Warren Clarke Movies

This seriocomic British TV series stars Warren Clarke and Anthony Head as Maurice Riley and Syd Woolsey, a pair of professional burglars who have always managed to evade capture or detection, thereby earning the soubriquet "The Invisibles." Hoping to spend their declining days as peaceful pensioners in a Devon fishing village, Maurice and Syd's dreams of retirement when they run out of the money they've pilfered over the years. Now forced to return to the "old life", our heroes find that they are woefully out of touch with modern criminal methods, obliging them to team up with Hedley Huthwaite (Dean Lennox Kelly), the larcenous but none-too-ambitious son of their former partner in crime. Meanwhile, Maurice must deal with his wife Barbara (Jenny Agutter), who wants him to pack it in and lead an honest life, and with his daughter Grace (played by Anthony Head's real-life daughter Emily Head), whom he has carefully shielded from his perfidious activities and who is completely in the dark as to what her dear old dad has been doing for a living. As for the much-married Syd, he must learn how to get along without women complicating his "second career". Created by William Ivory, The Invisibles (working title: Desperadoes) initially ran for six hour-long episodes on BBC1 from May 1 to June 5, 2008. ~ Hal Erickson, All Movie Guide

Based on the novel by Philippa Gregory, the British miniseries A Respectable Trade was what is known in the business as a "bodice ripper." The story began in 1788, when well-bred governess Frances Scott (Emma Fielding) married her rough-hewn employer Josiah Cole (Warren Clarke). It didn't take long for Frances to become disgusted by the fact that her husband was in the slave-trading profession, and to take steps to get him out of the filthy business. Complicating matters was Frances' ever-increasing attraction to one of Josiah's "possessions," a handsome and cultured African slave named Mehuru (Ariyon Bakare). First broadcast over the BBC on April 19, 1998, the four-part A Respectable Trade was telecast in America as part of PBS Masterpiece Theatre anthology, beginning on October 25 of that same year. ~ Hal Erickson, All Movie Guide

An undercover cop finds that the line between his own personality and that of the character he's created have begun to dangerously blur in this drama. John (Reece Dinsdale) is a British police detective whose skill is matched only by his arrogance. Acts of brutal hooliganism have become commonplace at the football matches featuring one of London's minor league teams, Shadwell Town, and the police suspect that there is a more criminal undercurrent to these actions than merely fandom gone wrong after a few pints of beer. So John is made part of an undercover team along with Trevor (Richard Graham) and two other officers; they are to blend in with the most rabid fans and learn what is behind the violence. John also makes the acquaintance of Lydia (Saskia Reeves), a barmaid at a pub where many of the hooligans hang out, he and becomes friendly with her as a way of obtaining more information. But as John sinks deeper into a life of alcohol and violence while hanging out with the Shadwell Town hooligans, he finds he likes it more and more, and in time, he finds that he's becoming one of the brutal thugs he set out to capture. He also finds his relationship with Lydia is no longer just a matter of business, much to the chagrin of his wife Marie (Claire Skinner). I.D. marked the feature debut for British director Philip Davis, who also directed several distinguished productions for U.K. television. ~ Mark Deming, All Movie Guide

Duncan's troublesome Immortal ex-girlfriend, Amanda (Elizabeth Gracen), comes back into his life. Amanda insists that she is no longer a thief, but Duncan (Adrian Paul) doubts her word when two FBI agents show up. It seems that Amanda is in possession of some counterfeit plates that she picked up during WW2 -- and since she plans to print her own money, that isn't really stealing, is it? Things go far beyond petty larceny when one of the FBI men murders the other and frames Duncan and Amanda for the crime. ~ Hal Erickson, All Movie Guide

This four-part British miniseries took place just after the fall of the Soviet Union. Going through Kremlin files, a team of Soviet bureaucrats discover that two KGB "sleepers," or secret agents, were assigned to England 20 years before, and had been there ever since. One of the sleepers was a shop steward in the North, the other an urban professional in London, and neither man had any desire to return to Moscow. The Kremlin dispatched an attractive female agent to retrieve the renegade duo, thereby setting the stage for a maddening procession of double-crosses, multi-pronged conspiracies, and other assorted mayhem perpetrated by both the "good" and the "bad" guys. As much a comedy as a thriller, Sleepers was broadcast over BBC2 in 1991. ~ Hal Erickson, All Movie Guide

The Blackadder gang reteamed to perform this 15-minute sketch on the 1988 @BBC Comic Relief telethon. The year is 1648: King Charles I (Stephen Fry) is sentenced to death by Oliver Cromwell (Warren Clarke). It is up to Charles' loyal subjects (indeed, his only subjects) Sir Edmund Blackadder (Rowan Atkinson) and Baldrick (Tony Robinson) to ride to the rescue. First telecast on February 5, 1988, "The Cavalier Years" has since been released to home video. ~ Hal Erickson, All Movie Guide

Described as a "biographical drama," the made-for-TV Mandela is the story of South African human-rights advocate Nelson Mandela, who at the time this film was made was in the 25th year of a prison sentence. Covering the years 1948 to 1987, the film traces Mandela's (Danny Glover) matriculation from young lawyer to fervent anti-Apartheid political activist. At first a proponent of nonviolence, Mandela is radicalized after the Sharpeville massacre of 1960. Thrown in jail by the white-dominated government in 1962, Mandela passes the cudgel to his wife Winnie (Alfre Woodard), who perseveres despite constant persecution from the powers-that-be. Understandably concentrating on Mandela's private life, the film is somewhat wanting in terms of personal glimpses, but this is a forgivable creative lapse. Likewise excusable is the partisan nature of Ronald Harwood's teleplay. Filmed on location in Zimbabwe, Mandela originally ran 139 minutes when it first aired September 20, 1977 over the HBO Cable service; it was subsequently shortened to 135 minutes when shown on network television. ~ Hal Erickson, All Movie Guide

In this made-for-TV thriller, a sportscaster engineers a daring escape from a Soviet prison camp after being snared by a KGB scheme. Mickey Almon (David Keith), a sports star-turned-journalist, arrives in Moscow to cover an international tournament. Soon, though, he's tempted to play the hero once again, this time not as an athlete, but as a smuggler of repressed scientific research. Against the advice of his wife (Nancy Paul), Mickey agrees to help the Russians who've approached him, but the entire intrigue turns out to be a set-up. Physically neglected and emotionally tortured in a stinking hole for several weeks, Mickey agrees to sign a confession after being told that it will guarantee his release. Instead, he receives a ten-year sentence and soon finds himself on a train bound for Siberia. Sewing rough-hewn gloves with the other foreign prisoners and living for the day each month when his care package arrives, Mickey soon resolves to escape or die trying. To that end, he enlists a cynical British spy (Malcolm McDowell) and a group of Soviet prisoners in a plan to escape via a supply train that can get them within reach of the West -- if only they can find a way to get onto it undetected. Gulag was directed by Roger Young, who previously helmed such lauded TV movies as Bitter Harvest and would go on to direct the original televised version of Robert Ludlum's The Bourne Identity. ~ Brian J. Dillard, All Movie Guide

This chilling made-for-cable production stars winsome Amanda Pays as a prissy English college student who accompanies her estranged father (George Segal) to East Germany in an attempt to reconcile their differences. Shortly after her arrival, she begins to experience intense feelings of cold and dread in their flat -- which eventually progress into strange mental fugues wherein she is apparently transported to the era of Nazi occupation. As her perception of the present begins to unravel, she is thrust into a harrowing adventure involving a young anti-Nazi activist who is being hunted by Hitler's SS. Whether these time-slips are a product of her deteriorating sanity or the result of an actual rift in time is never fully explained -- until the effective climax, in which the parallel storylines intersect. Despite a few vague stretches and some unresolved plot holes, this is overall a well-crafted thriller which plays like a slick feature-length episode of The Twilight Zone. ~ Cavett Binion, All Movie Guide

Directed by TV-anthology veteran Jeannot Szwarc, Enigma has a certain small-screen "feel" to it. Adopting a musical-comedy foreign accent, Martin Sheen plays Alex Holbeck, an Iron Curtain defector who returns to East Germany at the behest of the CIA. His mission is to save five political "undesirables" from the communists. Holbeck runs up against some formidable opposition, namely ambitious KGB agent Dimitri Vasilkov (Sam Neill) and a quintet of highly trained Soviet assassins. Brigitte Fossey co-stars as Holbeck's former love, whom he involves in his escape plans by asking her to romance the susceptible Vasilkov. ~ Hal Erickson, All Movie Guide

Premiering on American television on December 29, 1981, From a Far Country: Pope John Paul II was originally an Italian/British coproduction, made in cooperation with Film Polski. Actually, we see very little of the Pope -- in fact, John Paul II (played by Cezary Morawski) is not yet in his papal robes when we first meet him as a Polish youth of the 1930s named Karol Wojtyla. Director Krzysztof Zanussi adopts a liquid style that is part Ashes and Diamonds, part Citizen Kane. The maturation of Karol during the Nazi occupation is for the most part relayed through the reminiscences of his friends and family (played by an international cast). For its American TV showing, 40 of the film's original 140 minutes were trimmed. Through an unforeseeable coincidence, From a Far Country: Pope John Paul II was first telecast the same week in 1981 that a major political crisis broke out in Poland. ~ Hal Erickson, All Movie Guide

Why is it that some of the most outlandish movie plotlines are grounded in reality? The Great Riviera Bank Robbery is based on an actual occurrence in 1976. A fascist terrorist group, known as "The Chain", joins forces with a gang of professional criminals to pull off a heist. The target: a bank vault in a French resort town, bulging with tourist money. The booty: fifteen million dollars. In the tradition of Rififi, we follow the thieves' progress step by step, inch by inch, from conception to execution to aftermath. Throughout The Great Riviera Bank Robbery, you'll be declaring in dropped-jaw amazement that "this can't be true!"....but true it is. ~ Hal Erickson, All Movie Guide

This BBC production of The Hunchback of Notre Dame is the fifth (at least!) dramatization of Victor Hugo's novel Notre Dame de Paris. It should not confused with the elaborate 1982 TV-movie version starring Anthony Hopkins as deformed hunchbacked bell ringer Quasimodo, if only for one important reason: The BBC version was shot on videotape, then transferred (unsatisfactorily) to film. The Hunchback, usually the star role in most versions of this tale of 15th- century Paris, is played by the relatively unknown Warren Clarke, while the biggest name in the production, British actor Kenneth Haigh, is top-billed as Claude Frollo, Archbishop of Notre Dame. Michelle Newell is gypsy girl Esmerelda, whose strange alliance with Quasimodo motivates the interwoven intrigues of Hugo's story. This Hunchback of Notre Dame was closer to the original than most versions, but because of its ragged pictorial quality was forgotten almost immediately after its American TV debut in July of 1977. ~ Hal Erickson, All Movie Guide