Mary Margaret Amato Movies

Larry Cohen wrote the screenplay to this updating of Mickey Spillane's notorious 1947 novel. Cohen was originally engaged to direct the film as well but was pulled from the director's chair after a week's worth of shooting because he had already run up the budget by $100,000; he was replaced by television director Richard T. Heffron. In this 1982 I, the Jury, Mike Hammer (Armand Assante) is a Vietnam veteran who wears hip duds and drives around in a bronze Trans Am in much the same way as Robert Mitchum's Philip Marlowe was refurbished for Michael Winner's re-make of The Big Sleep. After a cheesy rip-off of a James Bond-style credit sequence, the story kicks in. One-armed detective Jack Williams (Frederick Downs) is murdered. Jack was Hammer's best friend, and Hammer decides that he will become a one-man vigilante squad and seek vengeance on the person responsible for his death. He enlists the aid of his vivacious secretary Velda (Laurene Landon) and is also helped and hindered by police-chief Pat Chambers (Paul Sorvino). Hammer latches on to the killer's trail, then the film veers in a radically different direction from the book, introducing government conspiracies and mind-control techniques by the CIA and the Mafia. Also introduced is Hammer's love interest Charlotte Bennett (Barbara Carrera), an administrator of a kinky sex clinic (depicted as a psychiatrist in the original novel). ~ Paul Brenner, All Movie Guide

John Byrum wrote and directed this loosely based biographical tale of Beat author Jack Kerouac and Neal and Carolyn Cassady. John Heard stars as Jack Kerouac, and the film chronicles the Beat lifestyle that shaped the literary and social forces brewing and overflowing in Kerouac's imagination, resulting in the publication of Kerouac's seminal novel On the Road. Nick Nolte and Sissy Spacek play the Cassadys, enmeshed in a love-hate relationship that forms the backbone of the film. Kerouac drifts in and out of their lives as the Cassadys take up residence in San Francisco. Ray Sharkey is also on hand as the manic Ira, a thinly veiled character based on Alan Ginsberg. ~ Paul Brenner, All Movie Guide

The story of "red light bandit" Caryl Chessman, previously dramatized in the 1955 film Cell 2455, Death Row (based on Chessman's own book), was adapted for television as Kill Me If You Can. In a radical departure from his usual duties as MASH's Hawkeye Pierce, Alan Alda plays Chessman, who in 1948 was found guilty of robbery, kidnapping and sexual assault. Under the laws of the era, Chessman was sentenced to die in the gas chamber. But by studying the law and publishing four books on his plight, the brilliant (albeit still repugnant) Chessman managed to forestall his execution for 12 years. Though no effort is made in the film to make the sociopathic Chessman any better than he was, John Gay's script comes out squarely in opposition of capital punishment. Kill Me If You Can first aired on September 25, 1977. ~ Hal Erickson, All Movie Guide

Max Ehrlich adapted his own novel for the screen in this fitfully amusing paranormal thriller. College professor Michael Sarrazin feels that someone else is inside him, and is led by his dreams to a small town where Margot Kidder (Black Christmas, Superman) has murdered her cheating husband. She senses something odd about Sarrazin too, even more so when he falls for Jennifer O'Neill (Scanners), who may or may not be his and Kidder's daughter. Regardless of its merits, this film will probably best be remembered for its poster art, which depicts an anguished Sarrazin being smashed in the testicles with a boat paddle. That's what happens when actors do things like turn down Midnight Cowboy. Director J. Lee Thompson later went on to direct the even less subtle Happy Birthday to Me. ~ Robert Firsching, All Movie Guide