Gary Clarke Movies

Gary Clarke enjoyed a two-track career from the late '50s until the late '60s, in movies and on television. In feature films, he was best known for his work in a handful of exploitation movies that have endured in popularity across the decades, while on the small screen, he co-starred on the Western series The Virginian and Hondo. Born Clarke L'Amoreaux in Los Angeles in 1936, he was raised in the city and was first bitten by the performing bug in high school when he started singing and also realized that his fellow students thought he had a winning way with a joke. He moved past comedy to student acting (while keeping his hand in music), and was lucky enough to be spotted by a 20th Century Fox executive while appearing in a senior play called Quiet Summer. Clarke was told that he showed genuine promise -- he might even have had a shot at taking the male ingenue roles for which Robert Wagner was now too old, but he blew his opportunity by getting married after graduation, and forcing himself into a dead-end personal and economic situation. All of this delayed his entry into the acting profession for a couple of years.

An end to the marriage freed Clarke up to join the Glendale Center Theatre (after a disastrous audition at the Pasadena Playhouse), where he played leading roles in productions of such works as Arsenic and Old Lace, Stage Door, and Lilacs in the Rain. Those performances led Clarke to his screen debut, in a role in the American International Pictures teen exploitation movie Dragstrip Riot (1958). Despite the presence in the cast of legendary 1930s leading lady Fay Wray (playing Clarke's mother), the film could have been a train-wreck, going through three directors in just three weeks of production, and having the actors all riding their own motorcycles and doing their own stunts; instead, it proved an enjoyable learning experience for Clarke, and only whetted his appetite for more movie work. It was also the first of five movies that Clarke made with actor Steve Ihnat, who became one of Clarke's best friends as the other actor gradually rose to stardom on television and in movies, and branched into directing and screenwriting, prior to his untimely death in 1972.

In between menial jobs over the next couple of years, Clarke squeezed in leading roles in a pair of low-budget science fiction/horror movies, How to Make a Monster -- for which he took over the "Teenage Werewolf" role originated by Michael Landon in I Was a Teenage Werewolf -- and Missile to the Moon. The latter gave Clarke the chance to have a poignant romantic interlude with a moon maid portrayed by Leslie Parrish, in the time when she was known as Marjorie Hellen. By 1960, he had landed a supporting role in the Michael Shayne television series starring Richard Denning and produced by Republic Pictures, and released a novelty record, "Green Finger," issued by RCA Victor. In 1962, Clarke was cast in the role of Steve, a cowhand, on the Universal television series The Virginian, a role that occasionally gave him a chance to use his singing voice. After leaving that series in 1964, he began writing scripts for the television series Get Smart under his birth name of Clarke L'Amoreaux, and was responsible for creating the character of Hymie the Robot -- according to an interview with Tom Weaver in Starlog magazine, the good-natured automaton (portrayed totally deadpan by Dick Gautier) grew out of a dramatic story Clarke had been working on. In 1966, he was cast in his last major television role, as Captain Richards in the series Hondo, a Western show starring Ralph Taeger and Kathie Browne, which might well have been a hit but for the fact that it came along a season or two too late. Clarke's career slowed considerably after 1967, following Hondo's cancellation, when he moved to Phoenix, AZ, though he continued to do occasional screen work, commuting to Los Angeles. Since the 1970s, he's worked primarily in Arizona, including performances as a voice-actor on radio, and has been heavily involved with his church. ~ Bruce Eder, All Movie Guide
1974  
 
In the 240th and final episode of The F.B.I., Inspector Lew Erskine (Efrem Zimbalist Jr.) and his partner Chris Daniels (Shelly Novack) are hot on the trail of escaped convict Sam Belson (Jon Cypher). The two agents manage to capture Belson in the middle of the California wilderness, but in the process Daniels is seriously wounded. It now falls to Erskine to guide himself, Belson and Daniels to safety--but time is rapidly running out for the Inspector's injured fellow agent, who may die unless he receives emergency medical treatment. ~ Hal Erickson, All Movie Guide

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1972  
 
Dr. Brackett (Robert Fuller suspects that a boy whom the paramedics have rescued from a deep hole is the victim of child abuse. The problem now is to convince the Court, a task made difficult by the hotshot attorney (Richard Jaeckel) hired by the boys' parents. Meanwhile, the station adopts a stray dog named Boot, who turns out to be a literal lifesaver. John Travolta makes his first network TV appearance as an imperiled hiker in this episode . ~ Hal Erickson, All Movie Guide

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1972  
 
The title characters in this episode are two pretty but avaricious young ladies, a flight attendant and a nurse, who specialize in using their sexual wiles to entrap unwary males and "take" them for all they've got. Evidently the girls have gone one step too far with one of their victims, who has broken into their apartment and murdered them both. Stone (Karl Malden and Keller (Michael Douglas) follow the trail of clues to the home of an outwardly respectable married couple, jewelry salesman Arthur Lavery (Harold Gould) and his wife Edna (Barbara Baxley). ~ Hal Erickson, All Movie Guide

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1969  
PG  
Actor Don Murray wrote, produced, and starred in this drama about an alcoholic former serviceman who falls in with gangsters until he has a spiritual awakening and decides to devote his life to helping others. The supporting cast includes Linda Evans, Logan Ramsey, and Angelique Pettyjohn. Also shown under the titles Childish Things, Tale of the Cock, and Cockadoodle-Do. ~ Mark Deming, All Movie Guide

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Starring:
Don MurrayLinda Evans, (more)
1969  
 
The fans of television shows The Virginian and Laredo will delight to the combined casts of the two popular series for Backtrack. Ramrod (James Drury) and Trampas (Doug McClure) are shown meeting for the first time as they go to work on the Shilo Ranch. Reese (Neville Brand) Chad (Peter Brown) and Riley (William Smith) are the Texas Rangers who meet Trampas when he travels to Mexico. Ramrod sends Trampas South of the border to pick up a prized bull. Trampas and the Rangers come across a railroad train where the only survivor of a brutal robbery is a baby. Captain Estrada (Fernando Lamas) and his spitfire mistress Madame Dolores (Ida Lupino) are the villains who give the good guys a bad time. Royal Dano, William Smith and Rhonda Fleming also appear. Chad tries to talk the evil Estrada into letting Trampas and the captured Rangers out of jail, promising further help for the scheming Mexican in this action-packed routine western saga. ~ Dan Pavlides, All Movie Guide

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Starring:
Neville BrandDoug McClure, (more)
1967  
 
Released theatrically in Europe, Hondo and the Apaches was stitched together from the first two episodes of the Hondo TV series, telecast September 7 and 15, 1967. Ralph Taegar plays the title role of western U.S. Army agent Hondo Lane, with Noah Beery Jr. as sidekick Buffalo Baker. Guest-star Robert Taylor is given top billing, but his participation is secondary to the main plotline: Hondo is told to help make peace with Indian Chief Vittoro (Michael Pate), whose daughter--Hondo's wife--had been killed by the Cavalry. Once the peace pipe is smoked, Hondo must deal with a renegade Native American who threatens the peace by randomly attacking settlers. The original TV series Hondo lasted only 13 weeks, knocked off in the ratings by the competing Star Trek. ~ Hal Erickson, All Movie Guide

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1966  
 
Directed by versatile standup comedian Lenny Weinrib, Wild Wild Winter is more palatable in its comic scenes than its musical interludes. Essentially a snowbound imitation of American-International's Beach Party series, the film stars such passing fancies of the 1960s as Gary Clarke, Chris Noel and Les Brown, Jr. The plot: Clarke poses as a millionaire to impress Noel, she finds out, everybody lives happily ever after. The musical acts include Jay and the Americans, The Beau Brummels, Dick and Dee Dee and Jackie and Gayle. Man, this sure is a swingin' snow-ball. ~ Hal Erickson, All Movie Guide

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Starring:
Gary ClarkeChris Noel, (more)
1964  
 
Aka Bourbon Street, Passion Street USA was shot on location in New Orleans. Tanya Conway stars as a young Tennessean who moves to French quarter. Feeling lost and lonely in her new environment, Conway falls in love with kindly minister Gary Clarke. Jealous detective Steve Ihnat, who covets Conway for himself, pulls every dirty trick in the book to squash her romance. Passion Street USA is more interesting for its cast and location footage than its content. ~ Hal Erickson, All Movie Guide

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1963  
 
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A wild fire heightens the suspense of this exciting drama in which a ranger and his wife are pursued by a murderer after they witness a killing. ~ Sandra Brennan, All Movie Guide

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1962  
 
Advertised on the sleeve of its home-video release as a "Charles Bronson western", Bull of the West is actually comprised of two episodes from the American TV western series The Virginian, edited together for theatrical release overseas. The segment in which Bronson appears was originally telecast as "The Nobility of Kings" on November 10, 1965. Two recurring characters on The Virginian, Trampas (Doug McClure and Randy (Randy Boone), helpfully inform newly arrived rancher Ben Justin (Bronson) that he has inadvertently violated the rules of the Stockman's Association. Conditioned by life's hard knocks to neither trust or listen to anyone but himself, the hard-drinking Ben tells Trampas and Randy to mind their own business. Another rancher, Suchette (George Kennedy), is so incensed by this attitude that makes certain Ben's cattle will not be allowed access to the railroads. Caught in the middle of this range feud is Ben's tenderfoot son Will (Bob Random), who has been forbidden to help his dad around the ranch, and has not even been allowed to ride a horse. Working in secret with Trampas and Randy at the Shiloh Ranch, Ben's wife Mary (Lois Nettleton) sees to it that Will is given riding lessons--while Ben simmers and stews at home, convinced that Mary is having an affair with The Virginian (James Drury). "The Nobility of Kings" was spliced together with the Virginian episode of January 2, 1963, "Duel at Shiloh". While having nothing to do with the Bronson episode beyond the same setting and a few of the same characters, this episode is thematically similar in that it deals with a stubbornly rugged individualist--in this instance, a grizzled ranch hand named Johnny Wade (Brian Keith)--and a potentially deadly feud, unwittingly fomented by the men of the Shiloh ranch. Specifically, Johnny finds himself on opposite sides of the fence with his tenderfoot pal Steve Hill when the latter takes a job with the Shiloh's owner Judge Garth (Lee J. Cobb), while Johnny remains loyal to rival ranch owner Geraldine Brooks. ~ Hal Erickson, All Movie Guide

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Starring:
Charles BronsonLee J. Cobb, (more)
1960  
 
Two adolescents learn the hard way about listening to their parents after they disregard their elders' advice, elope, and move out on their own. Unfortunately, they end up on the seamy side of town where they are victimized by the bride's vengeful ex-boy friend and his psychotic drug-addicted brother. The youngsters must also contend with other assorted criminals, including drug dealers and mobsters. ~ Sandra Brennan, All Movie Guide

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1959  
 
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Green cheese? Men in the Moon? Nah, everyone knows that the moon is really populated by beautiful women wearing silk underwear and spiked heels. They are ruled by an evil temptress and share the moon with giant rock men and an enormous spider. Honest. Just watch this campy remake of Cat Women of the Moon and see for yourself. ~ Sandra Brennan, All Movie Guide

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1958  
 
Like many American International films of its era, How to Make a Monster was sold to distributors on the basis of its title alone: only after theatrical play dates had been established did anyone get around to writing a script! Robert H. Harris plays Pete Drummond, who according to the script has been chief makeup man at American-International for 25 years, or approximately 20 years before the studio was actually established. When the studio is sold, Pete is brusquely informed that neither he nor his monster creations -- notably the Teenage Werewolf and Teenage Frankenstein -- will be required any longer, inasmuch as American International is going to concentrate on musicals from now on. Angered and humiliated, Pete takes revenge on the callous studio heads by hypnotizing a couple of actors (Gary Clarke and Gary Conway) into believing that they're genuine monsters. Under Pete's control, the two thespians begin committing murders left and right, wreaking havoc throughout the American International lot. ~ Hal Erickson, All Movie Guide

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Starring:
Robert H. HarrisGary Conway, (more)
1958  
 
Teenager Rick Martin (Gary Clarke) promises his loving mom (Fay Wray) that he won't get into any fights any more-certainly no fights like the one that put him in jail a few months back. But Rick can't seem to stay out of trouble, especially when a bunch of motorcycle punks begin harrassing his drag-racing pals. During a fracas, one of the cyclists is killed, and the cops naturally blame Rick. He has to spend the rest of the film (which, at 68 minutes, isn't a lot of time) proving his innocence. Dragstrip Riot was originally released on a double bill with The Cool and the Crazy. ~ Hal Erickson, All Movie Guide

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Starring:
Yvonne LimeGary Clarke, (more)

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