and went largely unseen until it was released on home video in 1990, a year after Schaffner's death. ~ Mark Deming, All Movie Guide

Originally shown in two parts, this massive TV movie adaptation of C. David Heymann's biography stars Farrah Fawcett as Woolworth heiress Barbara Hutton. With two failed marriages to her credit, 29-year-old Barbara marries film idol Cary Grant (James Read), the first man who loves her for herself and not her millions. This alliance goes the way of all of Barbara's romances; there will be four more marriages, the last when Ms. Hutton is 50-years-old. Shutting herself away in her Tangiers mansion, Barbara begins her long descent into the world of booze and drugs. Poor Little Rich Girl: The Barbara Hutton Story merely skims the surface of its subject's stormy life, but Farrah Fawcett's performance commands the audience's attention throughout the film's daunting 240 minutes. ~ Hal Erickson, All Movie Guide

In "The Resident Patient," an episode of The Adventures of Sherlock Holmes (an excellent adaptation of the Sherlock Holmes mysteries written by Sir Arthur Conan Doyle and produced in Britain for Granada TV), Sherlock Holmes (Jeremy Brett), aided by his companion Dr. Watson (David Burke), investigates the suspicious disappearance of a father and son. This exciting series, which is impeccably faithful to the original stories, will please even the most critical of Holmes fans because of its accurate dramatization of Victorian England. This series was followed by The Return, The Casebook, and The Memoirs of Sherlock Holmes, as well as several feature-length TV movie adaptations. ~ Linda Rasmussen, All Movie Guide

This emotional and bracing documentary, the second volume in award-winning producer Arnold Shapiro's Trilogy of Tribute, honors the fallen soldiers of 20th century wars (particularly World War II) who lie in unmarked graves on the battlefields of Europe and Asia, their bodies never found or identified. Writer and director Carol L. Fleisher has chosen six young men to represent the many thousands sacrificed, and she presents their moving stories through their letters, interviews with loved ones and fellow soldiers, and archival footage of the battles in which they fought. Ideal for educational use, this documentary series is a worthy tribute to those individuals -- the sons, fathers, and lovers -- who gave their lives in the service of America's citizens. ~ Sarah Welsh, All Movie Guide

This three-part, seven-hour TV adaptation of Edgar Bulwer-Lytton's 1834 best-seller The Last Days of Pompeii was arguably more faithful to its source than any of the earlier film versions -- and inarguably the most expensive version of all, boasting a 19,000,000-dollar budget and a truly spectacular cast. In recounting the events leading up to the cataclysmic eruption of Mount Vesuvius in 79 A.D., the film, like the novel, introduces a veritable coliseum full of colorful fictional characters: stalwart Athenian Glaucus (Nicholas Clay), religious-zealot Egyptian Arbaces (Franco Nero), and mighty gladiator Lydon (Duncan Regehr), all of whom vie for the affections of high-born Ione (Olivia Hussey) and lowly, sightless slave girl Nydia (Linda Purl). Also around and about are Ned Beatty as wealthy merchant Diomed, Lesley-Anne Down as belly-dancing courtesan Chloe, and a handful of theatrical stalwarts like Laurence Olivier and Anthony Quayle. Mercilessly drubbed by the critics, who chortled at such dialogue as "Turn the other cheek, Christian lover!" and "Christians. They're everywhere I go. They're spreading through the empire like a pox!," The Last Days of Pompeii nonetheless garnered healthy ratings when it aired over ABC from May 6 to 8, 1984, despite the formidable opposition of the NBC blockbuster miniseries V: The Final Battle. ~ Hal Erickson, All Movie Guide

Peter Ustinov makes his second appearance as Belgian detective Hercule Poirot in this adaptation of the popular Agatha Christie mystery. When noted stage star Arlena Marshall (Diana Rigg) is found murdered while visiting a posh island resort, Poirot is called upon to find the culprit, but given Marshall's shrewish personality and propensity for making enemies, the question isn't "Who wanted to see her dead?" but "Who didn't?" The suspects include Rex Brewster (Roddy McDowall), a writer penning a biography of Arlena that the actress tried to stop; Odell and Myra Gardener (James Mason and Sylvia Miles), theatrical producers who were financially shafted when Arlena refused to appear in a show; Arlena's husband, Kenneth (Denis Quilley); Kenneth's lover, Daphne (Maggie Smith); Patrick Redfern (Nicholas Clay), who was having an affair with Arlena; and Christine (Jane Birkin), Nicholas' wife. Ustinov would play Poirot again three years later in the made-for-TV feature Thirteen at Dinner. ~ Mark Deming, All Movie Guide

The once-notorious D. H. Lawrence novel Lady Chatterly's Lover seemed like kid stuff by the time this 1981 adaptation hit the screens. To pep up Lawrence's tale of an aristocratic woman who conducts an affair with her earthy gamekeeper, soft-core porn specialist Just Jaeckin attempted to convert the material into Emmanuelle Goes to England. To this end, Jaeckin utilized the undraped talents of his Emmanuelle star Sylvia Kristel, who behaves more like a saloon hall gal than the mistress of an 18th-century manor. Lady Sylvia--er, Lady Chatterly--can't get no satisfaction from her paralyzed spouse, so she dallies with low-born Nicholas Clay. As in most other Just Jaeckin films, the production values and photography are exquisite, the dialogue and acting less so. An earlier, more sedate version of Lady Chatterly's Lover was filmed in France in 1959, with Danielle Darrieux and Erno Crisa in the leads. ~ Hal Erickson, All Movie Guide

The romance between the wife of a 9th century Irish monarch and her husband's nephew is the focus of this drama also known as Tristan and Isolde. ~ Jason Ankeny, All Movie Guide

Terror of Frankenstein, an Irish/Swedish coproduction, avoids the gimmickry and anachronisms which have distinguished previous versions of the Frankenstein story. This is done through the simple expedient of returning to the source, the original 19th century Mary Shelley novel. Terror is virtually a page-by-page retelling of the Shelley book, taking us from Dr. Frankenstein's earliest efforts to create synthetic life, progressing through the creation of his monster and the horrible consequences, and ending with the Doctor dead and his doleful monster exiled to an ice floe. This would remain the most faithful version of the classic horror novel until Kenneth Branagh's overproduced, underdeveloped version in 1994. Curiously, Terror of Frankenstein (also known as Victor Frankenstein) has been generally overlooked by film buffs, probably because it lacks star names or a "cult" director at the helm. ~ Hal Erickson, All Movie Guide

The Darwin Adventure stars Nicholas Clay as 19th century British naturalist Charles Darwin. The film covers the whole of Darwin's life, with emphasis on his volatile evolutionary theories. The "adventure" of the title is Darwin's 1831 fact-finding voyage on the good ship Beagle, in search of nature's secrets in the darker corners of South America. The story ends in Darwin's declining years, during which time many of his theories have been adopted and refined by younger, more broad-minded naturalists. The Darwin Adventure plays like a Cliff's Notes version of the subject's life, packing far too much into its 91 minute running time to be properly digested by the average filmgoer. ~ Hal Erickson, All Movie Guide

Joseph Losey directed this unusual science fiction effort, which has won a small but fervent cult following. Simon Wells (MacDonald Carey) is an American visiting England, where he meets a woman named Joan (Shirley Ann Field). Simon is immediately attracted to Joan, but there's a considerable obstacle in their budding romance: Joan's brother King (Oliver Reed), the leader of a violent pack of motorcycle rockers. King has a barely concealed incestuous attachment to his sister, and he sometimes uses her to lure victims into his gang's clutches. King and his cronies attack Simon, take his money, and leave him stranded, where he's eventually found by a pair of military security men. Simon is brought to the home of Bernard (Alexander Knox), a scientist working on a secret project for the government, and his girlfriend Freya (Viveca Lindfors), a sculptor. Joan eventually tracks Simon down in hopes of winning his forgiveness, but another run-in with King causes Simon and Joan to discover a cave that holds a terrible secret: a group of strange, cold-blooded children who were the products of one of Bernard's experiments gone wrong. The children were genetically engineered to survive a nuclear war, and, as a result, they are radioactive enough to kill anyone who comes in close contact with them. Controversial in its day, The Damned was produced in England in 1961 but was not released until 1963, when Hammer Films booked it as the second-half of a double bill with Maniac. It did not reach American screens until 1965, when it was shown under the title These Are the Damned. ~ Mark Deming, All Movie Guide