Didier Flamand Movies

French filmmakers Gérard Bitton and Michel Munz write and direct the comedy Ah! Si j'etais Riche (If I Were a Rich Man). Salesman Aldo (Jean-Pierre Darroussin) is getting divorced from his wife Alice (Valeria Bruni Tedeschi). When he unexpectedly wins ten million euros in the lottery, he has to maintain the secret until the divorce is final. Though entitled to take half of his earnings, she's momentarily distracted by an affair with his boss, Gérard (Richard Berry). Co-writer/director Michel Munz also provides the original music. ~ Andrea LeVasseur, All Movie Guide

Five different shorts devoted to the theme of "fantasy" are featured in this compilation film that includes Double Jeu by Emmanuel Oberg, La Vis by Didier Flamand, and Descente by Philippe Haïm. Most fascinating in itself is the importance of "image" in its own right, the radically different styles of the five shorts, and the themes related to the occult and increasingly popular video games that reflect contemporary interests. Because of the subject matter, Certains L'Aiment Court would be most appreciated by aficionados of the fantasy genre. ~ Eleanor Mannikka, All Movie Guide

Not to be confused with the legendary D.A. Pennebaker documentary of the same name, this mindbending psychological drama from France stars Sophie Marceau (Police) as Jeanne, a fairly well adjusted wife, mother of two children and author, whose world gets turned upside down when she becomes aware of a calamitous transformation overtaking her own body. She quickly morphs into an Italian woman, also named Jeanne (Monica Bellucci); the latter's husband (like the first Jeanne's spouse) is named Teo (Thierry Neuvic). Understandably confounded and disoriented, Jeanne 1 sets out to solve the mystery of this metamorphosis by journeying to Jeanne 2's birthplace of Lecce, Italy. ~ Nathan Southern, All Movie Guide

A simple cottage in the country becomes an increasingly difficult matter for cash-strapped husband in this French comedy. Charles Boulin (Dany Boon) works for a mortgage company, where he has the unenviable job of overseeing the repossession of homes when owners default on their loans and supervising the renegotiation of financing agreements. Charles's work has taught him to be frugal, and while he shares a comfortable and spacious apartment with his wife Anne (Michele Laroque) and their teenage daughter, their lives are short on luxury. Anne has become increasingly and vocally weary of Charles's reluctance to part with a franc, and he decides to surprise her for their anniversary with an unexpected extravagance -- a vacation home in the country. Charles is able to find a bargain with the help of realtor Jean-Pierre Draquart (Daniel Prevost), but he soon learns Jean-Pierre was far less than honest about the condition of the house, which stretches the boundaries of the phrase "fixer-upper." Charles hires a pair of handymen to get the place in order, but Mouloud Mami (Zinedine Soualem) and Donatello Pirelli (Laurent Gamelon) prove to massively incompetent, and Charles's "bargain" is becoming perilously expensive. Matters go from bad to worse when Charles loses his job and he has to find a way to pay the growing stack of bills on the house, all without spoiling the surprise for Anne. La Maison du Bonheur was the first directorial effort for actor Dany Boon. ~ Mark Deming, All Movie Guide

Alice (Sandrine Kiberlain) is a young woman working in a fish cannery in Boulogne-sur-Mer, who feels that her life has come to a dead end. When she is laid off from her job, she decides to pull up stakes, leaving her boyfriend behind and heading to Lyon. While having a drink at a hotel bar, she meets construction worker Bruno (Arnaud Giovaninetti). Like Alice, Bruno feels alone and unhappy with life, and as the two strike up a conversation, each senses that they've found a kindred spirit, and a tentative romance begins to emerge. Sandrine Kiberlain's performance earned her a Cesar Award (the French Oscar) as Most Promising Young Actress of 1996. ~ Mark Deming, All Movie Guide

Norwegian director Bent Hamer follows up his quirky and critically acclaimed Kitchen Stories with a heartbreakingly humorous look at the life of depressive writer Hank Chinaski -- the fictional counterpart of real-life author Charles Bukowski. Adapted from Bukowski's 1975 novel of the same name, Hamer's film follows the perpetually unemployed, alcohol-swilling Chinaski (Matt Dillon) as he drifts through the city streets in search of a job that won't come between him and his first love, writing. Consistently rejected by the only publishing house he respects but driven to continue by the knowledge that he could do better than the authors they continually publish, Chinaski soon begins sleeping with fellow barfly Jan (Lili Taylor), a kindred spirit he meets while drowning his sorrows at a local watering hole. When Hank eventually gets abandoned by the only woman with whom he is able to relate, a brief fling with gold-digging floozy Laura (Marisa Tomei) finds him once again falling into a morose state of perpetual drunkenness and unemployment. ~ Jason Buchanan, All Movie Guide

In Housewarming (the original title of which translates as Remodeling: You Know When It Starts...), Carole Bouquet stars as Chantal Letellier, a wealthy, powerful, and happily divorced Paris attorney who devotes a lot of her time to helping the city's poorly treated immigrants. Chantal literally dances her way through the courtroom, winning over the judges with ease. Her busy life seems to be going swimmingly until she decides to remodel her massive apartment. She hires a brilliant but mercurial former client from Colombia, Eduardo (Marcial Di Fonzo Bo), as her architect. He and his illegal immigrant crew are highly qualified, just not in the jobs they've been hired to do, and they quickly begin to demolish her home. A few other problems arise. Poncin (Jean-Pierre Castaldi), an obnoxious wealthy former client, has fallen in love with Chantal and begun stalking her. Her young daughter, Pulchérie (Giulia Dussolier), apparently has a crush on a worker with a questionable background who speaks no French and calls himself Betamax (Geovanny Tituaña). Chantal's teenaged son, Martin (Ferdinand Chesnais), quickly grows irritated with the destruction, and the workers' devil-may-care attitude. As Eduardo's ambitions grow, and the project's costs mount, Chantal's immense reserve of patience begins to wane. Housewarming, directed by Brigitte Roüan, marks the last filmed appearance by legendary producer Humbert Balsan, who committed suicide in 2005. The film also stars Aldo Maccione, Didier Flamand, Sotigui Kouyaté, Bernard Menez, and Françoise Brion. Housewarming was shown by the Film Society of Lincoln Center as part of their Rendez-Vous with French Cinema in 2006. ~ Josh Ralske, All Movie Guide

When Anne-Marie (Delphine Seyrig), the wife of the French vice-consul, grows weary of her oppressive life in 1930s India, she compulsively makes love so as to forget her situation. Her husband (Michel Lonsdale) is aware of her affairs but understands the cause of them and affects not to notice. Curiously, the mansion--so strongly evocative of India--where most of the movie was filmed, was just outside of Paris ~ Clarke Fountain, All Movie Guide

Two young men have left their obscure Balkan country to earn some money as "guest workers" in western Europe. On their way back home, they attempt to change trains in Paris but encounter surprising difficulties from the ticket authorities there. It seems that political changes have rendered their homeland nonexistent, and their passports are no good. Before long, they are stranded in Paris without passports, without a country, and soon even their luggage is stolen. Their fumbling efforts to straighten out the mess result in the French press getting into the act, labeling them as Russian spies. The Parisian expatriate community takes them into its bosom, and romance blooms between one of the lads and a Spanish hatmaker, before they finally achieve a (highly improbable) solution for their difficulties. ~ Clarke Fountain, All Movie Guide

Jean-Paul Belmondo plays Michel Gauché, a stunt double and trickster who is crazy in love with his former fiancee, work-mate, and fellow stunt performer Jane (Raquel Welch). She, however, is so angry with him for landing her in the hospital due to a badly performed stunt that she breaks off the engagement. Belmondo also plays Bruno Ferrari, the movie star he is doubling for, an effeminate homosexual who lusts after his stuntman. Because Jane is angry with Michel, she falls into the arms of a film producer, and arranges for Michel to re-do the same stunt over and over again endlessly. She also tries to woo Bruno the movie star and discovers that he is not interested in women. Michel tries hard to win her back, sometimes pretending to be the movie star, which confuses her to no end. Just as she is about to marry a dull aristocrat, Belmondo appears in an old gorilla outfit and abducts her from the aisles of the church. Belmondo was famous for doing all his own stunts, and he continued that tradition in this film. ~ Clarke Fountain, All Movie Guide