Candy Clark Movies
Model-turned-actress Candy Clark first came to filmgoers' attention with a secondary role in John Huston's Fat City. Then Clark really went to town as gum-chewing, dumb-like-a-fox Debbie Dunham in American Graffiti (1974); for her portrayal of the girl who reminds Charles Martin Smith of Connie Stevens (well, it sounded like a good pick-up line, anyway), she was nominated for an Academy Award. Equally worthwhile roles followed in The Man Who Fell to Earth (1976), which included the scene wherein a sympathetic Clark lifted and carried ailing alien David Bowie, and the 1978 remake of The Big Sleep, which featured the actress as the deviant, thumb-sucking Carmilla Sternwood. Then, inexplicably, the actress endured a cinematic dry spell, though she was seen (and her Oklahoma accent heard) to good advantage in the made-for-TV movies Amateur Night at the Dixie Bar and Grill (1979) and Rodeo Girl (1980). In 1981, she made her first off-Broadway appearance in A Coupla White Chicks Sitting Around Talking. Candy Clark has been consigned to maternal roles in such films as Buffy the Vampire Slayer and Radioland Murders (1994). ~ Hal Erickson, All Movie Guide- 1980
- PG
This comedy was filmed in Miami and follows the exploits of three frustrated misanthropes who try to sue the city after their car hits a pothole and ends up totaled. Unfortunately, the city has protected itself with a little loophole. When legal means fail, the three try other methods. ~ Sandra Brennan, All Movie Guide
- Starring:
- Gabe Kaplan, Alex Karras, (more)
- 1980
Where the Ladies Go is a TV movie set in a white-bread Oklahoma town, where most of the housewives suffer from terminal boredom. Good ol' boy Earl Holliman comes to the rescue by establishing the El Fidel, a bar which is open from 9 AM to 3 PM, or "ladies' hours." Karen Black, Candy Clark and Lisa Hartman are among the ladies who frequent the El Fidel, which, considering what goes on during business hours, could well have been renamed the "El Infidel." While the Southern accents come and go depending upon the skills of the individual actresses, the film maintains a fairly even entertainment keel. Where the Ladies Go was written by Carol Sobieski, who scripted many a "female bonding" TV flick of the 1980s. ~ Hal Erickson, All Movie Guide
The Rodeo Girl is 26-year-old Sammy Garrett (Katherine Ross). Despite opposition from the good-ole-boy network, Sammy is determined to succeed as a bronco buster. But her plans may be thwarted when Sammy becomes pregnant. Even if she doesn't lose the baby, it's likely that she'll lose the love of the baby's father (Bo Hopkins) if she continues her rough-and-tumble lifestyle. Inspired by real-life rodeo world champion Sue Pirtle, the made for TV Rodeo Girl first aired September 17, 1980. ~ Hal Erickson, All Movie Guide
- Starring:
- Katharine Ross, Bo Hopkins, (more)
Returning from the original American Graffiti are Debbie Dunham, Steve Bolander, John Milner, Carol/Rainbow, Terry the Toad and Laurie Bolander (Candy Clark, Ron Howard, Paul LeMat, Mackenzie Phillips, Charles Martin Smith and Cindy Williams), but Richard Dreyfuss is missing and Harrison Ford shows up in a gag cameo. The sequel brings its principles into the more radical end of the 1960s, with Steve and Laurie, now married, on the fringes of the protest movement. Debbie and Carol have been lured into the flower-power milieu by rocker Newt (Scott Glenn). And John has parlayed his love of hot rods into a drag-racing career. ~ Hal Erickson, All Movie Guide
- Starring:
- Candy Clark, Bo Hopkins, (more)
- 1979
Director Joel Schumacher makes like Robert Altman in the made-for-TV Amateur Night at the Dixie Bar and Grill. In the tradition of Altman's Nashville, Schumacher's film is a rambling, anecdotal study of an amateur talent show in a tawdry Southern saloon. The link between the two films is strengthened by the presence in Amateur Night of Henry Gibson, who'd played a Porter Wagoner type in Nashville. Among the contestants is country-western singer Tanya Tucker, who also contributed some of the background themes for the film's musical score. Amateur Night at the Dixie Bar and Grill was produced by Motown Industries' motion picture division. Sidebar: To improve ratings, the ad copy for this film was headlined "Disco Killer on the Loose!"--then, in smaller type, the copy explained that "killing" was merely a slang term for winning over the audience! ~ Hal Erickson, All Movie Guide
- 1979
- R
When You Comin' Back, Red Ryder? has been presented often as a stage play by amateur theatrical groups. Evangelist-turned-actor Marjoe Gortner plays Teddy, a cracked Vietnam vet who holds the denizens of a Texas roadside diner hostage at gunpoint. Candy Clark plays Cheryl, his zoned-out hippie girlfriend. After nearly two hours of tension, Gortner is overpowered and things return to normal. ~ Hal Erickson, All Movie Guide
- Starring:
- Candy Clark, Marjoe Gortner, (more)
Robert Mitchum reprises his role as Raymond Chandler's Philip Marlowe from Farewell, My Lovely, in this misconceived remake of Howard Hawks's classic 1946 film -- transferring the setting from 1940s California to 1970s London. Marlowe is hired by a rich and dying General Sternwood (James Stewart) to find out who is blackmailing him. Marlowe then meets Sterwood's daughters -- the crazy and degenerate Camilla (Candy Clark) and the more even-tempered Charlotte (Sarah Miles). Opening up a can of worms, Marlowe unveils a collection of unsavory characters -- Eddie Mars (Oliver Reed), an inveterate gambler having an affair with Charlotte; Joe Brody (Edward Fox), Camilla's ex-lover; and Agnes (Joan Collins), a sexy bookstore clerk. The plot becomes even more chaotic when it is found that Camilla has been posing in the nude for pornographer Arthur Geiger (John Justin). When Geiger turns up dead, Camilla becomes implicated in Geiger's murder. ~ Paul Brenner, All Movie Guide
- Starring:
- Robert Mitchum, Sarah Miles, (more)
- 1977
CB radios provide a human connection between the lives of a collection of varied characters in Jonathan Demme's energizing film that exploits the CB radio craze of the mid-'70s. Chrome Angel (Charles Napier) is a truck driver who has an accident and is laid up recuperating at the home of Hot Coffee (Alix Elias). A road-roaring philanderer, Chrome Angel is a bigamist with a wife, Dallas (Ann Wedgeworth), in Dallas and another wife, Portland (Marcia Rodd), in Portland. The two women converge in a small town where Spider (Paul Le Mat) and his embittered brother Blood (Bruce McGill) are both trying to date Electra (Candy Clark). The characters' CB monikers weave the characters into the same CB waveband, exemplifying the interconnectedness of an American subculture. ~ Paul Brenner, All Movie Guide
- Starring:
- Paul Le Mat, Candy Clark, (more)
Based on a novel by Walter Tevis, The Man Who Fell to Earth achieved cult film status for David Bowie's performance as Thomas Jerome Newton, aka "Mr. Sussex," and the imagery of director Nicholas Roeg, a former cinematographer. In this deeply allegorical science-fiction drama, Newton is an alien from a planet that is dying for lack of water, and he has been sent to earth to find a way to ship some of the earth's plentiful supply to his home planet. He arrives with a human-looking disguise, his knowledge of unusual technologies, his despair, and little else. Using his knowledge, he takes out patents on "his" inventions, aided by patent lawyer Oliver Farnsworth (Buck Henry). He skillfully parlays the money from these inventions and becomes a financial/industrial tycoon. These inventions, and others like them, along with his political and financial power, should make possible the transfer of water to his planet. But instead of pressing forward with plans to save his home planet, he becomes enamored of Earth's low-down ways and of his strange, passive relationship with his elevator-operator girlfriend, Mary Lou (Candy Clark). Meanwhile, his phenomenal rise from anonymity to power, and his eccentric behavior, spark the government's interest. Chemistry professor Nathan Bryce (Rip Torn) also comes calling, fascinated by the alien's history. As gin and despair slowly cripple him, he becomes consumed by memories of life on his doomed planet. The longer (140 minutes) and sexier British version of this film was toned down for its American release. Roeg, whose work has received polarized responses, also directed such distinctively stylized movies as Walkabout (1971) and Don't Look Now (1973). ~ Clarke Fountain, All Movie Guide
- Starring:
- David Bowie, Candy Clark, (more)
- 1976
- R
Norman Panama directed and wrote (along with Albert E. Lewin) this mediocre piece of fluff about unhappily divorced marriage partners. Elliot Gould stars as Les Bingham, who takes umbrage that his ex-wife Katie (Diane Keaton) has a new love in life. What Les doesn't realize is that her new paramour is lawyer Lou Springer (Paul Sorvino). When Katie's sister Sally (Candy Clark) arrives and tells the two about her new, hip '70s marriage contract, Les and Katie decide to try to get together again under a more liberal marriage contract, like Katie's sister. But, unfortunately for the couple, the contract is planted with the seeds of self-destruction, having been drafted by Lou. ~ Paul Brenner, All Movie Guide
- Starring:
- Elliott Gould, Diane Keaton, (more)
- 1975
This made-for-TV biography, based on the memoirs of onetime James Dean roommate William Bast, stars Stephen McHattie in the title role of the Hollywood rebel. ~ Jason Ankeny, All Movie Guide
It's the last night of summer 1962, and the teenagers of Modesto, California, want to have some fun before adult responsibilities close in. Among them are Steve (Ron Howard) and Curt (Richard Dreyfuss), college-bound with mixed feelings about leaving home; nerdy Terry "The Toad" (Charles Martin Smith), who scores a dream date with blonde Debbie (Candy Clark); and John (Paul Le Mat ), a 22-year-old drag racer who wonders how much longer he can stay champion and how he got stuck with 13-year-old Carol (Mackenzie Phillips) in his deuce coupe. As D. J. Wolfman Jack spins 41 vintage tunes on the radio throughout the night, Steve ponders a future with girlfriend Laurie (Cindy Williams), Curt chases a mystery blonde, Terry tries to act cool, and Paul prepares for a race against Bob Falfa (Harrison Ford), but nothing can stop the next day from coming, and with it the vastly different future ushered in by the 1960s. Fresh off The Godfather (1972), producer Francis Ford Coppola had the clout to get his friend George Lucas's project made, but only for $750,000 on a 28-day shooting schedule. Despite technical obstacles, and having to shoot at night, cinematographer Haskell Wexler gave the film the neon-lit aura that Lucas wanted, evoking the authentic look of a suburban strip to go with the authentic sound of rock-n-roll. Universal, which wanted to call the film Another Slow Night in Modesto, thought it was unreleasable. But Lucas' period detail, co-writers Willard Huyck's and Gloria Katz's realistic dialogue, and the film's nostalgia for the pre-Vietnam years apparently appealed to a 1973 audience embroiled in cultural chaos: American Graffiti became the third most popular movie of 1973 (after The Exorcist and The Sting), establishing the reputations of Lucas (whose next film would be Star Wars) and his young cast, and furthering the onset of soundtrack-driven, youth-oriented movies. Although the film helped spark 1970s nostalgia for the 1950s, nothing else would capture the flavor of the era with the same humorous candor and latent sense of foreboding. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Richard Dreyfuss, Ron Howard, (more)
With a screenplay adapted by Leonard Gardner from his own novel, John Huston's drama examines the meager hopes and resigned dreams of small-time boxers. In limbo between retirement and his youthful prime, alcoholic farm laborer Tully (Stacy Keach) shacks up with fellow outcast Oma (Susan Tyrrell) and keeps trying to make a boxing comeback, but his personal demons repeatedly overpower his ambitions. Meanwhile, fellow Stockton, CA resident and budding fighter Ernie (Jeff Bridges) takes Tully's advice to join trainer Ruben (Nicholas Colasanto)'s gym and make something of himself. Learning the tough lesson that winning is not as easy as it sounds, Ernie is still determined to get what he can out of boxing and, unlike Tully, not let disappointments get the best of him. Shot on location in Stockton by Conrad Hall, the film maintains a realistic, slice-of-life view of Tully's and Ernie's struggles, eschewing theatrical boxing victories for psychological and social details. As Huston avowed at the Cannes Film Festival that Fat City's virtue was its "modesty," critics agreed that he had made his best film in two decades; and Tyrrell was nominated for a Best Supporting Actress Oscar. However, despite the praise and the efforts of producer Ray Stark, Fat City failed at the box office. Even so, its unromanticized depiction of modest wins and personal losses revealed that old Hollywood pro Huston had adapted well to the late '60s-early '70s New Hollywood grit, and the film revived his artistic standing. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Stacy Keach, Jeff Bridges, (more)
