Warren Clarke Movies

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide

To alleviate the Prince Regent's financial problems, Edmund Blackadder (Rowan Atkinson) arranges for the Prince (Hugh Laurie) to marry the fabulously wealthy Amy Hardwood (Miranda Richardson). A series of improbable plot twists result in Edmund tying the knot with Amy himself. Worse yet, Amy turns out to be "The Shadow," a notorious highwayman (or highwaywoman?). Also known as "Cape and Capability," this Blackadder episode originally aired in England on October 15, 1987. ~ Hal Erickson, All Movie Guide

The Blackadder gang reteamed to perform this 15-minute sketch on the 1988 @BBC Comic Relief telethon. The year is 1648: King Charles I (Stephen Fry) is sentenced to death by Oliver Cromwell (Warren Clarke). It is up to Charles' loyal subjects (indeed, his only subjects) Sir Edmund Blackadder (Rowan Atkinson) and Baldrick (Tony Robinson) to ride to the rescue. First telecast on February 5, 1988, "The Cavalier Years" has since been released to home video. ~ Hal Erickson, All Movie Guide

In this British made-for-TV mystery, the title sleuths investigate the murder of a school principal. It's a puzzling case, because while every one knew he was dead, his body was supposedly buried in Austria. Instead, the body is accidentally unearthed beneath the memorial erected for him on the school grounds. A college student's death further complicates matters. ~ Sandra Brennan, All Movie Guide

Directed by TV-anthology veteran Jeannot Szwarc, Enigma has a certain small-screen "feel" to it. Adopting a musical-comedy foreign accent, Martin Sheen plays Alex Holbeck, an Iron Curtain defector who returns to East Germany at the behest of the CIA. His mission is to save five political "undesirables" from the communists. Holbeck runs up against some formidable opposition, namely ambitious KGB agent Dimitri Vasilkov (Sam Neill) and a quintet of highly trained Soviet assassins. Brigitte Fossey co-stars as Holbeck's former love, whom he involves in his escape plans by asking her to romance the susceptible Vasilkov. ~ Hal Erickson, All Movie Guide

A fish-out-of-water comedy in the vein of 1997's oft-imitated The Full Monty, Greenfingers takes as its inspiration the true story of a group of British criminals who bettered themselves through the delicate art of gardening. Croupier's Clive Owen plays Colin Briggs, a taciturn inmate doing time for murder. When it's suggested he transfer to a minimum-security prison, Colin is reluctant; at the idyllic Edgefield compound, he's slow to warm to his gregarious, botanically inclined roomie Fergus (Waking Ned Devine's David Kelly). When the warden forces Colin and his prison mates to cultivate the prison's grounds, however, the men decide it's a fate better than mopping the lavatory, and begin to take pride in their work. Their stellar efforts attract the attention of haughty celebrity gardener Georgina Woodhouse (Helen Mirren), who arranges furlough work for the men. Colin becomes particularly fervent with his bulbs and seeds, not to mention his affection for Georgina's daughter Primrose (Natasha Little). When he's offered the chance to go straight, Colin is torn between the freedom of the outside world and the comforts of his lockup flowerbed. Greenfingers made its North American premiere at the 2000 Toronto International Film Festival before making the U.S. festival rounds. ~ Michael Hastings, All Movie Guide

In this entry in the continuing exploits of Sherlock Holmes, the great detective must track down his nemesis Professor Moriarty after the villain kidnaps Holme's brother Mycroft. The evil doctor is forcing his captive to decode highly classified military documents. The film is also called Hands of a Murderer. ~ Sandra Brennan, All Movie Guide

Duncan's troublesome Immortal ex-girlfriend, Amanda (Elizabeth Gracen), comes back into his life. Amanda insists that she is no longer a thief, but Duncan (Adrian Paul) doubts her word when two FBI agents show up. It seems that Amanda is in possession of some counterfeit plates that she picked up during WW2 -- and since she plans to print her own money, that isn't really stealing, is it? Things go far beyond petty larceny when one of the FBI men murders the other and frames Duncan and Amanda for the crime. ~ Hal Erickson, All Movie Guide

An undercover cop finds that the line between his own personality and that of the character he's created have begun to dangerously blur in this drama. John (Reece Dinsdale) is a British police detective whose skill is matched only by his arrogance. Acts of brutal hooliganism have become commonplace at the football matches featuring one of London's minor league teams, Shadwell Town, and the police suspect that there is a more criminal undercurrent to these actions than merely fandom gone wrong after a few pints of beer. So John is made part of an undercover team along with Trevor (Richard Graham) and two other officers; they are to blend in with the most rabid fans and learn what is behind the violence. John also makes the acquaintance of Lydia (Saskia Reeves), a barmaid at a pub where many of the hooligans hang out, he and becomes friendly with her as a way of obtaining more information. But as John sinks deeper into a life of alcohol and violence while hanging out with the Shadwell Town hooligans, he finds he likes it more and more, and in time, he finds that he's becoming one of the brutal thugs he set out to capture. He also finds his relationship with Lydia is no longer just a matter of business, much to the chagrin of his wife Marie (Claire Skinner). I.D. marked the feature debut for British director Philip Davis, who also directed several distinguished productions for U.K. television. ~ Mark Deming, All Movie Guide

Considered one of the great box-office turkeys of its decade, Ishtar was an attempt by writer/director Elaine May and stars Dustin Hoffman and Warren Beatty to do a modern-day road picture in the style of the much-loved Bob Hope and Bing Crosby comedy classics. Beatty is Lyle Rogers, a dimwitted songwriter who befriends and partners with Chuck Clarke (Hoffman), who is only slightly more intelligent but every bit as untalented. Together the duo dreams of becoming a big-time lounge act, but their songs, with titles like "That a Lawnmower Can Do All That," are unintentionally hilarious. Chuck becomes suicidal, but just when it seems they'll never strike it rich, the boys are offered a shady gig at a North African hotel, entertaining U.S. troops stationed in the tiny nation of Ishtar. On their way to accept the job, Lyle, Chuck, and their blind camel are sidetracked by a mysterious woman (Isabelle Adjani) and a scheming CIA agent (Charles Grodin), who are involved in a rebellion against the country's emir. The memorable songs crafted by Chuck and Lyle were written by actor and composer Paul Williams. ~ Karl Williams, All Movie Guide

Described as a "biographical drama," the made-for-TV Mandela is the story of South African human-rights advocate Nelson Mandela, who at the time this film was made was in the 25th year of a prison sentence. Covering the years 1948 to 1987, the film traces Mandela's (Danny Glover) matriculation from young lawyer to fervent anti-Apartheid political activist. At first a proponent of nonviolence, Mandela is radicalized after the Sharpeville massacre of 1960. Thrown in jail by the white-dominated government in 1962, Mandela passes the cudgel to his wife Winnie (Alfre Woodard), who perseveres despite constant persecution from the powers-that-be. Understandably concentrating on Mandela's private life, the film is somewhat wanting in terms of personal glimpses, but this is a forgivable creative lapse. Likewise excusable is the partisan nature of Ronald Harwood's teleplay. Filmed on location in Zimbabwe, Mandela originally ran 139 minutes when it first aired September 20, 1977 over the HBO Cable service; it was subsequently shortened to 135 minutes when shown on network television. ~ Hal Erickson, All Movie Guide

In this British romance, a lively London lad decides to create a little excitement by dreaming up a convincing story involving the theft of a Rembrandt; he then tells the story to a local newspaper. According to the imaginative imp, the painting was stolen by a motely gang who worked for a powerful South African guerilla leader. Unfortunately for the boy, there is a real Rembrandt thief about, and he is out to get the boy before his lies end up getting the crook captured. Meanwhile, the boy is in love with a pretty girl, about whom he frequently fantasizes. He does get together with the girl for a while, but the she jilts him. Fortunately, by the story's end, the crook is captured, she returns, and happiness ensues. ~ Sandra Brennan, All Movie Guide