Eugene Clark Movies

George A. Romero, who revolutionized the American horror film in 1968 with the instant classic Night of the Living Dead, returns to his dystopian zombie cycle with this horror thriller. In Land of the Dead, the zombies whose numbers had been slowly but steadily growing through Dawn of the Dead and Day of the Dead now dominate the streets of most American cities, while urban skyscrapers have been taken over by surviving humans, usually greed-addled opportunists who allow the living to stay in their fortified compounds for a price. Guarding the buildings are rough-and-tumble mercenaries who have learned to do battle with the zombies, making use of powerful weapons to gain advantage. But as the zombie civilization grows, the creatures have begun to slowly evolve, with their dormant thought processes beginning to awaken, and as unrest begins to ferment among the mercenaries and the entrepreneurs who pay them, the ghouls may have found a way to defeat the last stronghold of humanity. Land of the Dead stars Dennis Hopper as arch capitalist Kaufman, and Simon Baker, John Leguizamo, Robert Joy, and Asia Argento as some of the mercenaries; Asia Argento's father, Dario Argento, served as a producer on one of the earlier films in the series, Dawn of the Dead. ~ Mark Deming, All Movie Guide

Inspired by the true-life tale of a dedicated elementary-school teacher who inspired his inner-city students by teaching them the game of chess, Allen Hughes' uplifting made for television feature marks a noted departure from such previous efforts as From Hell and Menace II Society. Richard Mason (Ted Danson) was middle-aged and unemployed when he decided to take up teaching inner-city students, and though most of the kids in his classroom couldn't have cared less about their education in the beginning, something curious happened as time went on. Realizing that he wasn't getting very far with his students through conventional means, Richard realized that he would have to innovate in order to encourage critical thinking among the impressionable youngsters. By breaking the curriculum and instead teaching his pupils the finer points of chess, the man who had once lost all motivation in life suddenly realizes just what a difference one teacher can make if they simply become more attuned to the needs of their students. ~ Jason Buchanan, All Movie Guide

The time: June 1998. The place: The sleepy town of Jasper, TX. Three young, self-styled white supremists overpower a 49-year-old black man named James Byrd Jr., chain him to the back of their pickup, and literally drag him to death. What follows is a media firestorm, exacerbated by scores of network and cable-TV news services, the grim pronouncements of so-called pundits, and the intrusion upon Jasper of several extremist activists, ranging from members of the Ku Klux Klan to the newly formed Black Panthers. As the frenzy continues, the heretofore peaceful, if somewhat tenuous, relationship between the white and black residents of Jasper is severely strained, with echoes of past racism resounding throughout the area. In the center of the controversy are two decent, hard-working public servants: R.C. Horn, the first black mayor of Jasper, and Billy Rowles, the town's white sheriff. Also profoundly affected by the appalling murder of Byrd are the respective parents of the victim and the killers. Happily, when the dust clears, justice is done (two of the murderers are condemned to death, the third sentenced to life imprisonment), and, instead of being wrenched apart, the black and white communities of Jasper draw closer together than they have ever been. Made for cable TV, this feature-length reenactment stars Louis Gossett Jr. as Horn and Jon Voight as Rowles. Although certain liberties are taken (the actor playing Byrd is clearly much younger than his real-life counterpart and the Black Panthers and KKK are incorrectly shown descending upon Jasper the same day), the film is, by and large, accurate. Better still, there is a minimum of preaching and proselytizing. Previewed at the Philadelphia Film Festival, Jasper, Texas was given its official Showtime network cable premiere on June 8, 2003 -- almost five years to the day after Byrd's death. ~ Hal Erickson, All Movie Guide

It's a case of "never cry wolf" for an overcautious geologist in this made-for-cable disaster flick. Plagued by an accident that he failed to stop years ago, Louisiana earth-watcher Matt Andrews (John Corbett) thinks that the ground is going to cave in beneath downtown New Orleans -- during Mardi Gras, no less. Meanwhile, main squeeze Allison (Jessica Steen) pleads with Matt to forget the past and get on with life, which in her mind involves proposing marriage on bended knee with a multi-karat engagement ring. Then the ground rumbles, impeding the progress of several parade floats as well as Allison's nubile niece Cindy (Brittany Daniel), who's in town for some fat Tuesday decadence. On Hostile Ground originally premiered on the TBS network. ~ Michael Hastings, All Movie Guide

This made-for-TV cop drama is deliberately reminiscent of Joseph Wambaugh's previous video success Police Story. LA Law star John Spencer plays a big-city cop with deep and serious emotional problems. His inner turmoil is exacerbated when he plunges into a troublesome murder case. Among the many personal demons with which the cop is wrestling is the memory of how a brief act of impulsiveness in his past led to tragedy. From the Files of Joseph Wambaugh: Jury of One debuted November 29, 1992. ~ Hal Erickson, All Movie Guide

Michael returns to the Knight coroporation to help them build a new KITT for the 21st century. Gunrunners and evil cops provide the first crime the new Kitt foils. ~ All Movie Guide

In this crime drama set during the 1940s an honest detective and his task force take on the mob in old Chicago. ~ Sandra Brennan, All Movie Guide

Where has director Michael Anderson been since Logan's Run? Earning his keep on such slick TV-style time-fillers as Millennium. Kris Kristofferson plays the head of an official committee investigating the head-on collision of two commercial jets. A thorough analysis reveals the presence of a weapon of unknown origin in the wreckage; it is also pointed out that some of the victims' watches are running backwards. This, coupled with the cryptic warnings by flight attendant Cheryl Ladd to drop the investigation, prompts Kristofferson to burrow further and uncover the truth: Ladd is a sentinel from 1000 years in the future, who has come back to the 20th Century to help repopulate her dying civilization. Plot pegs and obstacles are in the hands of such sideline characters as enigmatic professor Daniel Travanti and amiable android Robert Joy. Millennium was adapted by John Varley from his own story Air Raid. ~ Hal Erickson, All Movie Guide

Three Men and a Baby is an Americanized remake of the 1985 French comedy hit Three Men and a Cradle. Tom Selleck, Ted Danson and Steve Guttenberg play three upwardly mobile New York bachelors who share an apartment. Their even-keel lifestyle is thrown out of whack when a young woman leaves a baby on their doorstep, suspecting that film director Danson is the father. The balance of the film is devoted to milking as much humor as possible out of the situation of three urbane young men trying to play nursemaid with nary a clue of what they're doing (at one point, a desperate Selleck offers Guttenberg a thousand dollars if Guttenberg will change a diaper). A subplot involving drug dealers is thrown in to sustain audience interest after our trio of heroes become accustomed to a baby around the apartment. "Urban legend" aficionados please note: That cardboard cutout of Ted Danson briefly glimpsed in one scene of Three Men and a Baby is not the ghost of a little boy who died in the bachelors' apartment before filming started. ~ Hal Erickson, All Movie Guide

This is a tepid film aimed at youngsters and focusing on the warped Martin Steckert (Richard Harris), an escaped convict, and little Martin (Justin Henry), the boy he takes hostage. Steckert uses a ruse to escape from prison when his parole is denied, and once safely on the outside, he kidnaps Martin and heads for an isolated spot along a lake that he himself visited as a little boy. Aside from the developing relationship between the two Martins, not expressed in any great depth, there is the inexplicably fired-up pursuit of Martin by Lt. Lardner (James Coburn) and the psychobabble of Dr. Mennen (Lindsay Wagner), in pursuit of Martin's motivating demons. Martin's encounter with ex-lover Karen (Karen Black) does not reveal very much, and in the end, viewers may be left wondering about everyone's motivation. ~ Eleanor Mannikka, All Movie Guide

American actor Rod Steiger adopts a British accent to keep apace with his co-stars in Three into Two Won't Go. Steiger plays a prosperous salesman, married to Claire Bloom (Steiger's real-life wife at the time). While on a business trip, the salesman falls for a sexy 19-year-old hitchhiker (Judy Geeson). He thinks he's in control of his philanderous situation -- until the teenager insists upon moving in with him and his wife. Dame Peggy Ashcroft also stars as Claire Bloom's mother, whose neurotic interference only makes things messier. Three into Two Won't Go was based on a novel by Andrea Newman. ~ Hal Erickson, All Movie Guide