Fred Clark Movies

Originally intended as a 3D film, this standard-issue Bob Hope musical comedy was released "flat." The 50-year-old Hope plays over-aged chorus boy Stanley Snodgrass, whose attempts to get ahead in the early 20th-century theatre world always come acropper. His luck suddenly changes when he's promoted to the leading-man role in a show headlined by Irene Bailey (Arlene Dahl). What Stanley doesn't know is that he's been set up as a decoy to bring the murderous Jack the Slasher (Robert Strauss) out in the open. It seems that Jack is obsessed with Irene, and has a nasty habit of cutting all of her male co-stars into ribbons. Meanwhile, Stanley lays waste to the show by performing all of his big numbers incorrectly, but his faithful gal Daisy Crockett (Rosemary Clooney) loves him all the same. Tony Martin also appears as Irene's boyfriend, while Millard Mitchell makes his final film appearance as Stanley's stepfather (and never mind that he and Hope were the same age!) A brief clip from Here Come the Girls showed up in, of all places, the 1953 sci-fier Conquest of Space. ~ Hal Erickson, All Movie Guide

Dreamboat stars Clifton Webb as Thornton Sayre, the perfectionist professor of literature at a sedate Midwestern university. Widowed and with a pretty daughter (Anne Francis), Sayre has given no clue to his previous life before becoming a teacher. But thanks to television, everyone discovers that Sayre is actually Bruce Blair, a former silent screen star known as "America's Dreamboat." Sayre's onetime leading lady (Ginger Rogers) has made a comeback hosting screenings of her old films on TV, and the result is acute embarrassment for both the professor and his college. Sayre takes the case all the way to court, where he wangles a compromise agreement: he will permit his films to be televised as long as they're not "doctored" to accommodate commercial endorsements (this was based on a real-life lawsuit involving cowboy Gene Autry -- which Autry lost). The ensuing publicity costs Sayre his college job, but the renewal of interest in his old films results in a new movie contract. Although silent movies and singing commercials are easy satirical targets, Dreamboat still delivers the laughs, and it's fun to see Clifton Webb camping it up as a "Doug Fairbanks" type. ~ Hal Erickson, All Movie Guide

Previously filmed in 1931 under its original title, Theodore Dreiser's bulky but brilliant novel An American Tragedy was remade in 1951 by George Stevens as A Place in the Sun. Montgomery Clift stars as George Eastman, a handsome and charming but basically aimless young man who goes to work in a factory run by a distant, wealthy relative. Feeling lonely one evening, he has a brief rendezvous with assembly-line worker Alice Tripp (Shelley Winters), but he forgets all about her when he falls for dazzling socialite Angela Vickers (Elizabeth Taylor). Alice can't forget about him, though: she is pregnant with his child. Just when George's personal and professional futures seem assured, Alice demands that he marry her or she'll expose him to his society friends. This predicament sets in motion a chain of events that will ultimately include George's arrest and numerous other tragedies, including a vicious cross-examination by a D.A. played by future Perry Mason Raymond Burr. A huge improvement over the 1931 An American Tragedy, directed by Josef von Sternberg, A Place in the Sun softens some of the rough edges of Dreiser's naturalism, most notably in the passages pertaining to George's and Angela's romance. Even those 1951 bobbysoxers who wouldn't have been caught dead poring through the Dreiser original were mesmerized by the loving, near-erotic full facial closeups of Clift and Taylor as they pledge eternal devotion. A Place in the Sun won six Oscars, including Best Director, Best Adapted Screenplay, and Best Cinematography, although it lost Best Picture to An American in Paris. ~ Hal Erickson, All Movie Guide

Damon Runyon's Broadway fable The Lemon Drop Kid was filmed twice by Paramount Pictures, but only the 1934 version with Lee Tracy paid more than lip service to the original Runyon story. The second version, filmed in 1951, was completely retooled to accommodate the talents of Bob Hope. Known far and wide as the Lemon Drop Kid because of his fondness for that particular round, yellow confection, Hope is a bookie who finds himself deeply in debt to Florida gangster Fred Clark. Magnanimously, Clark permits Hope to head to New York to raise the money--but he'd better have the dough ready by Christmas, or else. Ever on the lookout for Number One, Hope decides to exploit the Christmas spirit in order to get the money together. With the help of unsuspecting nightclub-singer Marilyn Maxwell, Hope sets up a charity fund to raise money for an "Old Doll's Home"--that is, a home for down-and-out little old ladies. He claims to be doing this on behalf of big-hearted Jane Darwell, but he has every intention of double-crossing Darwell and all the other elderly women by skipping town with the charity funds and leaving them at the mercy of the authorities. By the time Hope has seen the error of his ways and tries to do right by the old dolls, Maxwell's boss Lloyd Nolan has decided to muscle into the racket by using the ladies' home as a front for a gambling casino. To set things right, Hope finds it necessary to disguise himself as a fussy old spinster at one point. The best line in the film goes to William Frawley, playing one of many Broadway toughs who are being pressed into service as street-corner Santas. "Will you bring me a doll for Christmas?" asks a little girl. "Naw, my doll's workin' Christmas Eve" is Frawley's salty reply. The Lemon Drop Kid is the film in which Bob Hope and Marilyn Maxwell introduced the enduring Yuletide ballad "Silver Bells", written (reportedly in a real hurry) by Jay Livingston and Ray Evans. ~ Hal Erickson, All Movie Guide

Tim Holt and Richard Martin, RKO's resident western good guys, are back in Dynamite Pass. Usually cast as cowpunchers, Holt and Martin are construction workers Ross and Chito this time out. Someone is trying to prevent honest road builder Dan (Regis Toomey) from completing his job, and that someone is his unscrupulous rival Thurber (John Dehner), the owner of a profitable toll road. Had Thurber waited a few years, he could have found a job on the Pennsylvania turnpike. As it stands, however, Ross and Chito must stop Thurber before he destroys the road project permanently. Dynamite Pass is distinguished by better-than-usual performances from all concerned. ~ Hal Erickson, All Movie Guide

Paramount producing team William H. Pine and William Thomas weren't known as the "Two Dollar Bills" for nothing. Like their medium-budget adventure yarns of the 1940s, their "A" western The Eagle and the Hawk proved a moneyspinner for Paramount's distribution channels. In his first western, John Payne stars as Texas Ranger Todd Crayden who is assigned a suicide mission South of the Border. Crayden is to smuggle government agent Whitney Randolph (Dennis O'Keefe) into Mexico, so that Crayden can defeat the European-backed foes of Mexican patriot Juarez. The tension level is raised by the fact that Crayden and Randolph are on opposite sides of the still-raging Civil War. Cast as a woman of questionable loyalties, Rhonda Fleming is shown to excellent advantage in Technicolor, courtesy of veteran cinematographer James Wong Howe. ~ Hal Erickson, All Movie Guide

The Jackpot is a generally pleasing satire of quiz programs. James Stewart stars as Bill Lawrence, an average Joe who picks up the phone one day, answers a simple question, and suddenly finds himself the recipient of a radio quiz-show jackpot. Tons of prizes are shipped to Lawrence's house, to the delight of his wife Amy (Barbara Hale) and his kids. Unfortunately, the Lawrences must now contend with the income tax folks, who levy huge tariffs on their "free" prizes. Complications begin piling up with dizzying rapidity, resulting in a night in the hoosegow for the befuddled Mr. Lawrence. Featured in The Jackpot as the Lawrence children are a couple of stars-in-the-making: Natalie Wood and Tommy Rettig. ~ Hal Erickson, All Movie Guide

Though she may have won an Oscar in 1948, Jane Wyman still had a Warner Bros. contract to fulfill, even if it meant appearing in frivolities like The Lady Takes a Sailor. It all begins when Jennifer (Wyman), the head of an oceanographic research institute, claims to have made a fascinating underwater discovery. It is suspected that she's made this claim so that her funding will be continued, so the money-men send Bill Craig (Dennis Morgan) to investigate. Disguised as a sailor, Bill accompanies Jennifer on her next expedition, just to see if her story was true. Jennifer falls in love with Bill, neglecting her work in the process. When Bill is revealed to be a fake, things look bleak--but not for long. Eve Arden has all the best lines as Jane Wyman's sarcastic best friend (the sort of role Wyman used to play in her blonde-ingenue days). ~ Hal Erickson, All Movie Guide

This modern-day "Faust" variation benefits from a superb cast. Thomas Mitchell plays Joseph Foster, an honest judge who wants to become governor. Blocked by corrupt political forces, Foster would practically have to make a deal with the Devil to reach his goal. Enter Nick Beal (Ray Milland), a diabolically handsome gent with a slick line of patter and a smooth, infallible method of getting things done. Failing to recognize his benefactor's true identity (after all, Nick has no horns or cloven hooves) Foster agrees to the deal when Nick assures him that the end result is for the good of the people. To bind the bargain, Nick sends out one of his most trusted associates, Donna Allen (Audrey Totter), to keep Foster in line. When Foster finally realizes that he's sold his soul, there seems to be no way out..but that's when the forces of Good, represented by Foster's wife Martha (Geraldine Wall) and his clergyman friend Thomas Gaylord (George Macready), switch into high gear. ~ Hal Erickson, All Movie Guide

The story of the outlaw Younger Brothers is duly Hollywoodized in this Technicolor western. Wayne Morris, Bruce Bennett, Robert Hutton and James Brown star as Cole, Jim, Johnny and Bob Younger, who as the film begins have just been released from jail. They try hard to follow the straight and narrow path, but when ex-Pinkerton man Ryckman (Fred Clark) launches a campaign of vengeance against the boys, out come the six-guns. One of Ryckman's schemes is to use female bandit Kate (Janis Paige) to lure the Youngers back into a life of crime. The villain very nearly succeeds, but the boys are saved by the beneficence of the screenwriters. Prominent in the cast of The Younger Brothers is Alan Hale, who showed up in practically every Warner Bros. western made between 1939 and 1950. ~ Hal Erickson, All Movie Guide

Something seems fishy when a married man finds new adventure and romance in this comic fantasy. Arthur Peabody (William Powell) is a slightly stuffy businessman from Boston who after turning fifty finds himself suffering from a full-fledged midlife crisis. On the advice of his doctor, Peabody and his wife Polly (Irene Hervey) head to the Caribbean for a restful vacation. One evening, Peabody decides to do some fishing, and he pulls in a highly unexpected catch -- a beautiful mermaid named Lenore (Ann Blythe). Peabody takes the mysterious creature home with him (keeping her in a backyard pond for safekeeping), but while he soon becomes infatuated with Lenore, she's quite shy around others, refusing to let people see her except for the tip of her tail, so few believe his story about the big one he's reeled in. Makeup whiz Bud Westmore designed the special mermaid costuime for Ann Blythe; keep an ear open for the song "The Caribbees", co-written for the movie by Johnny Mercer. ~ Mark Deming, All Movie Guide

Chronic gambler Ellen Crane (Paulette Goddard) indulges in games of chance to compensate for the loss of her boyfriend during WW2. Heavily in debt to gambling czar Lonnie Burns (Fred Clark), Ellen promises to marry him to clear her financial slate, but in the cold light of day she rethinks her decision and takes it on the lam. The irascible Burns hires detective J. D. Storm (Macdonald Carey) to track Ellen down and bring her back. After a hectic cross-country pursuit, Ellen and Storm come to realize what the audience has predicted all along: they've fallen in love with each other. This very standard assembly-line comedy is redeemed by its character actors, notably squeaky-voiced Percy Helton as a "three time loser" jailbird. ~ Hal Erickson, All Movie Guide