Bob Clark Movies

The young wife with a tale to tell is Joan Greenwood, who with husband Nigel Patrick shares a tiny house with several other people. One couple, Derek Farr and Helen Cherry, are as annoyingly "perfect" as the rest of the boarders are not. Much of the comedy hinges on the kookiness of young boarder Audrey Hepburn, just on the verge of stardom (the film was made sometime before Hepburn's breakthrough film Roman Holiday, but released afterward). The usual misunderstandings and mixups form the final scenes of this rambunctious farce. Young Wives' Tale is based on a popular British play by Ronald Jeans. ~ Hal Erickson, All Movie Guide

This outrageous exploitation piece from Bob Clark, the director of Black Christmas and Porky's, tells the story of an army deserter (Dorian Wayne) who becomes a female impersonator named Dominita to escape capture. Dominita then extorts money from his old commanding officer (Leslie Marlow), forces him to take female hormones, and enlists him as a private maid. Marlow and his secretary (Wendy Roberts) end Dominita's humiliating revenge plans after suffering an hour of comparatively tame abuse. Co-written by Clark and Jeff Gillen, who appears onscreen briefly and went on to co-direct the horror classic Deranged. ~ Robert Firsching, All Movie Guide

This dark, brooding low-budget effort opens in Vietnam, where young infantryman Andy Brooks (Richard Backus) is struck down by a sniper's bullet. At the same time in Andy's hometown, his poor mother is uttering a desperate prayer for Andy to come home... and shortly thereafter, he does. Despite Mrs. Brooks' exultation at her son's safe return, it becomes apparent to the rest of the family that there's something terribly wrong with Andy; he won't do much more than sit in a chair, staring blankly at the walls of his room... that is, until nightfall, when he prowls the town in search of human blood, which he extracts from his victims through a syringe and injects into his own veins. The first horror effort from director Bob Clark, who followed with Children Shouldn't Play with Dead Things! and the effective thriller Black Christmas, this haunting film (released as The Veteran in 1972) functions as a Vietnam-era variant on the classic story of "The Monkey's Paw" and was one of the first films of the genre to address the stateside reactions to the horrors of that war. ~ Cavett Binion, All Movie Guide

Director Bob Clark would graduate from the Canadian Breaking Point to such films as Porky's and A Christmas Story, proving beyond a doubt that it is possible to overcome a bad start. Bo Svenson stars as a mild-mannered teacher--glasses and all. He witnesses a mob murder, whereupon he is put into a witness protection program by cop (Robert Culp). When mobsters show up to rub out Svenson, the authorities are helpless, so suddenly "Mr. Peepers" becomes "Rambo". ~ Hal Erickson, All Movie Guide

The murders by the infamous British criminal, Jack the Ripper, catch the attention of Sherlock Holmes (Christopher Plummer), but he does not receive the expected call from Scotland Yard because he is being purposefully excluded from the investigation. Instead, Robert Lees (Donald Sutherland), a psychic who volunteered information to the police about the murders, provides the Great Detective with the necessary incitement to action. As the murders proceed, it becomes clear to all concerned that it is more important to stop them than to announce their solution, and Holmes enters the fray with the help of his trusty aide, Dr. Watson (James Mason). The former mistress of a "prominent personage," Annie Crook (Genevieve Bujold), provides crucial information leading to a final confrontation on London's docks. ~ Clarke Fountain, All Movie Guide

Jack Lemmon stars in an Academy Award-nominated performance as Scottie Templeton, a Broadway press agent dying of cancer, in Bernard Slade's film adaptation of his Broadway play (in which Lemmon originated the role). Divorced from his wife Maggie (Lee Remick), Scottie leads a happy-go-lucky life until he is informed by his doctor (Colleen Dewhurst) that he has contracted leukemia. She tells him that, without treatment, he will die. Scottie is unsure whether he wants to bother with the treatment, but he has some unfinished business with his son Jud (Robby Benson), a serious-minded person who scorns Scottie's job. As their relationship begins to improve, Scottie begins to reconsider his decision against the cancer treatments. ~ Paul Brenner, All Movie Guide

Nine years after the Yuletide slasher flick Black Christmas, Porky's director Bob Clark once again took on the holiday genre, switching from gasps to laughs with A Christmas Story. Adapted from a memoir by humorist Jean Shepherd (who narrates), the film centers on Ralphie Parker (Peter Billingsley), a young boy living in 1940s Indiana, desperately yearning for a Red Rider BB gun for Christmas. Despite protests from his mother (Melinda Dillon) that he'll shoot his eye out, Ralphie persists, unsuccessfully trying to enlist the assistance of both his teacher and Santa Claus. All the while, Ralphie finds himself dealing with the constant taunts of a pair of bullies and trying to not get in the middle of a feud between his mother and father (Darren McGavin) regarding a sexy lamp. ~ Matthew Tobey, All Movie Guide

Never released theatrically, this undistinguished adventure story is about two women and a young boy who face off against drug traffickers and the evil Magda von Cress in a race to find a "Mayan Power Stone" somewhere in the Caribbean. The two women, who run a skin-diving shop, decide to investigate the kidnapping of a young boy and soon discover that he found some containers of narcotics meant to be sold to finance Magda von Cress' search for the legendary Mayan Stone. The magical stone has some vague connections to nuclear fusion, which in turn, has some vague connections to personal power. The women rescue the boy after a few failed attempts, and then the trio set off for the Caribbean to hunt down the Power Stone before it falls into Magda's nasty hands. ~ Eleanor Mannikka, All Movie Guide

Timothy Hutton stars in this rabble-rousing movie in the tradition of Rocky, directed by Bob Clark. Hutton plays Jimmy Lynch, the younger brother of New York City firefighter Terry (Robert Urich). Terry is off-duty and has been drinking but rescues a young girl for a dangerous fire. When he injures himself in the fire and is hospitalized, New York City refuses to pay for his medical expenses because he was intoxicated during the rescue. Incensed that Mayor Tyler (Robert Culp) refuses to look after his brother, Jimmy decides to take them all on and mounts a series of public stunts designed to embarrass the mayor. Along the way, Jimmy becomes a folk hero, since he hides his identity behind the signature "Turk 182!" Jimmy is now a celebrity and consents to sit down for a television interview to reveal his true identity. But when the television station fails to broadcast the interview due to political pressure, Jimmy takes it upon himself to stage one final elaborate stunt to make the public aware of Terry's plight. ~ Paul Brenner, All Movie Guide

In this off-beat horror outing, a band of film students decide to scare up some cash by holding a film festival celebrating horror films from the '50s. Its all great fun until they discover that the projectionist is a homicidal maniac. Gory violence ensues as audience members begin dying in horrible ways. ~ Sandra Brennan, All Movie Guide

This made-for-cable version of Arthur Miller's play The American Clock was adapted for television by Frank Galati. Inspired partly by Studs Terkel's oral history Hard Times, and partly by Miller's own recollections, the film is set at the beginning of the Depression. When the stock market crashes, the well-to-do Baumler family (John Rubinstein, Mary McDonnell, Loren Dean) loses everything. The Baumlers are forced to move from their plush penthouse apartment to the less-attractive Brooklyn digs of Mrs. Baumler's sister (Joanna Miles). Twelve-year-old Lee Baumler (Dean), the Arthur Miller counterpart, hits the road to find out how others are coping with the Long National Nightmare. The alternately depressing and uplifting storyline moves along briskly to a surprisingly abrupt climax. Kelly Preston, David Strathairn, Eddie Bracken, Darren McGavin, and Estelle Parson co-star in The American Clock, which premiered over the TNT Cable Network on August 23, 1993. ~ Hal Erickson, All Movie Guide

When her little nephew visits her and her overbearing sisters, a rather naïve, simple-minded young woman finds herself inundated with terrifying memories of a childhood trauma. ~ Sandra Brennan, All Movie Guide

Dr. Elena Kinder (Kathleen Turner) is the highly visible chief executive of BABYCO, the world's largest manufacturer of baby products. The company funds orphanages across the world and just opened an indoor theme park for children adjacent to its corporate headquarters in Los Angeles. Unbeknownst to the public, Kinder, with the help of Dr. Heep (Christopher Lloyd), has been conducting a vast research program devoted to decrypting in secret labs deep beneath BABYCO's corporate campus the language that babies speak. It's said that Tibetans believe all babies are born with complete knowledge of the universe and the ability to speak to each other in an ancient language. However, once infants turn two years old, they lose this knowledge as they bond more closely with adults. To study this theory, Dr. Kinder has culled the smartest babies from her orphanages to be raised in a special development program in her private lab. As a test of developmental progress, she has separated a pair of twins, Sly and Witt. While Sly is raised within the lab, Witt has been adopted by Kinder's niece, Robin Bobbins (Kim Cattrall) and her husband Dan (Peter MacNicol), who run an old-fashioned day care and child research center. Sly manages to escape the center and finds his way to a shopping mall during Christmas. While eluding Kinder's henchmen, Sly stumbles across Witt; Witt is promptly mistaken for Sly and taken away, while Sly goes to the day care center with his new mother. The two boys, who develop an empathic link, must find each other and free the children from the research center before Dr. Kinder can smuggle them out of the country. ~ Ron Wells, All Movie Guide