Wallis Clark Movies

The Las Vegas Story features two of Hollywood's most impressive physiques. Victor Mature stars as Dave Andrews, a gambler, while Jane Russell plays Linda, the love of his life. Assuming that Andrews has forgotten her, Linda marries Lloyd Rollins (Vincent Price) on the rebound. All three main characters are reunited in Las Vegas, where they become enmeshed in a robbery scheme that results in murder. Clearly inspired by Casablanca, the film even includes a philosophical piano player, portrayed by Hoagy Carmichael who also wrote the film's incidental songs. Though Las Vegas Story was largely scripted by Paul Jarrico, producer Howard Hughes refused to give Jarrico screen credit because of the latter's alleged pro-communist sympathies. Jarrico promptly sued Hughes and RKO, sparking one of the more famous cause celebres of the Blacklist era. As it turned out, nobody came out ahead with The Las Vegas Story: the film posted a loss of $600,000. ~ Hal Erickson, All Movie Guide

Though made in 1951, Criminal Lawyer has the feel of a 1930s film, right down to the casting of Pat O'Brien in the lead. The star plays attorney James Regan, whose unethical methods have earned him the disdain of the American Bar Association. Eventually, Regan is even disgusted with himself, and accordingly crawls into a liquor bottle. Redeemed by the love of girl-Friday Maggie Powell (Jane Wyatt), Regan tackles a difficult make-or-break case which comprises the film's tense denouement. Critics in 1951 were impressed by the subtle performance by brutish Mike Mazurki as Regan's bodyguard; few of them were aware that the college-educated Mazurki was a sensitive, highly intelligent performer who was not at all like the thugs and pluguglies he played on screen. ~ Hal Erickson, All Movie Guide

Though one might have expected friction between MGM's resident "nice lady" Greer Garson and Warner Bros. notorious "bad boy" Errol Flynn, the two got along splendidly during the filming of That Forsyte Woman. Based loosely on The Man of Property, book one of John Galsworthy's Forsyte Saga, the film casts Garson as Irene Forsyte, the independently-minded wife of tradition-bound Victorian "man of property" Soames Forsyte (Flynn). Rebelling against her husband's repressed nature and preoccupation with material possessions, Irene falls in love with unconventional architect Philip Bossiney (Robert Young). When he proves to be too free-spirited even for her, Irene moves on to the Forsyte clan's black sheep, Young Jolyon (Walter Pidgeon). Soames makes a belated attempt to win his wife back, but once again proves incapable of warmth, compassion or understanding. The casting-against-type of Garson and Flynn was fascinating, even when the film itself dragged (Flynn in fact was slated to play either Bossiney or Young Jolyon, but insisted upon taking the less characteristic role of Soames). That Forstye Woman was lavishly photographed in color on MGM's standing "British" sets. ~ Hal Erickson, All Movie Guide

This WW II drama is the first to deal with the fateful atomic bomb attack on Japan. Originally, the film centered on the acquisition of a new kind of gun, but as it was in production during the time the Bomb was dropped, the producers were quick to change the story to suit the times. It tells the story of a straight-arrow American pilot who was raised in Japan and is asked to return there to get a captured scientist to garner valuable information about the A-bomb. The pilot, Major Ross, realizes that he will not survive the mission, but as he has just lost his lover, he cares little for life. Before he goes, his face is surgically altered so he looks Japanese and he then infiltrates the camp where the scientist is being held. There he finds his girl friend, an army nurse, who has also been captured. Unfortunately, she has fallen in love with a fellow inmate. The determined Major Ross remains focused and completes his mission, but not before encountering considerable danger at the hands of enemy officers. The end of the film features actual newsreel footage of nuclear bombings from Pathe. ~ Sandra Brennan, All Movie Guide

In his final epic Western, Errol Flynn plays cattleman Clay Hardin, who, on a trek south of the border, has discovered that San Antonio saloon proprietor Roy Stuart (Paul Kelly) is actually a cattle rustler of major proportions. Determined to bring Stuart to justice, Clay runs into difficulties when he mistakes feted chanteuse Jeanne Starr (Alexis Smith) for being on the saloon owner's payroll. Meanwhile, Stuart's French-accented partner, and enemy, Legare (Victor Francen), uses the taut situation to benefit himself. Then Clay's longtime friend, Charlie Bell (John Litel), is brutally slain and Jeanne's manager, Sacha Bozic (S.Z. Sakall) is forced to skip town, Bozic, unbeknownst to Clay, having witnessed the murder. The real killer is eventually forced to confess and San Antonio erupts in a climactic gun battle that culminates in a shootout at the historic Alamo. With Hungarian actor Sakall providing some much-needed comedy relief, Alexis Smith, Doodles Weaver, and a chorus perform a few songs, including: Ray Heindorf, M.K. Jerome, and Ted Koehler's "Some Sunday Morning"; "Put Your Little Foot Right Out," by Larry Spier; and Jack Scholl and Charles Kisco's "Somewhere in Monterey." According to some reports, both Raoul Walsh and Robert Florey directed a few additional scenes. ~ Hans J. Wollstein, All Movie Guide

The usual modus operandi for Hollywood "through the years" sagas was to gradually age its young actors in the course of the film. In Mrs. Parkington, 35-year-old Greer Garson appears in old-lady makeup for virtually the entire 124-minute running time, even though this filmization of Louis Bromfield's best-selling novel covers the years 1875 through 1938. Eightyish widow Mrs. Susie Parkington (Garson) gathers together all of her grown children in an effort to bail out son-in-law Amory Stilham (Edward Arnold), who's gotten in Dutch through crooked financial deals. As the children and grandchildren bicker over the "impossibility" of giving up any part of their inheritance, Mrs. Parkington's mind wanders back to her marriage to wealthy mine owner Maj. Augustus Parkington (Walter Pidgeon) and her own efforts, as an unlearned Nevada serving girl, to fit into proper Manhattan society. Augustus' ex-love Aspasia Conti (Agnes Moorehead, in a surprisingly sexy role) is engaged to teach Susie the in and outs of which fork to use and how low to curtsy. Shut out by the "400," Susie is avenged by her husband, who wheels and deals to ruin the snobs financially. Later on, he assuages his anger by conducting several extramarital affairs, before perishing in one of those convenient movie auto accidents. Just how all these incidents strengthen Mrs. Parkington's resolve to rescue her wastrel son-in-law is a mystery that even two viewings of this overlong soap opera may not solve. Incidentally, Greer Garson isn't the only one who is prematurely aged in Mrs. Parkington; keep an eye out for 27-year-old Hans Conried, convincingly playing a doddering musician. ~ Hal Erickson, All Movie Guide

Uncertain Glory finds Errol Flynn atypically cast as French criminal Jean Picard, a craven coward whose many misdeeds have earned him a date with the guillotine. Detective Marcel Bonet (Paul Lukas) intends to see that Picard keeps his appointment with the executioner, despite the fact that there's a war on. When the Nazis capture 100 French hostages to force a resistance saboteur to surrender himself, Picard offers to pose as the saboteur and thereby save the lives of the innocent villagers. In truth, he plans to escape once he's turned himself over to the Nazis, leaving the villagers in the lurch, but at the last moment his latent patriotism overcomes his sense of self-preservation. Errol Flynn's character is almost as inconsistent as the script, but war films invariably made money in 1944. ~ Hal Erickson, All Movie Guide

The title of this low-budget Universal musical was lifted from the Andrew Sisters' hit song, introduced in 1941's Buck Privates. Evelyn Ankers stars as Lynn, who in order to collect an inheritance must quickly wed dull old Harvey (David Bruce). En route to her marriage by train, Lynn is reluctantly paired up with Tony (Allan Jones) by Tony's precocious, matchmaking sister Peggy (Patsy O'Connor). Lynn's wedding plans are spoiled when she's tricked into a marriage with Tony, but all's right with the world by film's end. No fewer than ten songs are crammed into the film's 63 minutes, five of them performed by the King's Men Quartet. ~ Hal Erickson, All Movie Guide

This ambitious filmed biography of writer-adventurer Jack London is somewhat compromised by its too-tight budget. Michael O'Shea is well cast as London, whose rugged adventures range from the high seas to the Klondike. London's insatiable wanderlust causes friction in his marriage to the lovely Charmian (Susan Hayward), but she stands nobly by his side in good times and bad (it should be noted that the script is based on Mrs. London's memoirs). In the interests of topicality, the film contrives to have London endeavor to warn America of Japanese military expansion some four decades before Pearl Harbor. It is this story element that makes Jack London a bit difficult to watch today, despite the strong performances of O'Shea, Hayward and a superb supporting cast. ~ Hal Erickson, All Movie Guide

This Western is set in the Arizona town and centers on former gunslinger Wyatt Earp who has been recently deputized and is helping the sheriff round up all the criminals. Earp becomes a lawman after he sees an outlaw accidentally kill a child during a showdown. Earp's brothers and Doc Holliday help him take on the outlaw and his gang. More trouble ensues when the sheriff is involved with the gang. Earp manages to get them on robbery charges and the situation finally culminates at the infamous O.K. Corral. ~ Sandra Brennan, All Movie Guide

Stars-on-the-downslide Wallace Ford and Marian Marsh briefly rallied in the above-average Monogram melodrama Murder by Invitation. Ford is cast as usual as a wisecracking reporter, this time christened Bob White. Our hero is one of several acquaintances and relatives invited to an old dark house to attend the reading of a will. At the stroke of midnight, one of the guests is murdered?and then another. The most obvious suspect is Aunt Cassie (Sarah Padden), the slightly daft owner of the mansion, but Bob suspects that she's being framed, and with the help of heroine Nora O'Brien (Marsh) he sets about to prove it. Some of the film's best moments are suppled by beetle-browed Herb Vigran, a busy supporting actor whose best professional days were still to come.Murder by Invitation closes with one of those "It's only a movie, folks" gags indigenous to the Monogram product of the 1940s. ~ Hal Erickson, All Movie Guide

In this crime drama, a grizzled cabbie is scammed out of his life savings by a fake finance company. He tries to no avail to get police assistance. Finally he becomes a wanted criminal and escapes to California where he meets the girl who will become his wife. She helps him go straight by helping him set up a garage. When she gets pregnant, she talks him into to confessing his crimes to the police. He agrees, but before he goes, he decides to commit one last crime to ensure that his wife and child will not starve while he serves his prison sentence. He then steals a million dollars only to learn that the money is worthless. He is subsequently killed in a police shoot-out. ~ Sandra Brennan, All Movie Guide

British leading man Barry McKay made a respectable if unsuccessful bid at Hollywood stardom in Republic's Stolen Cargo. The plot is motivated by an association of crooked fruit growers who spend most of their time finding ways to cheat their workers out of their rightful pay. McKay is cast as Gerry Clayton, the son of one of the duplicitous growers (Ralph Morgan). Appalled by the plight of the migrant workers, many of whom are illegal aliens (hence the barely relevant title), Gerry champions their cause. The plot thickens when the conscience-stricken elder Clayton decides to pull out of the associations, at which point he is framed for murder (this may be one of the few films in existence in which Ralph Morgan doesn't play the guilty party!) Filmed on location in Southern California, Smuggled Cargo has plenty of energy to make up for its lack of credibility. ~ Hal Erickson, All Movie Guide