Mae Clarke Movies

A nightclub dancer in her teens, Mae Clarke rose to prominence on the Broadway musical stage of the 1920s. In films, Clarke nearly always seemed predestined for tragedy and abuse: she played the long-suffering bride of the title character in Frankenstein (1931), the self-sacrificing trollop Molly Molloy in The Front Page (1931), and the streetwalker protagonist in Waterloo Bridge (1931). Clarke's most famous film role was one for which she received no onscreen credit: she was the recipient of James Cagney's legendary "grapefruit massage" in 1931's Public Enemy. Clarke went on to co-star with Cagney in such films as Lady Killer (1933) and Great Guy (1936); though the best of friends in real life, Cagney and Clarke usually seemed poised to bash each other's brains out onscreen. For reasons that still remain unclear, Clarke's starring career plummeted into bit roles and walk-ons by the 1950s. Her most rewarding work during that decade was on television -- it was Clarke who portrayed a middle-aged woman undergoing menopause on a controversial 1954 installment of the TV anthology Medic. Even during her career low points, Clarke retained her sense of humor. When applying for a role on one TV program, she advertised herself as a comedian, listing as a "qualification" the fact that she was at one time married to Fanny Brice's brother. Mae Clarke continued accepting minor film roles until 1970, when she retired to the Motion Picture Country Home at Woodland Hills, California. ~ Hal Erickson, All Movie Guide
1966  
 
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The action in A Big Hand for the Little Lady centers around a high-stake poker game. The participants include some of the wealthiest men in the West (among them Jason Robards Jr., Kevin McCarthy, Charles Bickford and Paul Ford). Into this rarefied atmosphere trudges impoverished farmer Henry Fonda, who despite the protests of his wife Joanne Woodward plunks down his last dollars to join the game. Halfway through the proceedings, Fonda falls ill. With quiet desperation, Woodward sits down daintily at the table and says in a firm voice, "Gentlemen, how do you play this game?" End of story? Not by a long shot! This O. Henry-style shaggy dog story is based on a Dupont Show of the Week TV presentation Big Deal at Laredo. Keep an eye out for two movie veterans in bit parts: silent screen comic Chester Conklin and 1930's leading lady Mae Clarke. ~ Hal Erickson, All Movie Guide

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Starring:
Henry FondaJoanne Woodward, (more)
1944  
 
In this melodrama, a doctor returns to his home town to set out his shingle. He was born on the poor side of town and so has had a life-long anger towards the town's wealthiest family. When the daughter of this family comes in for treatment, he finds himself faced with a dilemma. A bout with meningitis has left her deaf. He has a new drug that can cure deafness. Will he use it, or will he let his anger prevent him from helping her? ~ Sandra Brennan, All Movie Guide

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Starring:
Loretta YoungAlan Ladd, (more)
1933  
 
Slowly dying of an unspecified illness, wealthy invalid Charles Sellon wants his aide Neil Hamilton to end his suffering. Hamilton won't do it, but villainous lawyer Alan Dinehart, in line to inherit Sellon's millions, is not so charitable. Dinehart kills Sellon, then makes it look as though Hamilton murdered the old guy for his money. During his trial, Hamilton is ostensibly given the best defense attorney that money can buy -- Dinehart, who secretly plans to deliberately lose the case so our hero will be railroaded into the electric chair. Instead, Hamilton is sentenced to life imprisonment, so there's still the possibility that he'll fall heir to the money. But Dinehart still has several more tricks up his sleeve. ~ Hal Erickson, All Movie Guide

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Starring:
Alan DinehartMae Clark, (more)
1959  
 
Viewers know they're in a 1959 comedy film early in the proceedings of Ask Any Girl, when secretary Shirley MacLaine is advised by her new supervisor Jim Backus to wear a sweater "a size too small." But she is a good girl: like Doris Day, she won't offer any carnal favors unless a wedding ring is part of the bargain. She targets irresponsible CEO Gig Young for matrimony, asking Young's sober-sided older brother David Niven to help her out. The highlight of Ask Any Girl is Shirley MacLaine's extended drunk scene in the club car of a commuter train. The film was based on a satirical novel by Winifred Wolfe. ~ Hal Erickson, All Movie Guide

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Starring:
David NivenShirley MacLaine, (more)
1952  
 
Fans of Loretta Young were rather taken aback by the early scenes of Because of You, wherein Young is seen as brash, uninhibited bleach-blonde Christine Carroll. On the verge of marrying gangster Mike Monroe (Alex Nicol), Christine is arrested by the cops, and sent to prison on the strength of incriminating evidence slipped into her purse by the duplicitous Monroe. Through the kindness of prison psychiatrist Dr. Breen (Alexander Scourby), Christine turns her life around in prison, becoming a nurse's aid in the infirmary. Upon her release, Christine gets a job at a respectable hospital, where she falls in love with wounded combat pilot Steve Kimberly (Jeff Chandler). Will she ever be able to reveal her sordid past without sending the emotionally fragile Steve off the deep end? And what about that no-good Mike Monroe? The supporting cast of Because of You includes two of Loretta Young's contemporaries of the 1930s, Frances Dee and Mae Clarke, in strongly defined character roles. ~ Hal Erickson, All Movie Guide

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Starring:
Loretta YoungJeff Chandler, (more)
1929  
 
Big Time was helmed by Howard Hawks' brother Kenneth. This well-paced early talkie stars Lee Tracy as a Broadway hoofer and Mae Clarke as his actress girlfriend. Teaming up, Tracy and Clarke become stars of the Manhattan nightclub circuit. Unfortunately, Tracy can't keep his hands off scheming chorine Josephine Dunn. As a result, the act breaks up: Clarke goes to bigger and better things, while Tracy is reduced to working as a Hollywood extra. Comedy relief is supplied by Stepin Fetchit and diminuitive Laurel and Hardy "regular" Daphne Pollard. As a bonus, director John Ford shows up in a cameo as himself. ~ Hal Erickson, All Movie Guide

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Starring:
Daphne Pollard
1932  
 
In this drama, a politician must deal with the aftermath of a young girl's damning accusation. ~ Sandra Brennan, All Movie Guide

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Starring:
Chester MorrisMae Clarke, (more)
1951  
 
Callaway Went Thataway is an amiable spoof of early television's "Hopalong Cassidy" craze. Fred MacMurray and Dorothy McGuire star as Mike Frye and Deborah Patterson, advertising copywriters who have pulled off quite a coup by purchasing the old "Smokey Callaway" Westerns for TV. Trouble begins when the sponsor wants to meet up with Callaway (Howard Keel) and sign him to a long-term contract. But Smokey, a notorious boozer and womanizer, has dropped out of sight and left for parts unknown. In desperation, Mike and Debbie hire a Callaway look-alike named Stretch Barnes (also Howard Keel), whom they give a crash course in the art of being a boyhood idol ("You're a cowboy star. You have two expressions: hat on and hat off"). Barnes not only pulls off the ruse with the greatest of ease, but also takes his responsibilities to his young fans quite seriously. The plot thickens when the real Smoky Callaway emerges from a ten-year bender to demand a piece of the action. Callaway Went Thataway is full of wonderful moments, not least of which is a climactic fistfight between Callaway and Barnes, adroitly edited and photographed so as to make it appear that Howard Keel is actually punching out himself! The supporting cast includes future TV favorites Jesse White, Stan Freberg, and Hugh Beaumont (unbilled), while several MGM stars make surprise cameo appearances. Perhaps to avoid potential lawsuits, the film ends with a timorous disclaimer, stating that most Western stars are generous, upstanding individuals -- and not at all like the bibulous, mercenary Smoky Callaway. ~ Hal Erickson, All Movie Guide

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Starring:
Fred MacMurrayDorothy McGuire, (more)
1956  
 
In this upbeat drama, a reformed father returns to the Arkansas farm of his estranged family after having spent too many years living in the fast lane. Included in the family are his mute daughter and his baby son, whom he'd never seen. The father is determined to set things right and immediately begins fixing up the run-down farm. The film's climax occurs when the father, hearing screams, saves his heretofore mute daughter who has fallen into a mine shaft. ~ Sandra Brennan, All Movie Guide

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Starring:
Ann SheridanSteve Cochran, (more)
1948  
 
Daredevils in the Clouds was one of Republic's several attempts to transform former cowboy star Robert Livingston into a non-cowboy leading man. With customers and creditors breathing down his neck, Terry O'Rourke (Livingston), the head of Polar Airways, does his best to bring his planes in on time. Johnny Martin (James Cardwell), top man at Trans-Global Airlines, covets O'Rourke's business, and will do anything-even commit murder-to gobble up Polar's clientele. Mae Clarke, who hadn't had a leading role in years, is quietly effective as Kay Cameron, a grounded aviatrix who carries a torch for her boss O'Rourke. The film is distinguished by the excellent miniature and special-effects work of the Lydecker Brothers. ~ Hal Erickson, All Movie Guide

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Starring:
Robert LivingstonJames B. Cardwell, (more)
1954  
 
Friday (Jack Webb) and Smith (Ben Alexander) follow up reports that a shabbily dressed eight-year-old boy and a six-year-old girl have been going door to door in a fashionable Bel-Air neighborhood, begging for food. A tip from a servant in one of the homes indicates that the little beggars are two of three severely malnourished youngsters who are living in squalor in a large, decaying house. The detectives find out that the children have been abandoned (and not for the first time) by their alchoholic mother--and that the youngest of the three kids is dying of a skull fracture. This episode is based on the Dragnet radio broadcast of February 1, 1951. ~ Hal Erickson, All Movie Guide

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1965  
 
Having accidentally saved the life of Hekawi chief Wild Eagle (Frank De Kova), Captain Parmenter (Ken Berry) has earned the tribe's undying gratitude. As a reward, Wild Eagle decides to give Parmenter a newborn papoose--and won't take no for an answer. With this episode, Edward Everett Horton makes his final appearance as befuddled medicine man Roaring Chicken; also, keep an eye out for a cameo appearance by 1930s film favorite Mae Clarke. ~ Hal Erickson, All Movie Guide

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1933  
 
This story centers around a love triangle between two construction workers and a girl. The film climaxes with a fight on top of a skyscraper. The story is based on a play called Rivets. ~ Sandra Brennan, All Movie Guide

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Starring:
John GilbertRobert Armstrong, (more)
1932  
 
In this crime drama, a reporter pursues the crime lord in charge of laundering the town's dirty money. The new police commissioner vows to gather enough evidence to capture the head crook, who in turn murders the commissioner. Meanwhile, the intrepid reporter befriends the crime lord's assistant, tricks them both, and almost loses her life. Fortunately, her diligence pays off and she gets her great scoop. ~ Sandra Brennan, All Movie Guide

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Starring:
Pat O'BrienMae Clarke, (more)
1934  
 
With William Boyd in the cast, one would think that Flaming Gold was a "Hopalong Cassidy" western -- and one would be wrong. Boyd and Pat O'Brien play Dan Manton and Ben Lear, wildcat oil men at large in Mexico. Dan and Ben continually run afoul of a powerful oil cartel, determined to put our heroes out of business. Meanwhile, the two buddies fall out over the affections of good-time Claire Arnold (Mae Clarke) who marries Dan. A "big gusher" climax caps Flaming Gold, which had it been made 10 years later would probably have been produced by Pine-Thomas Productions with Richard Arlen, Chester Morris and Jean Parker in the cast. ~ Hal Erickson, All Movie Guide

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Starring:
William "Stage" BoydPat O'Brien, (more)
1931  
 
Still regarded as the definitive film version of Mary Shelley's classic tale of tragedy and horror, Frankenstein made unknown character actor Boris Karloff a star and created a new icon of terror. Along with the highly successful Dracula, released earlier the same year, it launched Universal Studio's golden age of 1930s horror movies. The film's greatness stems less from its script than from the stark but moody atmosphere created by director James Whale; Herman Rosse's memorable set designs, particularly the fantastic watchtower laboratory, featuring electrical equipment designed by Kenneth Strickfaden; the creature's trademark look from makeup artist Jack Pierce, who required Karloff to don pounds of makeup and heavy asphalt shoes to create the monster's unique lurching gait; and Karloff's nuanced performance as the tormented and bewildered creature. Frankenstein was greeted with screams, moans, and fainting spells upon its initial release, obliging Universal to add a disclaimer in which Edward Van Sloan advises the faint of heart to leave the theater immediately. If they don't: "Well...we've warned you." Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters. ~ Hal Erickson, All Movie Guide

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Starring:
Colin CliveBoris Karloff, (more)
1936  
 
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After retiring from a boxing career, Johnny Cave (James Cagney) accepts an appointment to serve as head of the Bureau of Weights and Measures. However, when he discovers that his organization is full of corruption and lies, he sets out to uncover the scam, much to the dismay of his girlfriend, Janet (Mae Clarke), and his underhanded coworkers. ~ Iotis Erlewine, All Movie Guide

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Starring:
James CagneyMae Clarke, (more)
1949  
 
Singing cowboy Jimmy Wakely was in his final year of movie stardom when Gun Runner was released by Monogram. Wakely has more action than songs this time out, as he searches for an old pal who has gone sour and is selling guns to the Indians. The pathos of this situation is counterpointed by the pig-bladder comedy of Dub "Cannonball" Taylor. The leading-lady lineup is an interesting one: co-starring with Wakely are Noel Neill, the future Lois Lane on TV's Superman, and Mae Clarke, she of the "grapefruit massage" in 1931's Public Enemy. The comparatively sympathetic villain is portrayed by real-life sharpshooting champ Kenne Duncan. ~ Hal Erickson, All Movie Guide

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Starring:
Jimmy WakelyNoel Neill, (more)
1937  
 
The first musical comedy from the Grand National assembly line, Hats Off stars John Payne and Mae Clarke as rival press agents Jimmy Maxwell and Jo Allen. Both have been assigned to stir up publicity for separate expositions at the 1936 Texas Centennial (newsreel footage of which predominates throughout the film's short running time). To throw Jimmy off the track, Jo pretends to be a schoolteacher, but by the time the ruse has been revealed, the two leading characters have fallen in love. Payne and Clarke perform a duet of the film's best song, "Twinkle Twinkle Little Song," while comic soubrette Helen Lynd socks across two novelty numbers, "Little Odd Rhythm" and "Let's Have Another." Hats Off represented John Payne's first leading role, launching a career that would last well into the early 1960s; it was also the first screenwriting credit for future cult-favorite director Samuel Fuller. ~ Hal Erickson, All Movie Guide

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Starring:
Mae ClarkeJohn Payne, (more)
1936  
 
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First-time director Lew Ayres performs miracles on a tiny budget in the Civil War drama Hearts in Bondage. The story offers a romanticized version of the events leading up to the battle between the "ironclads" Monitor and Merrimac. Northern naval officer Kenneth (James Dunn), the nephew of Monitor designer John Ericsson (Fritz Leiber) is dishonorably discharged when he sinks the Merrimac instead of burning it, as ordered. He is restored to duty as a crew member on the Monitor, and in the ensuing sea battle with the recommissioned Merrimac he kills Confederate officer Raymond (David Manners), the brother of Kenneth's fiancee Constance (Mae Clarke). The estranged sweethearts are ultimately reunited with the help of Abe Lincoln himself! Both James Dunn and Mae Clarke are miscast in their roles, but they do their best under the circumstances to make their material "work" -- and often succeed. The real stars of Hearts in Bondage are Republic's special-effects mavens Howard and Theodore Lydecker, whose splendid utilization of scale models in the climactic Monitor-Merrimac confrontation is both exciting and convincing. ~ Hal Erickson, All Movie Guide

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Starring:
James DunnMae Clarke, (more)
1944  
 
This peppy wartime musical stars Bing Crosby as radio crooner Johnny Cabot, the heartthrob of millions. To escape his frenzied fans, Johnny joins the Navy, where is he ordering to aid a WAVE recruiting drive. He is helped(?) in this endeavor by Betty Hutton, amusingly cast in a dual role as twin sisters Susie and Rosemary, one a shy retiring brunette, the other a bold and brassy blonde (Vera Marshe doubles for Hutton is some scenes). Part of Johnny's recruiting strategy is to stage a musical show, as good an excuse as any for a steady stream of bouncy musical numbers. This is the film in which Bing Crosby and Sonny Tufts, both in blackface, introduce the Johnny Mercer-Harold Arlen standard "Ac-Cent-Tchu-Ate the Positive." Sharp-eyed viewers will spot Yvonne de Carlo, Mona Freeman, Mae Clarke, and Noel "Lois Lane" Neill in small roles. Here Come the Waves was partially remade by Martin & Lewis as Sailor Beware. ~ Hal Erickson, All Movie Guide

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Starring:
Bing CrosbyBetty Hutton, (more)
1936  
 
In this emotional drama, a lonely British housekeeper, uses her hard-earned savings account to finance a trip to America so she can see the successful son she has been proud of all her life. At least she has been lead to believe that her son is a big shot. Once in the US, she and her young female companion end up thumbing to California. Along the way they hook up with a kindly young man and his world-weary promoter. Unfortunately, she learns a bitter truth upon her arrival: her son is actually a prisoner in San Quentin. ~ Sandra Brennan, All Movie Guide

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Starring:
Arthur Treacher
1952  
 
Set in the years following the Civil War, Horizons West stars Robert Ryan as Dan Hammond, one of three Texans who decide to return home after the cessation of hostilities. While his brother Neal (Rock Hudson) and his friend Tiny (James Arness) decide to become ranchers, Dan opts for a more adventurous life out West. Through means both fair and foul (mostly foul), he builds up a veritable empire, defending his turf with legions of hired gunmen. Eventually, the honest Neal is forced to face down his brother Dan, whose megalomania has reached dictatorial dimensions. Julie Adams, still billed as "Julia," plays a self-reliant widow who sets her cap for Dan, who in an earlier scene had gunned down the woman's husband (Raymond Burr)--a characteristically ironic grace-note from director Budd Boetticher. ~ Hal Erickson, All Movie Guide

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Starring:
Robert RyanJulie Adams, (more)
1955  
 
I Died a Thousand Times is a scene-by-scene remake of the 1941 crime-drama classic High Sierra. Jack Palance steps into the old Humphrey Bogart role as Roy "Mad Dog" Earle, the ageing bank robber who intends to pull off one last heist before retiring. Sprung from prison by likeable crime boss Big Mac (Lon Chaney Jr.), Earle is commissioned to mastermind the robbery of a resort hotel. His partners in crime include the hotheaded, immature Babe (Lee Marvin) and Red (Earl Holliman), as well as "inside man" Mendoza (Perry Lopez). Also along for the ride is Marie (Shelley Winters), a dance-hall girl whom Babe has picked up. Marie falls in love with Earle, but he has eyes only for Velma (Lori Nelson), the club-footed daughter of a farmer (Ralph Moody) whom Earle had earlier befriended. Intending to use his share of the loot to finance Velma's operation, Earle goes through with the robbery, only to be thwarted by the ineptitude of his partners, the treachery of the late Big Mac's successors, and, finally, the fickle Velma. With the faithful Marie by his side, Earle makes a desperate escape into the High Sierras, but fate is still against him. Essentially an itinerary of what has previously "clicked" in High Sierra, I Died a Thousand Times makes a few concessions to changing tastes and mores; the stereotype comedy-relief character played by black actor Willie Best in the original film, for example, has been replaced by the more "acceptable" (at least by 1950s terms) stereotyped Mexican played by Gonzales-Gonzales. While the 1955 film cannot match the excellence of its 1941 role model, I Died a Thousand Times works pretty well on its own terms. ~ Hal Erickson, All Movie Guide

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Starring:
Jack PalanceShelley Winters, (more)
1949  
 
To stop a madman from blowing up New York City, a researcher dons a flying suit and prepares for battle in this serial, later re-editing into the feature Lost Planet Airmen. ~ Jason Ankeny, All Movie Guide

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Starring:
Tristram CoffinI. Stanford Jolley, (more)

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