David Clarke Movies

This reject from slasher-movie remedial school -- featuring copious amounts of teen sex and the usual unimaginative gore murders -- involves the return of a problem teen (Donovan Leitch) to high school after his release from an institution. After essentially pinning the "Red Herring" sign on the main character, the filmmakers then pander what passes for suspense as Leitch's classmates head for that big D-hall in the sky. Not even a supporting performance by then-unknown Brad Pitt managed to rescue this lackluster thriller, which arrived far too late in the game to appeal to the teen-horror crowd -- an audience which by then had already migrated from Halloween clones and Friday the 13th sequels to Freddy Krueger territory after Wes Craven's crafty A Nightmare on Elm Street. ~ Cavett Binion, All Movie Guide

When Erin (Mary Elizabeth McDonough) turns down his wedding proposal, G.W. Haines (David Doremus) promptly joins the army. Shortly thereafter, Erin is invited to visit G.W. at Camp Lee--all by herself. Should John (Ralph Waite) and Olivia (Michael Learned) put faith in their daughter's common sense and let her travel alone, or should they be worried that G.W. will surrender to his "baser instincts?" ~ Hal Erickson, All Movie Guide

The McCarthy-era "witch hunts" in the entertainment industry set the stage for this comedy drama set in the 1950s. Howard Prince (Woody Allen) is a cashier at a corner bar who works as a small-time bookie on the side, with little success. One day, Howard's old friend Alfred Miller (Michael Murphy), a successful television writer, makes a business proposal to him; Alfred's leftist political views have resulted in him being blacklisted from the major television networks, and he can no longer get work. Alfred asks Howard to act as a "front" -- Howard puts his name on Alfred's scripts, sells them, and takes a cut of the payment for his trouble. Howard's new career as a "writer" is an instant success, and soon Howard is fronting for a handful of blacklisted scribes while earning a healthy income and becoming the toast of the television industry; another fringe benefit is a romance with beautiful network employee Florence Barrett (Andrea Marcovicci). However, comic Hecky Brown (Zero Mostel), who had a brief fling with socialism years before, now finds his past catching up with him, and he's told in order to save his job as host of a weekly television show, he has to get the goods on some suspicious figures, among them Howard Prince, whose background looks a little too clean for comfort. The Front was written by Walter Bernstein, who was himself blacklisted during the 1950s, as were co-stars Zero Mostel, Herschel Bernardi, and Lloyd Gough. ~ Mark Deming, All Movie Guide

Based on an actual bank heist (and even using the St. Louis policemen who took part in thwarting the original robbery), this fairly ho-hum caper film stars Steve McQueen as the driver of the getaway car for the four bank robbers. The four men go over their plan several times, including dry runs to cover every possible contingent. These preparations take up most of the film, so that by the time the thieves are ready to do it, the audience has been ready forever. The actual scenario when the thieves walk into the bank is fast-paced, and as might be expected, even the best-laid plans cannot foresee everything. ~ Eleanor Mannikka, All Movie Guide

The Narrow Margin is generally considered a "model" B picture; some film buffs go farther than that, labelling this 1952 RKO suspenser as the best low-budget studio production ever made. Nail-hard detective Walter Brown (Charles McGraw) is assigned to protect gangster's widow Mrs. Neall (Marie Windsor) as she rides the train from Chicago to LA, en route to testifying at a grand jury. There's no love lost between the ill-tempered Neall and Brown, especially since Brown's partner (Don Beddoe) was killed by mobsters while shielding Neall from harm. On the train, Brown makes the acquaintance of a likeable woman (Jacqueline White) and her playful young son. He also comes in contact with a rather secretive fat man (Paul Maxey), who may well be a mob assassin. Not long before the train pulls into California, Brown is approached by small-time crook (Peter Brocco), who offers the detective a great deal of money if he'll permit Neall to be silenced. Brown appears to be tempted, but this is only a smokescreen to throw the crooks off the trail. The Narrow Margin was remade (and unnecessarily padded and attenuated) in 1990. ~ Hal Erickson, All Movie Guide

In 1949, Paramount put together a film version of the radio series My Friend Irma. It was assumed that the main attraction would be scatter-brained Irma, delightfully played by Marie Wilson. Instead, the picture was stolen by a couple of young upstarts named Dean Martin and Jerry Lewis. Accordingly, My Friend Irma Goes West concentrates almost exclusively on Martin and Lewis, with poor Marie Wilson virtually consigned to a supporting role in her own picture. The story begins when Irma and her friends head westward on the incorrect assumption that Steve Laird (Dean Martin) has landed a movie contract. During the train trip to California, Steve's goonish pal Seymour (Jerry Lewis) is entrusted with a pet monkey, owned by movie star Yvonne Yvonne (Corinne Calvet). There's a contretemps with gangsters and a kidnapping before a happy ending can be realized. Some critics found Jerry Lewis' moronic mugging to be tasteless; others were too busy laughing to be upset. Having proven their mettle with the two My Friend Irma flicks, Martin and Lewis were awarded with their own vehicle, At War With the Army. ~ Hal Erickson, All Movie Guide

In this classic noir-influenced Western, Gregory Peck stars as an aging gunslinger, sick of killing but haunted by punks wanting to make a name for themselves by slaying a legend. After being warned by his old friend the Sheriff, Peck decides to return East to see his estranged wife and the child he left behind. Knowing his death is an inevitability if he stays, Peck leaves but before he can reach his destination his past catches up with him in the form of a young outlaw. A showdown-cum-Greek tragedy follows and the film ends on a haunting, bleak note. Nominated for an Academy Award in Best Motion Picture Story, The Gunfighter was often imitated by other Westerns, most notably by High Noon, and its minimalist, morally difficult, and compelling tale made it one of the most important films produced in the 1950s. ~ Brian Whitener, All Movie Guide

Long before he became producer/director of The Tonight Show, Fred DeCordova helmed the Universal meller Illegal Entry. Howard Duff, who later worked with DeCordova on the TV series Mr. Adams and Eve, stars as Bert Powers, an undercover agent for the U.S. Department of Immigration. While attempting to bring a vicious gang of alien smugglers to justice, Powers falls in love with Anna Duvak (Marta Toren), a gang member who is Not What She Seems. The film leaves no cliché unturned, not even the familiar scene wherein the airborne smugglers dispose of their human cargo by way of a handy lever which causes the bottom of the plane's passenger section to drop out. Illegal Entry is staged in semi-documentary fashion, maintaining the then-prevalent tradition of such popular films as House on 92nd Street and Call Northside 777. ~ Hal Erickson, All Movie Guide

Viewers who know Gale Storm only through her chaotic comic performances on TV's My Little Margie and Oh Susanna will be surprised by her subdued dramatic performance in Abandoned. Storm plays Paula Consodine, who comes to Los Angeles in search of her missing sister. Newspaperman Mark Sitko (Dennis O'Keefe), investigating on Paula's behalf, discovers that the sister is dead, a supposed suicide. The whole thing seems a bit fishy to Sitko, and indeed it is: the girl's death was engineered by a black-market adoption racket, headed by one DeCola (Will Kuluva). Paula bravely offers to act as bait to draw the criminals out, a formidable task given the presence of such secondary villains as Raymond Burr and Mike Mazurki. ~ Hal Erickson, All Movie Guide

Thieves' Highway is set in San Francisco and the surrounding countryside. Richard Conte plays Nick Garcos, an American GI who returns from WWII to find that his father Yanko (Morris Carnovsky), a produce trucker, has lost the use of both legs because of a fight with crooked truck driver Mike Figlia (Lee J. Cobb). Nick is a clean-cut guy who was set on marrying his sweetheart Polly Faber (Barbara Lawrence). Instead, Nick gets embroiled in his father's feud with Mike, buying a truck and falling deeper into racketeering. He delivers a truckload of apples to Mike as part of a scheme to expose his cheating. A prostitute, Rica (Valentina Cortesa), tells Nick that Mike has his own plot to trap him. Nick and Rica help Mike's henchmen learn that Mike has also been cheating them, and Nick eventually gets his revenge. But Nick has permanently lost Polly because of his involvement with the gangsters and his change in personality from a good guy to a more sinister businessman. Director Jules Dassin was blacklisted from Hollywood for supposed communist sympathies after making this 1949 picture, but he went on to have success with more caper movies while in exile in France. ~ Michael Betzold, All Movie Guide

Glenn Ford is top-billed in Man From Colorado, though he's anything but a hero. Ford plays a seriously disturbed Civil War vet who kills because he enjoys killing. William Holden, Ford's army buddy, tries to stem Ford's homicidal tendencies. When Ford is appointed the "hanging" judge of a Colorado town, Holden signs on as his deputy. The final break between the two onetime friends comes when Holden casts his lot with a group of disgruntled miners whom Ford has disenfranchised. A fistfight in a burning building brings the no-nonsense Man From Colorado to a brutal conclusion. ~ Hal Erickson, All Movie Guide

From director Allan Dwan, Sands of Iwo Jima is a drama set during the Second World War and follows John Stryker (John Wayne), a relentlessly tough Marine sergeant as he trains a squad of naïve, rebellious recruits at a New Zealand military station in 1943. Recently left by his wife, Stryker has become exceedingly bitter and tough, leading his contemporaries to question his behavior and his men to dislike him for his harsh training methods. The wisdom of Stryker's ways, however, is demonstrated when they fight in the legendary battle of Iwo Jima. Using footage of real WWII battles, the Sands of Iwo Jima features John Wayne's first Academy Award-nominated performance, though Broderick Crawford ultimately won the 1950 Best Actor prize. ~ Matthew Tobey, All Movie Guide