Cate Fowler Movies

Director Woody Allen continued to work in the dark mold of his 2005 thriller Match Point with this suspenseful tale of two brothers (Colin Farrell and Ewan McGregor) transformed into mortal enemies after scheming to alleviate their financial difficulties by turning to crime. Ian (McGregor) and Terry Blaine (Farrell) are two Cockney siblings whose lives seem to have simply fallen apart. While hard-drinking auto mechanic Terry lives with his girlfriend, Kate (Sally Hawkins), and suffers all the financial hardships that go with being a chronic gambler, his slightly more respectable sibling Ian helps their father maintain the family restaurant. Thanks to the steady income that the restaurant provides and the occasional help of their wealthy uncle Howard (Tom Wilkinson) the family has always managed to scrape by, but when Ian learns of a potentially lucrative California real estate deal, he can't help but dream about moving on to bigger and better things. One day, Terry wins big at the tracks by betting on a speedy greyhound named "Cassandra's Dream," and promptly uses his winnings to purchase a small yacht that he names after the winning dog. Right around the same time, things also start looking up for Ian -- who falls under the seductive spell of ambitious actress Angela (Hayley Atwell). But the brothers' good-luck spell doesn't last long, because when Terry winds up owing a tidy sum to some violent local loan sharks, he's given the option of promptly paying up or suffering some particularly painful consequences. Just then, Uncle Howard shows up in London looking to settle the score with a whistle-blowing business associate. While agreeing to take part in Uncle Howard's diabolical revenge scheme could easily earn Terry the cash needed to pay off his substantial debt, the consequences -- should he get caught -- will be far greater than those of any small-time scam he has ever resorted to in the past. ~ Jason Buchanan, Rovi

Based on the true story of Graham Young, a young British psychopath of the early 1960s, this is the offbeat feature film debut of writer-director Benjamin Ross. Hugh O'Conor plays Young, who narrates the story in a sullen voice-over. He is an isolated, studious young adolescent who is increasingly absorbed in his chemical research projects and estranged from his annoying family. After his greatest experiment blows up, he seeks revenge on his stepmother, who has falsely accused him of hiding pornographic magazines. The boy poisons her chocolates and then his sister's eye drops, partially blinding her. He next poisons his stepmother's stomach medicine. Graham lets her discover the notebook in which he has documented his work, but she can no longer speak, and she dies unable to communicate the truth. Young then starts to poison his father -- but lets himself be discovered and is sent to an insane asylum. There, he is befriended by a psychologist, Dr. Ziegler (Anthony Sher), an optimist who hopes for a recovery by exploring Young's dreams. ~ Michael Betzold, Rovi

This is a modern-dress rendition of Shakespeare's famous "comedy," a semi-serious drama with a story featuring mistaken identities and confused declarations of love. Though it screens far more of the classic play's dialogue than the 1936 version featuring Laurence Olivier, some reviewers asserted that the movie's anachronistic modern settings and costumes made the play's references to ancient forms of clothing and customs confusing to those unfamiliar with the play, and irritating to those who are. Other viewers may find the amount of elaborate verbiage Shakespeare used to convey even the simplest sentiment tiresome. Despite these drawbacks, connoisseurs may enjoy the interpretations of these well-known roles by some of the better performers gracing the British stage in the 1990s, including Emma Croft, James Fox, Cyril Cusack and Celia Bannerman. ~ Clarke Fountain, Rovi

Little Dorrit was intended as the cinematic equivalent to the mammoth, eight-hour Royal Shakespeare Company's staging of Charles Dickens' Nicholas Nickelby. The film was released to theaters in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good Samaritan Arthur Clennam (Derek Jacobi) endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively -- and effectively -- opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, part two of Little Dorrit spends nearly half of its running time recapping part one, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release -- not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, Rovi