Roland Dubillard Movies

In this drama, the popular French film star of the '30s and '40s Jean Marais plays Victor, a disgruntled, cranky old man who is forced to come to terms with the fact that he is now the guardian of his mulatto grandson Clem (Serge Ubrette). Victor is shocked to discover his grandson's mixed heritage when he travels to London to pick him up, but resigns himself to the situation. Once at home in France, the brash Clem manages to steal the heart of the most coveted young woman in town, but that only gets him into trouble with her tough-guy boyfriend and his buddies. Meanwhile, Grandpa is trying to come to grips with his own biases as best he can. ~ Eleanor Mannikka, All Movie Guide

This drama with incestual nuances features singer-songwriter turned director Serge Gainsbourg as Stan, a screenwriter who has seen much better days. He is currently agonizing over his daughter, Charlotte (Charlotte Gainsbourg). Charlotte blames him for the death of her mother in an accident. Stan vents his feelings on anyone who will listen -- a gay friend, a low-life movie producer, a repulsive prostitute, and two young women his daughter's age. ~ Eleanor Mannikka, All Movie Guide

Inspired by Fyodor Dostoyevsky's The Idiot and intended as "a homage to the great writer," this film is set in modern France rather than 19th century Russia. This is a story of Léon (Francis Huster), who has been recently released from a mental asylum and claims to be a descendant of a Hungarian prince. On his way from Hungary to France, he meets Mickey (Tchéky Karyo), a hood who has committed a successful bank robbery and plans to take brutal revenge on the brothers Venin for what they did to his girlfriend Mary (Sophie Marceau). Léon can hardly understand what Mickey is up to but he follows him everywhere and soon falls in love with Mary. This odd love triangle resolves in a tragic ending. The frantic pace of the film's action can be compared to that of a runaway, hell-bound train. The colors and sounds go out of control, and violence abounds -- all of which is intended to convey to a viewer the craziness of the time. ~ Yuri German, All Movie Guide

This French film has a plot that sounds like an expansion of an urban legend. Walter (Daniel Mesguich) and Sara (Cyrielle Claire) are a married couple who have just moved into a new home together. Everything seems to be going well, despite Walter's fascination with a mysterious woman named Marie-Ange (Gabrielle Lazure) in a nightclub. Then one night, running an errand for Sara, Walter finds Marie-Ange tied up in the middle of the road. He takes her to the nearest villa, hoping to contact a doctor, but he only ends up locked in a bedroom with her. In the midst of their inevitable passion, visions of Magritte paintings dance in Walter's head, for some reason. In the morning, Marie-Ange is gone and Walter's neck is bleeding. ~ John Voorhees, All Movie Guide

The action in this attempt at farce and drama starts moving when a prostitute just out of prison overwhelms a young man with her charms in their shared train compartment and ends up getting invited to his home. Once there, other than inducing some unusual behavior in the members of the family, she plans to kill off the pimp who got her into jail on false charges -- and get away with murder. ~ Eleanor Mannikka, All Movie Guide

In this comedy, an Italian man in Paris is looking for his wife who has walked out on him. However, before he can get very far in his search, he is coaxed by his boisterous, boozy male friends into taking time out for a carouse. Afterward, he resumes his search, and he and his wife come to an understanding. ~ Clarke Fountain, All Movie Guide

The feature debut of prominent French director Patrice Leconte is a spoof of the detective genre, done in absurdist, deadpan style. Gaspard Gazul (Roland Dubillard), a harmless bus ticket puncher, has been blown up in his own water closet with the door locked from the inside. A po-faced police inspector (Jean Rochefort) and his bumbling assistant (Coluche) investigate the case. The denouement is remarkably nonsensical, as is most of the film's plot. Most characters are comic variations of archetypes from classical French whodunits. ~ Yuri German, All Movie Guide

In Serieux Comme le Plaisir, two men and a woman live quite happily together in a romantic liaison. The woman is probably wealthy anyway, so the trio doesn't worry much about money. One day they decide to take a trip in their beat-up car, managing the whole affair in their own special, insouciant manner. They are followed by a suspicious policeman who thinks there's something fishy about this group. As part of their play they tie the girl up, apparently leaving her behind, but she adamantly refuses to be rescued and heaps abuse on anyone who tries, including the hapless policeman. At some point she goes off with an Eastern monarch, leaving her lovers behind. She returns, and soon the trio is once again sniping at puzzled interlopers, playfully going about their business of confusing everyone. Later on in the film they are seen depositing their son at school where he is awaited by two young girls. ~ Clarke Fountain, All Movie Guide

The on-again, off-again relationship between a man and a woman who first meet during a shipwreck (she is a Salvation Army soldier, he is a sailor, both are adrift) is the subject of this French film. The two meet and separate numerous times during the movie, until they are finally able to accommodate one another. In the meantime they are out of synch, each discovering a new facet of their lives to explore at just the wrong time for the other. ~ Clarke Fountain, All Movie Guide

The French film Quelque Part, Quelqu'un takes a close look at the lives of a number of very ordinary people as they try to handle the small dramas in their lives. One segment takes us into the life of a woman who is trying to rescue a man from alcoholism. Another looks at an old couple being evicted from their home, and yet another shows how a young daydreamer responds to the call of a real adventure. ~ Clarke Fountain, All Movie Guide

This slapstick comedy concerns a college professor who stages a one-man vendetta against television. A hare-brained inventor has produced an aerosol spray that when applied effectively renders television antennae useless. Armand (Bourvil) enlists the help of a gymnast who scales heights to apply the spray to the receivers of his students to keep them from being polluted by the senseless medium. Soon the stuffy network executives launch an all-out search for the perpetrator as television revenues plummet. The police are soon called in to solve the mystery as the professor and his crew slowly move towards their ultimate goal of spraying the Eiffel tower. Armand demands an audience with the President and uses his threat to cut off all television to insure the meeting will take place. ~ Dan Pavlides, All Movie Guide