Chris Darwin Movies
- 1994
This low-budget, independently produced film chronicles the summertime love affair between Abe, a black scrap-metal worker (Steve Ako), now unemployed, and Jess, his white former boss' daughter (Joeline Garner-Joel). The story is set in Liverpool, and makes extensive use of that locale. Jess moves in with Abe, but after she has gets pregnant and has a miscarriage, she gets depressed and leaves. ~ Clarke Fountain, All Movie Guide
- 1988
Little Dorrit was intended as the cinematic equivalent to the mammoth, eight hour Royal Shakespeare Company's staging of Dickens' Nicholas Nickelby. The film was released to theatres in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good samaritan Derek Jacobi endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively-and effectively--opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, Part Two of Little Dorrit spends nearly half of its running time recapping Part One, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release-not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, All Movie Guide
- Starring:
- Alec Guinness, Derek Jacobi, (more)
- 1988
- PG13
Set in 1940s England, Distant Voices/Still Lives is a compassionate look at a radically dysfunctional family. The son and his mother must endure the casual and overt cruelties of the bull-necked father. The ongoing abuse takes its toll in the form of failed marriages and misguided attempts at seeking security outside the family unit. As was the case with his earlier short subject trilogy (The Children, Madonna and Child, Death and Transfiguration), director Terence Davies based much of the material on his own life, combining rheumy-eyed cynicism with soft-edged nostalgia (the musical track, drawn from popular wartime songs, is particularly evocative). ~ Hal Erickson, All Movie Guide
- Starring:
- Freda Dowie, Pete Postlethwaite, (more)
