Candy Clark Movies

A rising star in the agricultural industry suddenly turns whistleblower in hopes of gaining a lucrative promotion and becoming a hero of the common people, inadvertently revealing his penchant for helping himself to the corporate coffers and ultimately threatening to derail the very investigation he helped to launch in this offbeat comedy from Academy Award-winning director Steven Soderbergh. Mark Whitacre (Matt Damon) was fast rising through the ranks at agri-industry powerhouse Archer Daniels Midland (ADM) when he became savvy to the company's multinational price-fixing conspiracy, and decided to turn evidence for the FBI. Convinced that he'll be hailed as a hero of the people for his efforts, Whitacre agrees to wear a wire in order to gather the evidence needed to convict the greedy money-grabbers at ADM. Unfortunately, both the case -- and Whitacre's integrity -- are compromised when FBI agents become frustrated by their informant's ever-shifting account, and discover that he isn't exactly the saintly figure he made himself out to be. Unable to discern reality from Whitacre's fantasy as they struggle to build their case against ADM, the FBI watches in horror as the highest-ranking corporate bust in U.S. history threatens to implode before their very eyes. Scott Bakula, Joel McHale, and Melanie Lynskey co-star. ~ Jason Buchanan, All Movie Guide

The true story behind the murders that many crime scholars believe to be the most perplexing series of unsolved crimes in modern history comes to the screen in chilling detail as Fight Club and Seven director David Fincher steps behind the camera to tell the mysterious tale of the infamous Zodiac killer. A relentless serial killer is stalking the streets of the San Francisco Bay Area, leaving citizens locked into a constant state of panic, and baffled authorities scrambling for clues. Though the killer sadistically mocks the detectives by leaving a series of perplexing ciphers and menacing letters at the crime scenes, the investigation quickly flatlines when none of the evidence yields any solid leads. As two detectives remain steadfast in their devotion to bringing the elusive killer to justice, they soon find that the madman has control not only over their careers, but their very lives as well. Jake Gyllenhaal, Mark Ruffalo, and Robert Downey Jr. star. ~ Jason Buchanan, All Movie Guide

A blend of screwball farce and whodunit murder mystery, this madcap period piece was the brainchild of executive producer George Lucas. In 1939, Penny Henderson (Mary Stuart Masterson) is the harried general secretary and de facto manager of a new fourth radio network, WBN. On the night that the Chicago station goes live on the air, a mysterious voice interrupts, and a series of murders soon follows, each one described by the same sonorous phantom. While Penny and her staff desperately try to keep WBN's roster of shows afloat during the unfolding crisis, her estranged husband Roger (Brian Benben), a staff writer, becomes the chief suspect. Roger is forced to dodge a detective, Lieutenant Cross (Michael Lerner), find the real killer, win Penny back, and perform last-minute script rewrites for an unhappy sponsor. As the backstage hysteria reaches a fever pitch, the show goes on with real-life radio-era pros such as George Burns and Rosemary Clooney. Although never explicitly pointed out in the film, Radioland Murders (1994) was a pseudo-prequel to an earlier Lucas feature -- Roger and Penny are the future parents of Curt Henderson (Richard Dreyfuss) from American Graffiti (1973). ~ Karl Williams, All Movie Guide

A deuce coupe is a vintage 1930s or '40s two-door sedan, and in the 1950s these were the favored possessions of improvement-minded hot-rodders everywhere. In the '60s, the two-door 1954 and '55 Chevrolet Bel-Aire fell into the same category. These days, examples of these cars are for the most part ruinously expensive. In this nostalgia-laden movie, set in a small town in Virginia in the 1950s, Eddy, a hero-worshipping young man is helping his older brother Brian soup up his car for a long-awaited drag race. After winning the race and defeating (temporarily) the local champion, Brian goes off to enter the Air Force, leaving his precious car with Eddy. Before long, Marie Vitelli shows up on Eddy's doorstep looking for Brian. This pretty girl with a bad reputation is claiming to be pregnant with Brian's child. What's worse, she's currently going out with his drag-racing rival. Feelings of betrayal vie with rage and jealousy in the confused young man, who fancies Marie himself, and he challenges the rival to another racing duel. ~ Clarke Fountain, All Movie Guide

In this earnest, socially conscious drama, a prominent young lawyer rethinks his yuppie lifestyle and risks it all to become a staunch defender of homeless people's rights. Look for Martin Sheen (a strong advocate for the homeless) in a cameo role as a street person. ~ Sandra Brennan, All Movie Guide

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, All Movie Guide

Already laid up with a sprained ankle, Magnum (Tom Selleck) braces himself for more pain when call girl Leslie Emory (Candy Clark), who'd given him plenty of trouble during a previous assignment, sashays back into his life. Insisting that she's given up her former profession and gone straight, Leslie asks Magnum to locate her missing sister Patty (Cindy Fisher), who is still a "working girl." Before long, Magnum finds out that his injured ankle is the least of his problems! ~ Hal Erickson, All Movie Guide

A high-rise apartment is the murder scene where trendy Hollywood decorator Sheila Parker is found smothered to death. Though Sheila's estranged husband Alex (Ray Wise) is a prime suspect, he manages to avoid police scrutiny by wooing and winning the impressionable DeeDee McCall (Stepfanie Kramer). When the other major suspect, Sheila's boyfriend Dennis Stone (Kristoffer Tabori), also turns up murdered, McCall begins to wonder if Alex is playing her for a sucker. It falls to Hunter (Fred Dryer) to prove that the motive for murder had nothing to do with a romantic triangle--and everything to do with a particularly odious case of child molestation! ~ Hal Erickson, All Movie Guide

Cat's Eye is an uneven, tepid trilogy of stories written by Stephen King connected by a cat which appears at the beginning of each story. The best story, and first episode, concerns chain-smoker Morrison (James Woods) who joins a stop-smoking group run by sadistic Dr. Monatti, played with great relish by Alan King. In the second episode, a gambler named Cressner (Kenneth McMillan) makes a bet with his wife's lover. In the third episode, a young girl (Drew Barrymore) is terrorized by a tiny troll. Although he wrote the screenplay, Stephen King was disappointed with the results and thought the interconnection of the stories using the cat clumsy and distracting. Directer Lewis Teague does an average job of directing the confusing and sometimes foolish script. However, James Woods' fine performance and the special effects by Jeff Jarvis make the film worth a view. ~ Linda Rasmussen, All Movie Guide

Cocaine and Blue Eyes was the pilot film for a TV detective series starring former footballer O.J. Simpson (who also produced the film). Playing a private eye in San Francisco, Simpson is hired by a man who ends up seriously dead. The deceased client had wanted Simpson to locate a former girl friend, and in carrying out his assignment Simpson unearths a deadly (and very well connected) cartel of drug dealers. Cocaine and Blue Eyes gathered dust until O.J. Simpson's murder trial in 1994. After that, this tiresome old TV movie became a staple of "Late Late Shows" everywhere. ~ Hal Erickson, All Movie Guide

The third installment in the haunted-house saga discards any pretense of being based on actual events in order to provide the requisite cheap thrills sought by audiences during the short-lived 3-D revival of the early '80s. When a skeptical reporter (Tony Roberts) with a penchant for debunking phony psychic hoaxes moves into the Long Island house to disprove its nightmarish legend, he and his family are set upon by all manner of supernatural beasties. Many such manifestations leap wildly out at the screen to fully exploit the 3-D effect, making the cheap gags all too obvious in the "flattened" video and cable prints (often released under the title Amityville 3: The Demon). Remarkably violent for a PG-rated film (those with an intense fear of fire might want to fast-forward through Candy Clark's death scene), Amityville 3-D has a certain cheesy appeal for anyone who likes touring Halloween spook-houses. Look closely to spot a young Meg Ryan in a small doomed-teen role. This 3-D version was followed by even more sequels, including Amityville: The Evil Escapes, Amityville 1992: It's About Time, The Amityville Curse, and Amityville: A New Generation. ~ Cavett Binion, All Movie Guide

Genre pioneer Larry Cohen, who broke new horror ground with the killer-baby hit It's Alive!, takes a stab at the giant-monster scenario with this enjoyable low-budget exercise. The title refers to the winged Aztec god Quetzalcoatl, represented here as a dragon-like flying lizard (thanks to some quaint but amusing stop-motion animation from David Allen), who decides to take up residence in the art-deco spire of the Chrysler Building, taking frequent jaunts in the midday sun to nip the heads off various hapless New Yorkers. The resulting bloody mess confounds detectives Shepard (David Carradine) and Powell (Richard Roundtree), who are already scratching their heads over a series of bizarre ritual murders linked to a secret Aztec cult. Into the picture comes the film's protagonist -- neurotic, sweaty, paranoid crook Jimmy Quinn (Michael Moriarty, in a tour-de-force performance), a two-bit wheel-man with aspirations of becoming a jazz pianist. After a botched diamond heist leads Quinn to Q's lair, his attempts to go straight take a side-turn as he decides to extort from the city an enormous sum in exchange for directions to the monster's nest. A few sneaky deals later, the location falls into Shepard's hands, and he leads a paramilitary assault on the Chrysler Building, where the creature's humongous egg is about to hatch. Rude, edgy, fast-paced, and peppered with witty dialogue (most of which can't be repeated here), Cohen's script retains the spirit of classic monster movies like The Beast from 20,000 Fathoms, injecting it with tough, gangster-movie moxie. Moriarty's unbelievable performance -- one of three collaborations with Cohen -- finds him chewing acres of scenery as a contemptible, loud-mouthed goon who's too funny to hate; Moriarty also composed and performed two schizophrenic piano numbers for the film. ~ Cavett Binion, All Movie Guide

Originally divided into four segments and now cut to three, National Lampoon Goes to the Movies is a story about a man who is determined to get in touch with himself and sends his wife away so she can do the same thing. The next tale features a female business magnate who wreaks appropriate revenge on her arrogant male colleagues, and the last vignette has a virtuously pure policeman (Robby Benson) becoming as cynical as his partner (Richard Widmark). Each skit makes internal references to other movies, movie directors, or classic movie characters, which may enhance the viewing for movie buffs but does not change the generally dull and unfunny material. ~ Eleanor Mannikka, All Movie Guide