Marlene Clark Movies

A big daddy in the underworld is betrayed and vows to settle up. There's lots of action in this big-city streets tale. ~ All Movie Guide

To keep Lamont (Demond Wilson) from quitting the junk business, Fred (Redd Foxx) tries to get big a huge bank loan, pretending that business is booming and offering the junkyard as collateral. In his efforts to keep up this pretense, Fred moonlights as a waiter in a restaurant. The trick is to keep Fred's second job a secret from Lamont -- and want to bet that doesn't happen? ~ Hal Erickson, All Movie Guide

To impress his son Lamont's future mother-in-law, Fred (Redd Foxx) tries to get into the Guinness Book of World Records. His plan is to stay awake longer than the current record-holder, the immortal Choo Choo Rabinowitz. As it turns out, it is Fred's crony Bubba (Don Bexley) who makes it into the Guinness annals by breaking a bizarre record all his own. ~ Hal Erickson, All Movie Guide

Reconciled to the romance between his son Lamont (Demond Wilson) and Janet Lawson (Marlene Clark), Fred (Redd Foxx) gives his blessing to the couple's engagement. Soon, however, he tries to revoke that blessing when he learns that Lamont and Janet don't intend to live with Fred after their marriage. Frank Nelson, the "Eeeeeyesss?" man of The Jack Benny Show fame, makes a cameo appearance. ~ Hal Erickson, All Movie Guide

In this horror film, black African Christians confront the traditional religion of their peers when a Yoruban priest is drowned after attempting to stop the Christian baptism of a young girl and her mother. Trouble ensues when the priest comes back to life. ~ Sandra Brennan, All Movie Guide

LAPD Officer Newman has not gotten the reputation of a straight arrow by avoiding conflict when fighting for right. In this police drama, his honesty is put to the test when he and his partner discover a international drug ring involving some of the department's highest ranking officers. ~ Sandra Brennan, All Movie Guide

A scientist stricken with an insatiable hunger for blood dominates this strikingly atmospheric drama. Dr. Hess Green (Duane Jones), a wealthy and respected African-American anthropologist, is assigned a new assistant, an intelligent but unstable man named George Meda (Bill Gunn). One drunken night, George stabs Hess with a dagger from the ancient African tribe of Myrthia and then kills himself. The Myrthians were cursed with a thirst for human blood, and, by the time George's wife, Ganja (Marlene Clark), comes looking for him, Hess has developed a similar addiction to blood. Hess and Ganja fall in love, and they soon marry, but Hess infects his new bride with the Myrthian curse, which gives them eternal life, but at a terrible price. Actor, playwright, and novelist Bill Gunn was hired to write and direct a low-budget black vampire movie, but instead he delivered a thoughtful, impressionistic film that uses addiction to blood as a metaphor for African-American cultural and spiritual identity (and never once uses the word "vampire"). Ganja and Hess proved too deliberately paced and self-consciously surreal for the producers, who chopped it to 83 minutes, removed Sam Waymon's superb musical score, and retitled it Blood Couple. This mangled version was for many years the only one available, and it appeared under six different titles on home video before Bill Gunn's original version was restored for DVD release in 1998. ~ Mark Deming, All Movie Guide

A typical gangland killing has an unusual outcome when the victim's son comes looking for justice in this violent blaxploitation action drama. Slaughter (Jim Brown) is a former Green Beret who is a decorated war hero, but while he's devoted his life to fighting for right, his father followed another path as a gangster. However, while Slaughter's dad was a career criminal, his mother played no part in his actions, and when they're both killed in a car explosion, Slaughter is determined to get revenge. Slaughter is convinced a rival crime boss ordered the bombing, and plans a daring raid where he kills the suspect. Slaughter is captured by police, and angry detective A.W. Price (Cameron Mitchell) tells Slaughter he had the right idea but the wrong man. Slaughter is persuaded to team up with undercover detectives Harry (Don Gordon) and Kim (Marlene Clark) as they travel to Puerto Rico in hopes of infiltrating the operations of hot-headed mobster Hoffo (Rip Torn). The cops have learned that Hoffo and his cronies are computerizing their operations and they're looking for hard evidence, but Slaughter is more interested in taking down Hoffo, and he'll do whatever it takes. The rivalry between Slaughter and Hoffo becomes all the more bitter when Slaughter becomes involved with Ann (Stella Stevens), the gangster's beautiful girlfriend. Featuring a dynamic theme song by Billy Preston, Slaughter was a major box-office hit in 1972 and one of the most popular films of Jim Brown's screen career; it spawned a sequel, Slaughter's Big Rip-Off, which appeared in 1973. ~ Mark Deming, All Movie Guide

Like his previous smash hit All in the Family, producer Norman Lear's NBC sitcom Sanford and Son was based on a British original, in this instance Steptoe and Son, the story of an elderly, irascible cockney junk dealer and his cloddish bachelor son and business partner. In the initial development stages, Sanford and Son was to have been about a pair of Jewish men, but it was finally decided to transform the characters into African-Americans -- and in so doing, veteran "Chitlin Circuit" standup comedian Redd Foxx was catapulted to superstardom. Debuting January 14, 1972, the NBC series cast Redd Foxx as Fred Sanford, a 65-year-old L.A. junk dealer who ran a ramshackle salvage business in the backyard of his home. The cranky, mercenary Fred was satisfied with his lot in life, which was more than could be said for his 34-year-old son, Lamont (Demond Wilson), who was forever seeking out strategies to escape the junk business and go off on his own -- and, hopefully, to find himself a wife. The wily elder Sanford would have none of this, and devised all manner of schemes and subterfuges to keep Lamont from leaving. His favorite ploy was to feign having a heart seizure, whereupon he would look heavenward and "call out" to his late wife, "I'm comin', Elizabeth! This is the big one! I'm comin'!" Inasmuch as this charade fooled no one -- least of all Lamont -- one wondered if the younger Sanford really was that hepped out about leaving after all, or whether he felt secure in his shabby environs.

Although none of the series' supporting characters appeared on every episode, most were seen frequently enough to qualify as regulars. During season one, Fred hung out with his old buddy Melvin (Slappy White), and throughout the series he palled around with Bubba Bexley (Don Bexley). Beginning in 1973, Whitman Mayo was seen as Fred's crony Grady Wilson, who virtually became the series' star later on during Redd Foxx's frequent defections from the show due to salary and other squabbles with the producers. (Mayo himself virtually disappeared from Sanford and Son during the 1975-1976 season when he was spun off into his own sitcom, Grady.) Other recurring characters included eccentric police officers Swanhauser (Noam Pitlik), Smith (Hal Williams), and Hopkins (Howard Platt); Lamont's friend Rollo Larson (Nathaniel Taylor); restauranteur Ah Chew (Pat Morita); rival junk man Julio Fuentes (Gregory Sierra); Fred's off-and-on lady friend, Nurse Donna Harris (Lynn Hamilton); and Lamont's girlfriend and later fiancée, Janet Lawson (Marlene Clark). The one "standout" supporting character was Aunt Esther Anderson (LaWanda Page), who constantly quoted Scripture and who expressed her disapproval of Fred's shenanigans by giving a good solid punch once in a while (in some early episodes, Beah Richards appeared in a similar role as Aunt Ethel). With the departure of both Redd Foxx and Demond Wilson at the end of the series' sixth season, Sanford and Son was canceled September 2, 1977, to be "reborn" twice, first in the form of the spin-off series The Sanford Arms in the fall of 1977, then as the short-lived 1980 offering Sanford, with Redd Foxx in his original role. ~ Hal Erickson, All Movie Guide

Cashing in on director Larry Hagman's fame as star of Dallas, a canny distributor reissued Beware! the Blob (aka Son of Blob) with the come-on line "The Film That J.R. Shot!" Picking up where the original Blob (1958) left off, the film begins as the pudding-like goo thaws out and begins wreaking havoc on the civilized world. Steve McQueen, star of the first Blob, is understandably absent; this time the heroics are handled by Robert Walker Jr., who takes on the Blob himself when the local authorities fail. ~ Hal Erickson, All Movie Guide

This crime drama from the 1970s examines the experiences of a Vietnam vet who gets involved with illegal drugs. In time he wants out of that scene, but a narcotics agent forces him to stay involved and help him find the local drug lord. Violence ensues. ~ Sandra Brennan, All Movie Guide

Yuppie-type Michael Berger (Edward Bell) and his bitter wife Lee (Linda Marsh) can barely stand each other as it is. Things don't get much better when they move to Puerto Rico to a house he just inherited from his brother, and the circumstances aren't all that auspicious. It seems his brother murdered his wife before committing suicide. Since they don't see much future in their marriage anyway, they agree to try the then-popular sport of wife-swapping. In this movie, however, more than just wives are swapped, as explicit sexual references and lesbian encounters also take place. Michael goes ballistic from time to time, and his wife is a real queen of sarcasm. Their dislike of each other grows throughout the film, but the bonds which hold them together have never seemed more unbreakable. This movie was produced in 1970 and went commercially unreleased for almost 20 years. ~ Clarke Fountain, All Movie Guide