Charles Franzen Movies

A young boy comes of age in rural Georgia during the 1940s in Terence Davies' challenging, visually powerful drama. Acclaimed for his nostalgic, beautifully photographed reflections on England's past (The Long Day Closes, Distant Voices, Still Lives), Davies looks beyond his home country to America with this adaptation of a novel by John Kennedy Toole, author of A Confederacy of Dunces. The film is told through the eyes of David (Jacob Tierney), a teenage boy struggling to deal with life in a troubled family. He reflects on his youthful experiences of his father (Denis Leary), an abusive, impoverished worker who disappeared during World War II after enlisting in the army. David is left to care for his increasingly unstable mother (Diana Scarwid) with the help of his Aunt Mae (Gena Rowlands), a lively big band singer. With David's recollections making up the loose plot, The Neon Bible stresses memorably intense images over narrative momentum, with cinematographer Michael Coulter creating sharp, painterly compositions. Some viewers will likely be frustrated by the slow pace and elliptical style, though others may be transfixed by the often stunning photography and poetic approach. ~ Judd Blaise, All Movie Guide

Mississippi Burning is an all-names-changed dramatization of the Ku Klux Klan's murders of three civil rights workers in 1964. Investigating the mysterious disappearances of the three activists are FBI agents Gene Hackman (older, wiser) and Willem Dafoe (younger, idealistic). A Southerner himself, Hackman charms and cajoles his way through the tight-lipped residents of a dusty Mississippi town while Dafoe acts upon the evidence gleaned by his partner. Hackman solves the case by exerting his influence upon beauty-parlor worker Frances McDormand, who wishes to exact revenge for the beatings inflicted upon her by her Klan-connected husband Brad Dourif. Many critics took the film to task for its implication that the Civil Rights movement might never have gained momentum without its white participants; nor were the critics happy that the FBI was shown to utilize tactics as brutal as the Klan's. The title Mississippi Burning is certainly appropriate: nearly half the film is taken up with scenes of smoke and flame. ~ Hal Erickson, All Movie Guide

A would-be Nashville star finds himself in hot water during a stay in Georgia in this drama based (very loosely) on the hit song of the same title. Travis Child (Dennis Quaid) is a country singer looking for his big break, crisscrossing the country playing honky-tonks with his younger sister (and manager), Amanda (Kristy McNichol), in tow. Travis has a bad habit of drinking too much and putting the moves on the wrong women, leaving tough-as-nails Amanda to bail him out. One night Travis runs afoul of Seth Ames (Don Stroud), the sheriff of a small Georgia town who isn't against using his fists to teach lawbreakers a lesson; thanks to Ames, Travis ends up behind bars, but Amanda is able to persuade a sympathetic state trooper, Conrad (Mark Hamill), to help raise bail. In exchange, Travis has to work off his debt as a bartender at a local watering hole (where he hopes he might get to play a few tunes for the customers), and between drawing beers and pouring shots, he meets a beautiful local girl amed Melody (Sunny Johnson). However, as romance begins to bloom between them, Travis find himself in trouble again when he discovers Melody already has a boyfriend -- Seth Ames. Both Dennis Quaid and Kristy McNichol do their own singing in The Night the Lights Went Out in Georgia, with Quaid also writing several of his character's tunes. ~ Mark Deming, All Movie Guide