Olivier Cruveiller Movies

The beautiful Nathalie (Audrey Tautou) throws herself into her work after her husband of just three years unexpectedly passes away. One day, she fixates on Markus (Francois Damiens), an unremarkable underling of hers at the office. The two begin a relationship that everyone who knows Nathalie firmly believes will not last, but it's not other people's perceptions as much as their own self-doubt that threatens to split apart this seemingly odd pairing. ~ Perry Seibert, Rovi

Writer/director Olivier Dahan (Crimson Rivers II) helmed La Vie en Rose, the screen biopic of tragic French songstress Edith Piaf. Marion Cotillard portrays Piaf, the superstar once raised as a young girl by her grandmother in a Normandy bordello, then discovered on a French street corner -- as a complete unknown -- by cabaret proprietor Louis Leplée (Gérard Depardieu). The film segues breezily between various episodes from Piaf's life -- such as her lover, French boxer Marcel Cerdan's (Jean-Pierre Martins) championship bout in mid-'40s New York; her period in Hollywood during the '50s; Piaf's abandonment as a young girl by her contortionist father (and earlier by her mother, a street singer); her brushes with the law as an adult; and her 1951 car accident and subsequent morphine addiction that caused her to age well beyond her years and left her barely mobile; and, through it all, her ability (like Billie Holiday) to funnel personal tragedy and emotional struggles into her vocalizations -- dazzling audiences in the process. ~ Nathan Southern, Rovi

Their relationship fractured when older sister Juliette is sentenced to 15 years in prison, two siblings wage an emotional battle to rebuild their relationship, overcome the secrets that keep them apart, and finally express the thoughts that have lain dormant for well over a decade. The moment Juliette was convicted, her parents declared that they wanted nothing to do with her. Now, after 15 years behind bars, Juliette is a free woman and in desperate need of a human connection. When Juliette's younger sister, Léa, is approached by a prison social worker and asked if she would be willing to provide her recently paroled sibling with a place to live, she doesn't hesitate to open her doors and share her home. But Léa is happily married with two adopted daughters, and her husband, Luc, is uneasy with the arrangement. Still, the house is large, the couple is used to having company, and the two young girls are thrilled to have a new aunt. As Juliette gets settled, Léa does her best to make her feel welcome. Likewise, Léa's colleague Michel and emigrant couple Samir and Kaïsha also offer to help Juliette readjust to life on the outside. Along the way, Juliette slowly begins to emerge from her shell and Léa realizes just how much she missed her sister. Perhaps if she can put aside her feelings of guilt long enough to truly understand her sister's plight, these two strangers can finally remember what it means to be family. ~ Jason Buchanan, Rovi

With Laurent Cantet's Time Out (L'Emploi du Temps) as an inspiration, actress-turned-director Nicole Garcia's fourth feature film, L'Adversaire, is a fictionalized account of what may have gone through the mind of real-life serial killer Jean-Claude Romand. Daniel Auteuil portrays Jean-Marc Faure, who, like Romand, had fooled his friends, family, and the bank for 18 years. Though those who knew Faure believed he was a physician employed by the World Health Organization in Geneva, he actually had no qualifications for the position, and had never held a real job. As part of the façade, Faure commuted to Switzerland daily, and obviously knew his way around the WHO. However, he had no job to perform there. Though he acquired an enormous overdraft at the bank, they believed he was a well-known doctor, and incorrectly assumed he would repay them shortly. Nearly two decades after his original untruth, Faure is nearly found out. Rather than enduring the shame of his long-time fraud, Faure opts to murder his wife, children, and parents. ~ Tracie Cooper, Rovi

Olivier Assayas directed this French drama, examining several relationships over a year's span, capturing varying textures and shades of feeling between people from late August of one year until early September of the next. Gabriel (Mathieu Amalric) and Jenny (Jeanne Balibar) separate, despite the affection that still binds them. A new love develops between Gabriel and young designer Anne (Virginie Ledoyen) as they overcome their fears and uncertainties. At his publishing job, much of Gabriel's emotional energy is spent on his close friend Adrien (Francois Cluzet), a once-promising novelist whose recent writing failed to repeat the critical and commercial success of his early novels. Jenny, who remains friends with Adrien, embarks on a new relationship with Jeremie (Alex Descas). When an old illness reappears, Adrien must come to terms with an early death; he begins an affair with 15-year-old schoolgirl Vera (Mia Hansen-Love). The personal tragedy of Adrien's death impacts on the fabric of friendships, as the individuals in the group reflect on death, life, and the future. Jeanne Balibar's performance won her the "Best Actress" award at the 1998 San Sebastian Film Festival. Shown at the 1998 Toronto Film Festival and the 1998 New York Film Festival. ~ Bhob Stewart, Rovi

Jacques Rivette directed this richly detailed six-hour drama based on the story of Joan of Arc. In Part one, "Les Batailles," Jeanne the Maid (Sandrine Bonnaire) leaves her childhood home in Domremy after hearing what she is sure was the voice of God. She believes that she can help lead France to victory on the battlefield, and she persuades Charles, dauphin of France (Andre Marcon) to allow her to guide his troops. Part two, "Les Prisons," concerns the sad aftermath of Jeanne's defeat at Orleans. Jeanne is sent to prison, where in two separate trials she is tried for heresy and impersonating a man, with both her life and the sanctity of her mortal body at stake. A four-hour version, with each of the two parts trimmed down to two hours, is also available. ~ Mark Deming, Rovi

The year 1989 marked the 200th anniversary of the French Revolution, and a number of filmmakers put together movies intended to celebrate that event. This historical action drama, based on the book Sous le vent de galerne by Andre Guilloteau looks at some of the less well-known and unappealing consequences of the republican takeover. In 1793, the entire region of Vendee rose up in revolt against the republican French government. Instead of bringing relief from the heavy taxation imposed under the monarchy, the republican government actually raised taxes in the region, and to add insult to injury, also imposed a heavy burden of military conscription ("the draft") on it. In the story, the inhabitants of one of the villages of the region organize under their blacksmith and a local nobleman to fight the government forces, but before they can prepare for a proper battle, they are massacred. ~ Clarke Fountain, Rovi

Jacques Rivette's version of Emily Bronte's novel might as well be called "Withering Heights" since only segments of the full plot are used, and the setting has been changed to France in the 1930s. The vengeful Heathcliff is now the vengeful Roch (Lucas Belvaux), and Cathy is the more Francophone Catherine (Fabienne Babe). Along with these changes, director Rivette distances both the personal turmoil that leads the spurned Heathcliff to seek revenge, and the despair that drives Cathy to an early death. This treatment tends to transform most protagonists into one-dimensional models, and even transforms the heroine into a easily obnoxious persona. ~ Eleanor Mannikka, Rovi