Patricia Clarkson Movies

A married couple deal with a crushing loss in a way that's both funny and deeply sad in this comedy-drama from director, screenwriter and star Stanley Tucci. Don (Tucci) and his wife Janna (Patricia Clarkson) meet every night in the same shabby nightclub where Don performs a humorously shambolic magic act. Don and Janna's relationship has been on the verge of collapse since the death of their daughter, and they're trying to reconnect with each other through role playing, so each evening they pretend they're meeting for the first time on a blind date after discovering one another through personal ads. Sometimes they assume characters that are openly confrontational, while other times they try to bring a sweetness and intimacy back into their lives, but more often than not their struggle to reclaim the love they knew ends in confusion and frustration. Blind Date was adapted by Tucci and screenwriter David Schechter from Theo Van Gogh's 1996 film of the same name; it was the second in a series of remakes of Van Gogh's films (following Steve Buscemi's Interview) created in response to Van Gogh's assassination by political extremists in 2004. ~ Mark Deming, All Movie Guide

Gini Reticker and Lesli Klainberg direct the 74-minute documentary In the Company of Women, a production of the Independent Film Channel. The film offers an introduction to the major women of independent filmmaking, starting in the 1980s. It includes commentary from directors Allison Anders, Lisa Cholodenko, and Nicole Holofcener. Actresses Patricia Clarkson, Maggie Gyllenhaal, and Rosie Perez also offer insight and comments. In the Company of Women was shown in a special screening at the 2004 Sundance Film Festival before making its broadcast premiere on the Independent Film Channel. ~ Andrea LeVasseur, All Movie Guide

A forward-looking woman attempts to teach a primitive child the ways of humanity as her neighbors prefer to remain in the past in this drama from Michael Mackenzie, which he adapted from his own play. In 1888, a wealthy heiress from Philadelphia (Patricia Clarkson) marries a British Baron (Colm Feore) and with him moves to Paris. Since the Baron travels often as he plies his trade as an art dealer, the Baroness finds herself alone at home, without friends or acquaintances. Hoping to attract a circle of intellectually challenging companions, the Baroness takes it upon herself to design a salon, which, along with up-to-the-minute furnishings and impressionist paintings, includes such new technology as electric lighting and a phonograph. However, the Baroness' new salon fails to earn her the respect of her neighbors, who tell the Baron they find his new bride's fascination with technology and democracy boorish and laughable. Making things worse, the Baroness comes to the realization that her husband is more interested in her money than her mind, and his sexual demands of her are brutal and violent. In time, the Baroness devotes her time to a new project -- a feral child (Caroline Dhavernas) has been found in a stable, where she lived with a heard of pigs, and the Baroness takes it upon herself to teach the child to walk, speak, and behave in a civilized manner, a task many believe is doomed to failure. The Baroness and the Pig was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Neely (Chelsea Altman) is a struggling actress living in New York. Her Mexican boyfriend, Tonio (Demian Bechir), is a cook who's trying to sell his own line of pasta sauces. Lottie (Patricia Clarkson), her eccentric neighbor, is obsessed with a soap opera, "Heartbreak Hospital." Frustrated with her inability to get work, Neely accepts Tonio's proposal of marriage, and plans to honeymoon with him in Mexico. On their way to the airport, she stops to say goodbye to her acting teacher, who tells her about an audition for the soap. To Tonio's chagrin, she gives it a shot. She's totally unprepared, and the other actresses at the audition have their game faces on. But Sunday (Diane Venora), the prima donna lead actress on the show, takes one look at Neely's glasses and her shock of purple hair and, vigilantly protective of her own place as the prettiest actress on the show, insists that Neely be hired. Neely gets the job, and soon finds herself caught up in more intrigue than she bargained for. She quickly finds out that the actresses who steal the spotlight from Sunday tend to get written out of the show quickly. Both Neely's jealous boyfriend and Milo (John Shea), the desperate actor who plays her love interest on the soap, Dr. Jonathan, seem to have trouble telling television from reality, and Lottie goes completely over the edge with her passion for the fictional doctor Milo portrays. Things get completely out of hand when one of the cast members turns up dead. Co-writer Henry Slesar did time writing for the daytime dramas One Life to Live and Edge of Night. Heartbreak Hospital is the feature debut of director Rudolph Gerber. It's based of the novel Murder at Heartbreak Hospital by Lottie Ohrwasher. ~ Josh Ralske, All Movie Guide

In the first half of Frasier's ninth-season opener, Frasier (Kelsey Grammer) finds himself on familiar territory as he is torn between two loves: Claire (Patricia Clarkson), with whom he'd vacationed in Belize in the series' season-eight finale, and Lana (Jean Smart), a troublesome but undeniably fascinating lady from his past. As he mulls over the dilemma, Frasier reflects upon all the loves of his life -- including (in dream sequences), his ex-wife Lilith (Bebe Neuwirth) and his Cheers inamorata Diane Chambers (Shelley Long). Originally telecast as a one hour-special (and moved from September 18, 2001, to September 25 due to network coverage of the 9/11 tragedy), this episode has since been reedited as two half-hours for syndication. ~ Hal Erickson, All Movie Guide

Jean Smart reprises her Emmy-winning role as Frasier's former high- school crush Lana Gardner (who was given a different character name in her first appearance -- a name that had to be altered for legal reasons). Now a successful and overbearingly cynical real-estate agent, Lana still believes that Frasier worships at her feet and to that end maneuvers him into escorting her to her own "surprise" party. Upon arrival, however, Frasier only has eyes for Lana's friend, Claire (Patricia Clarkson). This episode was originally shown back-to-back with the thematically similar episode "A Passing Fancy." ~ Hal Erickson, All Movie Guide

Nice girl falls for bad boy and lives to regret it in this independent coming of age drama. Katie (Megan Wilson) is a high school student who's bright, pretty, and has never been in any serious trouble. That changes when she meets Boyd (Brian Vaughan), who is handsome and charming, but also a magnet for trouble, often on the run from the police and a bit reckless in his use of drugs. Despite his dangerous side, Katie finds herself infatuated with Boyd, and they strike up a friendship that soon grows into a romance. However, the more deeply Katie becomes involved with Boyd, the farther she's drawn into the dark side of his world, and it becomes obvious that she needs to give him up for her own good. Winner of the Golden Starfish award at the 2000 Hamptons Film Festival, Falling Like This also features John Diehl and Patricia Clarkson. Ani DiFranco contributed to the soundtrack. ~ Mark Deming, All Movie Guide

Former fashion photographer Randall Harris debuts with this gritty drama about justice and redemption in rural Georgia during the Great Depression. Jesse Banks Rhodes (Harry Connick, Jr.) is suddenly and inexplicably released from jail after serving part of a life sentence on a trumped up charge for murder. He heads back for Georgia to reclaim his life and finds himself staying with farmer Ben Alexander (Pete Postlethwaite). Initially, Ben's family is mistrustful of the ex-con, but slowly they begin to warm to him, particularly Ben's fragile daughter Wesley (Patricia Clarkson). After witnessing the murder of a black worker at the hands of his drunken white racist boss, Jesse vows to make things right. Wayward Son was screened at the 1999 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

In this fact-based made-for-television drama, a woman engages in polyandry. The trouble is neither husband knows about the other. ~ Sandra Brennan, All Movie Guide

Made for cable television, this frothy western spoof chronicles the exploits of a citified optometrist who exchanges his well-ordered Big Apple life for a wild and woollier version in Tombstone, Arizona. Once there, he is thrilled to meet his hero Wyatt Earp. Unfortunately, the heroic Earp he admired in the many dime-store novels he read is totally different from the real McCoy who turns out to be myopic and continually skunk drunk. Still with the optometrist's help, the sheriff is able to clean up the town. ~ Sandra Brennan, All Movie Guide

This fact-based drama centers on a sextet of WW II soldiers who are hailed as heroes upon their return to their hometown in Texas. Trouble follows when the vets unite to overthrow the town's corrupt politicians. They make a plan, but it is nearly derailed by the group leader's social-climbing wife and her father. ~ Sandra Brennan, All Movie Guide