John Henry Cox Movies
In May 1946, a panel of judges and prosecutors from eleven different nations gathered in Tokyo, Japan to preside over the International Military Tribunal of the Far East, a series of trials held to determine the guilt or innocence of Japanese leaders and military personnel accused of war crimes during World War II. China was represented at the Tribunal, and sixty years later the Chinese film industry offers their perspective on this event in this historical drama. Xiao Nan (Chu Hsiao-tien) is a Chinese journalist who has been sent to Tokyo to cover the tribunal for leftist news outlet Da Gong. Xiao places special emphasis in his coverage on Dr. Mei Ru'ao (Damian Lau), the well-respected Chinese judge who has been sent to represent his nation at the tribunal. It soon becomes clear to many observers that American judge William Webb (Daniel Ziskie) will dominate the proceedings, which is seen as an insult by Mei, especially since China joined the United States in preparing and signing the official documents of surrender. As Mei, Webb and their colleagues weigh the evidence against the men who led the Japanese forces and the troops who slaughtered their enemies in the fields and served as guards in their military prisons, Xiao learns about a possible scandal in the making -- a plot to assassinate Mei and bring the tribunal to a halt. Dongjing Shenpan (aka International Military Tribunal Far East was the first feature film from director Gao Qunshu. ~ Mark Deming, All Movie Guide
- Starring:
- Damian Lau, Chu Hsiao-tien, (more)
American-born French film director Bob Swaim directed this sordid tale of greed, deception, machinations and murder. The darkly beautiful Meg Tilly stars as Olivia Lawrence, member of the Hamptons social elite and heiress to a vast fortune, who becomes attracted to dangerous newcomer Tim Whalen (Rob Lowe). She unwittingly falls into his web of deceit, as he and her stepfather (John Glover) plot her murder in order to gain the $3,000,000 in her trust fund. Inspired in plot by the film noir classics of the '40s, Masquerade lacks the style and originality of the originals. The film noticeably lacks suspense; there is no sustained tension, and many of the characters seem included simply for the sake of bizarreness. However, Tilly manages to carry the film all on her own with her considerable talent and natural screen presence. ~ Jeremy Beday, All Movie Guide









