Mae Clarke Movies

Big Time was helmed by Howard Hawks' brother Kenneth. This well-paced early talkie stars Lee Tracy as a Broadway hoofer and Mae Clarke as his actress girlfriend. Teaming up, Tracy and Clarke become stars of the Manhattan nightclub circuit. Unfortunately, Tracy can't keep his hands off scheming chorine Josephine Dunn. As a result, the act breaks up: Clarke goes to bigger and better things, while Tracy is reduced to working as a Hollywood extra. Comedy relief is supplied by Stepin Fetchit and diminuitive Laurel and Hardy "regular" Daphne Pollard. As a bonus, director John Ford shows up in a cameo as himself. ~ Hal Erickson, All Movie Guide

Adapted from a play by Gerald du Maurier, The Dancers stars Lois Moran as free-spirited Diana Snowden. Though once pure of heart and noble of mind, Diana has "strayed" rather dramatically over the years. When her childhood sweetheart Tony (Phillips Holmes) returns to London after a long absence, Diana is convinced that she is no longer good enough for him. Thus, when he proposes marriage, she hops on a plane and escapes to France. One year later, Tony finally catches up to Diana, who has been doing her own brand of penance by working as a humble schoolteacher. ~ Hal Erickson, All Movie Guide

In this drama, a married couple who own a speakeasy aspire to go legitimate and open a gas station; unfortunately, they are perennially broke because the husband is addicted to gambling on the horses. Their situation makes them easy marks for a racketeer who uses the couple as a front. Fortunately, the couple overcome their weaknesses, save the needed money, and achieve their humble dream. ~ Sandra Brennan, All Movie Guide

William Wellman's landmark gangster movie traces the rise and fall of prohibition-era mobster Tom Powers. We are first shown various episodes of Tom's childhood with the corrupting influences of the beer hall, pool parlor, and false friends like minor-league fence Putty Nose. As young adults, Tom (James Cagney) and his pal, Matt Doyle (Edward Woods), are hired by ruthless but innately decent bootlegger Paddy Ryan (Robert Emmett O'Connor). The boys quickly rise to the top of the heap, with all the accoutrements of success: custom-tailored tuxedoes, fancy cars, and gorgeous girls. All the while, Tom's loving (and somewhat addlepated) mother (Beryl Mercer) is kept in the dark, believing Tommy to be a good boy, a façade easily seen through by his older brother Mike (Donald Cook). Tommy's degeneration from brash kid to vicious lowlife is brought home in a famous scene in which he smashes a grapefruit in the face of his latest mistress (Mae Clarke). Some dated elements aside, The Public Enemy is as powerful as when it was first released, and it is far superior to the like-vintage Little Caesar. James Cagney is so dynamic in his first starring role that he practically bursts off the screen; he makes the audience pull for a character with no redeeming qualities. The film is blessed with a superior supporting cast: Joan Blondell is somewhat wasted as Matt's girl, Mamie; Jean Harlow is better served as Tom's main squeeze, Gwen (though some of her line readings are a bit awkward); and Murray Kinnell is slime personified as the deceitful Putty Nose, who "gets his" in unforgettable fashion. Despite a tacked-on opening disclaimer, most of the characters in The Public Enemy are based on actual people, a fact not lost on audiences of the period. Current prints are struck from the 1949 reissue, which was shortened from 92 to 83 minutes (among the deletions was the character of real-life hoodlum Bugs Moran). ~ Hal Erickson, All Movie Guide

In this crime drama, a moll tells her imprisoned gangster lover that she is leaving him for another whom she really loves. He is a wealthy boy who marries her without knowledge of her past life. The happy couple soon has a baby. Their happiness is destroyed when the gangster escapes from prison and goes out looking for revenge on his ex-moll. When her hubby's parents discover the truth about her they are appalled and enraged. They strongly pressure her to give up the baby and leave her husband forever. Her husband goes to Paris for a divorce and the woman becomes a nightclub singer. Trouble ensues when the gun-toting gangster shows up to shoot her down. Fortunately a fast-shooting detective is there and kills the gangster first. Later her husband comes back from Paris and decides that he doesn't care about her past. The little family is happily reunited. ~ Sandra Brennan, All Movie Guide

Edna May Oliver makes the first of three appearances as Hildegarde Withers, the schoolteacher/sleuth created by mystery writer Stuart Palmer. While conducting her students on a tour of the Battery Park Aquarium, Hildegarde spots a dead body in the penguin pool. Police inspector Piper (James Gleason) believes it's an open-and-shut case when he collars the faithless wife (Mae Clarke) of the victim, but Hildegarde suspects there's more to the case than meets the eye. Detective and teacher mellow from antagonists to friends in the course of the investigation, the denouement of which isn't revealed until the suspect is put on trial, where she is defended by her attorney-lover (Robert Armstrong). The murderer's identity isn't too surprising, but Penguin Pool Murder takes several unexpected twists all the same, including a neat reversal on the old "reunited lovers" finale. At the end, Hildegarde and Piper are contemplating marriage, but in the subsequent Edna May Oliver/James Gleason "Hildegarde Withers" films (Murder on the Blackboard, Murder on a Honeymoon) they retain their single status. ~ Hal Erickson, All Movie Guide

In this drama, a politician must deal with the aftermath of a young girl's damning accusation. ~ Sandra Brennan, All Movie Guide

Glamorous Jean Harlow had her first big starring role in this standard story of an innocent small town young woman corrupted by big city life. Harlow plays Cassie Barnes, who is bored with her life and jumps at the chance to move to New York City to join her old friend Gladys Kane (Mae Clarke). She gets an apartment with Gladys' friend Dot (Marie Prevost), whose life is not so glamorous -- she addresses envelopes to make money. Cassie quits her first job after her boss hits on her then becomes a model in the department store where Gladys works. There she falls for a philandering tycoon named Jerry Dexter (Walter Byron). Cassie eventually discovers that he is married. Jerry tries to claim that he's going to divorce his wife, but Cassie doubts it and dumps him. Gladys is the mistress of another married man, Arthur Phelps (Jameson Thomas), who keeps her happy with a well-furnished Park Avenue apartment. ~ Michael Betzold, All Movie Guide

Slowly dying of an unspecified illness, wealthy invalid Charles Sellon wants his aide Neil Hamilton to end his suffering. Hamilton won't do it, but villainous lawyer Alan Dinehart, in line to inherit Sellon's millions, is not so charitable. Dinehart kills Sellon, then makes it look as though Hamilton murdered the old guy for his money. During his trial, Hamilton is ostensibly given the best defense attorney that money can buy -- Dinehart, who secretly plans to deliberately lose the case so our hero will be railroaded into the electric chair. Instead, Hamilton is sentenced to life imprisonment, so there's still the possibility that he'll fall heir to the money. But Dinehart still has several more tricks up his sleeve. ~ Hal Erickson, All Movie Guide

Society-lawyer Warner Baxter loses his prestige in the legal community when he successfully defends gangster boss Nat Pendleton. Later on, the soft-hearted Pendleton gets the opportunity to "do right" by saving Baxter's life. This redemptive move comes at the end of a complicated plot involving Baxter's efforts to save Phillips Holmes, who has been framed by nasty mobster C. Henry Gordon, from the hot seat. He is aided in this effort by Gordon's former mistress Myrna Loy, who has all of the film's best lines (When her protecter Baxter falls asleep on a couch, Loy complains "A few more nights like this and I'll be out of condition.") Also in the cast of Penthouse is crime-movie perennial Mae Clarke, here cast as the murder victim. Penthouse was later remade (and highly sanitized in the process) as Society Lawyer, with Walter Pidgeon in the Warner Baxter part. ~ Hal Erickson, All Movie Guide

In this romantic drama, a woman inadvertently assists a con artist in his scheme to rob a store manager and ends up in prison. After helping to put out the very fire she herself started in the prison shop, the woman receives early parole and heads back to the con-artist. She then returns to the store manager to make peace, but finds herself falling in love with him. Unfortunately their affair is interrupted when the manager's wife is also sprung from prison. The girl immediately bows out, but when the wife tells him that she divorced him in prison, the girl comes running back, and happiness ensues. ~ Sandra Brennan, All Movie Guide

In this handsomely-staged adaptation of the story by Emile Zola, Anna Sten plays Nana, a woman of the streets who is spotted by noted theatrical producer Gaston Greiner (Richard Bennett). Greiner is so impressed by Nana's beauty that he gives her a part in his latest revue. Almost overnight, Nana is the toast of Paris and a star of the highest magnitude; however, fame and fortune brings her little happiness, as two brothers, Lt. George Muffat (Phillips Holmes) and Col. Andre Muffat (Lionel Atwill), both vie for her affections, leading to a bitter rivalry that ends in tragedy. Russian actress Anna Sten was brought to America as a protégé of producer Samuel Goldwyn, who sought to make Sten the "next Garbo." The resounding box office failure of Nana and Sten's next two vehicles led Goldwyn to drop her contract two years after bringing her to Hollywood, though she continued to work sporadically in films for another 25 years. ~ Mark Deming, All Movie Guide