Mark Drewry Movies

Filmed in South Africa, this lengthy biographical drama details events in the life of 19th-century British imperialist Cecil Rhodes (Martin Shaw) through an extensive series of overlapping flashbacks. The BBC original ran for eight hours, but for telecasting in the United States, the BBC edited the film down to six hours. The U.S. premiere was on PBS' Masterpiece Theater on January 4-6, 1998. ~ Bhob Stewart, Rovi

Director Bruce Beresford has safely stayed within the domain of the Bible and not strayed into patches of Hollywood fiction in this routine version of the story of David (Richard Gere). For that reason, anyone unfamiliar with Biblical history might be puzzled by the episodic presentation of David's life. In the opening scenes, Samuel condemns Saul and anoints the young David as his heir, and in fairly quick succession David slays Goliath, incurs Saul's jealous wrath, leaves, and, much later, comes back to rule after Saul has died. Once David is on the throne, Bathsheba and then Absalom enter into the picture. Interspersed are brutal scenes of fighting, but not much in the way of motivation for David's complex behavior. Gaps in the narration or unclear motivation may be the result of trying to cover too many events in a 114-minute running time. ~ Eleanor Mannikka, Rovi

Swordplay, secret messages, and the rustle of ballroom finery make this 1982 adaptation of The Scarlet Pimpernel a gala bash. Anthony Andrews heads the cast as English nobleman Sir Percy Blakeney, a conceited but amusing fop in the drawing rooms of British high society. But beneath his veneer of lacy impertinence is a man of bravado and derring-do. In disguise, he becomes the Pimpernel -- ta-da! -- and steals into France to rescue aristocrats condemned to the guillotine during the French Revolution. After each rescue, he leaves behind a scarlet pimpernel, a flower whose petals close at the approach of stormy weather. He also uses a signet ring engraved with a scarlet pimpernel to identify himself on the sealing wax of letters to compatriots. It is all jolly-good intrigue. Because he cloaks his schemes in great secrecy, not even his new wife Marguerite (Jane Seymour) realizes he is anything more than an innocuous dandy. Frustrated, the French send the ruthless Chauvelin (Ian McKellen) to England to serve as ambassador and ferret out the elusive Pimpernel. In a plot that ensnares Marguerite and closes the Pimpernel's petals, Chauvelin finally confronts his clever adversary, and it's en garde -- parry and thrust! ~ Mike Cummings, Rovi

Years after directing the classic Marty (1955), Delbert Mann became a creator of prestige TV movie projects, none more daunting than his adaptation of All Quiet on the Western Front (1979). Richard Thomas stars as Paul Baumer, a teen who, at the urging of zealously patriotic teacher Kantorek (Donald Pleasence) enthusiastically enlists to fight for Germany in WWI, accompanied by several school chums. After training at the hands of the sadistic Corporal Himmelstoss (Ian Holm), Paul and his friends head for the front. There, they discover that war is a bloody, deadly business, although they are heartened by the presence of their commander, wily veteran Stanislaus Katczinsky (Ernest Borgnine). When a French soldier jumps into the bomb crater where Paul has taken refuge one night, he is forced to stab the enemy, then must watch the man die in agony. This incident and the violent deaths of his friends convince Paul that war is a senseless exercise. One of the most respected anti-war novels ever written, the book resulted in the German citizenship of author Erich Maria Remarque being revoked by the Nazi Party. Though a 1930 film adaptation by Lewis Milestone was widely beloved by fans of cinema and the source material, Mann's TV movie was well received, earning a Golden Globe and Emmys for Borgnine and Patricia Neal, who played Paul's mother. ~ Karl Williams, Rovi