Jenny Galloway Movies

An unhinged parody of James Bond theatrics, Johnny English finds Mr. Bean himself suiting up as the eponymous super spy for a series of wild and silly adventures. A lowly pencil pusher working for the MI7 agency, Johnny English (Rowan Atkinson) is suddenly promoted to super spy after Agent One is assassinated and every other agent is blown up at his funeral. When billionaire entrepreneur Pascal Sauvage (John Malkovich) sponsors the exhibition of the Crown Jewels and the valuable gems disappear on the opening night, and on the watch of English, the newly designated agent must jump into action to uncover the thief and procure the missing valuables. Tracking the thieves' underground escape route with sidekick Bough (Ben Miller), English locks in on Sauvage despite repeated assurances by boss Pegasus (Tim Pigott-Smith) that the respected entrepreneur has nothing to do with the crime. Could the mysterious Lorna (Natalie Imbruglia), who has an odd habit of turning up at the wrong place at the wrong time, hold the key to helping Johnny? A massive hit overseas, Johnny English held its own at the box office in early April 2003, and was slated for wide release in the U.S. If the spoofing in Johnny English strikes especially close to home, that may be because the film was scripted by Neal Purvis and Robert Wade, who teamed to pen such Bond adventures as Die Another Day and The World is Not Enough. ~ Jason Buchanan, Rovi

The starring cast of the hit A Fish Called Wanda reunited for this farcical comedy, which star and co-screenwriter John Cleese described as "not a sequel, but an equal." When London's Marwood Zoo is purchased by Octopus, Inc., the multi-national holding company run by New Zealand publishing tycoon Rod McCain (Kevin Kline), the staff is given a firm order: if the zoo is not turning at least a 20% profit soon, it will be shut down. Willa Weston (Jamie Lee Curtis), who was recently hired by McCain to oversee another firm that bit the dust, is assigned to keep a watchful eye over zoo director Rollo Lee (Cleese), who gets the idea that since people seem to enjoy aggressive, violent entertainment at the movies, the zoo should round up and execute all the cute, benign animals and replace them with more vicious specimens to boost attendance. Needless to say, talkative zookeeper Adrian "Bugsy" Malone (Michael Palin) is appalled at this suggestion and attempts to disguise the more timid beasts with fake fangs and daubings of artificial blood. Meanwhile, Rod and his son Vince (also played by Kevin Kline) want the animal displays to be more spectacular, and they hope to boost income by introducing corporate sponsorship with logos pasted on the cages, the staff uniforms, and even the animals themselves. An already complex situation is further tangled by the efforts of Vince, Rod, and Rolo to seduce Willa, whose obsession with the bottom line is compromised by her fondness for the gorillas. Fierce Creatures was originally shot in 1995, but when the original version tested poorly, producers John Cleese and Michael Shamberg opted to reshoot part of the film (most notably the ending), with director Fred Schepisi replacing Robert Young for the revised sequences. ~ Mark Deming, Rovi

Les Miserables: 10th Anniversary Concert at London's Royal Albert Hall features a concert consisting of the songs from the celebrated musical performed b a number of past and present cast members including Colm Wilkinson, Philip Quast, and Jenny Galloway. ~ Perry Seibert, Rovi

Little Dorrit was intended as the cinematic equivalent to the mammoth, eight-hour Royal Shakespeare Company's staging of Charles Dickens' Nicholas Nickelby. The film was released to theaters in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good Samaritan Arthur Clennam (Derek Jacobi) endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively -- and effectively -- opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, part two of Little Dorrit spends nearly half of its running time recapping part one, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release -- not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, Rovi