Aurora Clavel Movies
Harrison Ford delivers one of his most-acclaimed performances in Peter Weir's adaptation of Paul Theroux's novel (scripted by Paul Schrader). Ford plays Allie Fox, an inventor embittered by the blighted landscape of the contemporary United States. As he tells his oldest son, Charlie (River Phoenix), "Look around you. It's a toilet." He moves his wife (Helen Mirren) and kids -- Charlie, Jerry (Jadrien Steele), April (Hilary Gordon), and Clover (Rebecca Gordon) -- to the rain forests of Central America, where he plans to create a new civilization starting with his own nuclear family. Allie's family compliantly goes along with his scheme to build a free society, but slowly notices that his obsession has turned him into a tyrannical fascist. Rather than create a utopia, Allie's driving egomania demands total subservience from his downtrodden brood. ~ Paul Brenner, Rovi
- Starring:
- Harrison Ford, Helen Mirren, (more)
- 1974
- R
In The House in the South, a group of desperately impoverished desert dwellers are induced by a government program to move to a lush tropical island if they can ever get there. Their obstacle earlier was simply the cruelty of nature; in their new situation, mankind's cruelty to mankind is the worm in the apple. Fortunately, they have a tough, hard-headed and endlessly optimistic leader. ~ Clarke Fountain, Rovi
- 1974
The peasants of Mexico have a need for a protector, whether it be El Super Barrio or, as in this movie, the Christlike Auandar Anapu. In the movie, an indio wearing overalls and clogs appears among the poor; he raises the dead, and saves a woman from being stoned to death. Eventually, a mercenary soldier arranges to kill him, but Auandar Anapu promises to reappear from time to time, whenever he is most needed. ~ Clarke Fountain, Rovi
A former friend betrays a legendary outlaw in Sam Peckinpah's final Western. Holed up in Fort Sumner with his gang between cattle rustlings, Billy the Kid (Kris Kristofferson) ignores the advice of comrade-turned-lawman Pat Garrett (James Coburn) to escape to Mexico, and he winds up in jail in Lincoln, New Mexico. After Billy theatrically escapes, inspiring enigmatic Lincoln resident Alias (Bob Dylan) to join him, the governor (Jason Robards Jr.) and cattle baron Chisum (Barry Sullivan) requisition Garrett to form a posse and hunt him down. Rather than flee to Mexico when he can, Billy heads back to Fort Sumner, meeting his final destiny at the hands of his friend Pat, who, two decades later, is forced to face the consequences of his own Faustian pact with progress. With a script by Rudolph Wurlitzer, Peckinpah uses the historical basis of Billy's death to eulogize the West dreamily yet violently as it is desecrated by corrupt capitalists. Both Pat and Billy know that their time is passing, as surely as Garrett's posse knows that they are participating in a legend. Using familiar Western players like Slim Pickens and Katy Jurado, Peckinpah underscores the West's existence as a media myth, and he even appears himself as a coffin maker. Just as the bloodletting of Peckinpah's earlier The Wild Bunch (1969) invoked the Vietnam War, the casting of Kristofferson and Dylan alluded to the chaotic late '60s/early '70s present; the counterculture has little place in a corporate future. Also like The Wild Bunch, Pat Garrett was truncated by its studio; the cuts did nothing to help its box office. Key scenes, particularly the framing story of Garrett's fate, have since been restored to the home-video version. In this director's cut, Pat Garrett and Billy the Kid stands as one of Peckinpah's most beautiful and complex films, killing the Western myth even as he salutes it. ~ Lucia Bozzola, Rovi
- Starring:
- James Coburn, Kris Kristofferson, (more)
The humor in this Mexican social comedy has more to do with the aptly depicted characters shown than with the story. When Enfermio (Manolo Faregas) takes his family on an outing, he encounters every possible calamity. A group of unconnected lotharios almost romance his wife and his daughter away from him, he encounters a military man who is a little too ready to draw his gun at the slightest provocation, and his mother manages to eat herself to death. This last event leads to a macabre drive through town, as he takes his family, including the propped-up corpse of his mother, back home. ~ Clarke Fountain, Rovi
- Starring:
- Manolo Fábregas, Lucha Villa, (more)
- 1972
- PG
This misunderstood film is a satirical western, written, directed, and produced by Ralph Nelson, which he adapted from the book by James Graham (a pseudonym for Jack Higgins) In a restless Central American nation in the 1920s, Van Horne (Robert Mitchum), a defrocked American priest, hides a gun in his Bible and a knife in his crucifix. He rescues Emmet Keogh (Ken Hutchinson), who is being held by a group of rapacious bandits who are angry that Keogh has taken a mute native girl, Chela (Paula Pritchett), away from them. Keogh, an Irishman, and his friend Jennings (Victor Buono), a British rum-runner, are captured along with Van Horne by Colonel Santilla (John Colicos), a revolutionary leader. The colonel offers to set the three men free and send them safely to the U.S. -- if they agree to kill Tomas De La Plata (Frank Langella), the crazed local strongman. De La Plata was driven mad by Santilla's followers, who murdered his father, raped his mother, and tormented his sister into suicide. Van Horne dons his priestly garb and reopens the church in De La Plata's village, thereby setting up the trap to lure in the madman. ~ Michael Betzold, Rovi
- Starring:
- Robert Mitchum, Frank Langella, (more)
A cavalry unit in Colorado is conducting two important cargoes to Fort Reunion, home of the 11th Colorado Volunteers: Cresta Marybelle Lee (Candice Bergen), the fiancée of an officer in the unit until two years ago, when she was taken by the Cheyenne, and who just escaped; and Captain Battles (Dana Elcar), the paymaster, with a strongbox containing gold. The men are tired -- almost asleep in their saddles -- and frustrated, and doubly so by the presence of Cresta, whose beauty and reputation (by virtue of living two years with "savages") is driving them to distraction; all except for Honus Gant (Peter Strauss), a neophyte trooper and wide-eyed innocent. The detachment is ambushed by a Cheyenne war party and the only survivors are Cresta and Honus, who learn to tolerate each other as they struggle across the wilderness and the desert in search of help. An encounter with white trader Isaac Q. Cumber (Donald Pleasence), a profiteer who is running guns to the Indians, nearly results in their deaths, and Honus is seriously wounded.
Cresta goes off in search of help and is picked up by a cavalry scout and brought to the 11th Colorado, whose commanding officer, Col. Iverson (John Anderson), is planning a punitive strike against a peaceful Cheyenne encampment over the massacre of the paymaster's party. Cresta tries to secure help for Honus but Iverson is too busy planning bloodshed, and her fiancé, Lt. McNair (Bob Carraway), is just too eager to pick up where he left off with her to listen to her warnings. She rides out on her own and returns to the village where she'd spent the previous two years, while Honus manages to survive to reach Iverson. He ends up along for the assault on the village, which takes place despite the chieftain Spotted Wolf (Jorge Rivera) flying a flag of truce and an American flag given him at a previous negotiation with the whites. The Native Americans defend themselves when fired upon with artillery and rifles, and all hell breaks lose -- virtually all of the men in the village are killed in the first assault, and then the soldiers spot the women, children, and old men, and there begins an orgy of rape, mutilation, beheadings, dismemberment, and torture before Honus' horrified eyes by joyously shrieking soldiers. Cresta kills a soldier who tries to rape her and intends to die with her Native American family but is pulled out, only to watch the slaughter continue. In the end, Honus is left to be marched back to Fort Reunion as a prisoner for trying to stop the killing, and Iverson expresses pride and satisfaction at what he's done, while Cresta and a tiny handful of survivors -- almost all old men and women -- watch in mute horror and anger. ~ Bruce Eder, Rovi
Cresta goes off in search of help and is picked up by a cavalry scout and brought to the 11th Colorado, whose commanding officer, Col. Iverson (John Anderson), is planning a punitive strike against a peaceful Cheyenne encampment over the massacre of the paymaster's party. Cresta tries to secure help for Honus but Iverson is too busy planning bloodshed, and her fiancé, Lt. McNair (Bob Carraway), is just too eager to pick up where he left off with her to listen to her warnings. She rides out on her own and returns to the village where she'd spent the previous two years, while Honus manages to survive to reach Iverson. He ends up along for the assault on the village, which takes place despite the chieftain Spotted Wolf (Jorge Rivera) flying a flag of truce and an American flag given him at a previous negotiation with the whites. The Native Americans defend themselves when fired upon with artillery and rifles, and all hell breaks lose -- virtually all of the men in the village are killed in the first assault, and then the soldiers spot the women, children, and old men, and there begins an orgy of rape, mutilation, beheadings, dismemberment, and torture before Honus' horrified eyes by joyously shrieking soldiers. Cresta kills a soldier who tries to rape her and intends to die with her Native American family but is pulled out, only to watch the slaughter continue. In the end, Honus is left to be marched back to Fort Reunion as a prisoner for trying to stop the killing, and Iverson expresses pride and satisfaction at what he's done, while Cresta and a tiny handful of survivors -- almost all old men and women -- watch in mute horror and anger. ~ Bruce Eder, Rovi
- Starring:
- Candice Bergen, Peter Strauss, (more)
- 1969
In this French/Italian co-production set in Mexico in 1746, Alastray (Anthony Quinn), a gunman on the run from the law, happens upon a Franciscan priest, Father Joseph (Sam Jaffe), while in flight. Father Joseph shows mercy on the fugitive and allows Alastray to stay with him, but when the locals find out that Joseph is harboring criminals, he's run out of town; Alastray travels with him, disguised as a monk. While approaching what appears to be a deserted village, Father Joseph is killed by a sniper, and Alastray heads into town. He is met by Teclo (Charles Bronson), a half-breed who calls the village home. It seems that a band of savage Yaqui Indians have been terrorizing the town and have a special hatred for men of faith; they intend to continue laying waste to the village until the residents beg for mercy and renounce Christianity. The Village leaders want to make Alastray their new spiritual leader, and despite his great reluctance, he agrees, mostly as a means of maintaining his cover. But when Alastray tries to organize the building of a much needed dam, as well as obtaining a stash of weapons so that the citizens may defend themselves, the Yaquis return in force, leading to a decisive confrontation. Guns for San Sebastian also features Anjanette Comer and Silvia Pinal. ~ Mark Deming, Rovi
- Starring:
- Anthony Quinn, Anjanette Comer, (more)
"If they move, kill 'em!" Beginning and ending with two of the bloodiest battles in screen history, Sam Peckinpah's classic revisionist Western ruthlessly takes apart the myths of the West. Released in the late '60s discord over Vietnam, in the wake of the controversial Bonnie and Clyde (1967) and the brutal "spaghetti westerns" of Sergio Leone, The Wild Bunch polarized critics and audiences over its ferocious bloodshed. One side hailed it as a classic appropriately pitched to the violence and nihilism of the times, while the other reviled it as depraved. After a failed payroll robbery, the outlaw Bunch, led by aging Pike Bishop (William Holden) and including Dutch (Ernest Borgnine), Angel (Jaime Sanchez), and Lyle and Tector Gorch (Warren Oates and Ben Johnson), heads for Mexico pursued by the gang of Pike's friend-turned-nemesis Deke Thornton (Robert Ryan). Ultimately caught between the corruption of railroad fat cat Harrigan (Albert Dekker) and federale general Mapache (Emilio Fernandez), and without a frontier for escape, the Bunch opts for a final Pyrrhic victory, striding purposefully to confront Mapache and avenge their friend Angel. ~ Lucia Bozzola, Rovi
- Starring:
- William Holden, Ernest Borgnine, (more)
- 1968
Le Rapace(Lino Ventura) is a suave soldier of fortune with a mysterious, unknown past. A group of South American revolutionaries hire him to kill a tyrannical leader. When he is caught in the middle of rival factions, he foregoes his financial reward and saves the mistress of the supposedly doomed tyrant. He finds his employers are just as vicious as the man he is sent to kill, and he turns his gun on the ones who planned the assassination, saving the life of Migel (Xavier Marc), who remains the logical choice to take over the country in the wake of massive political upheaval. ~ Dan Pavlides, Rovi
- Starring:
- Lino Ventura, Xavier Marc, (more)
The Mexican drama El Hijo de Gabino Barrera concerns Aguilar, the son of the infamous Barrera, who sets off on a quest to get revenge against those responsible for his father's death. ~ Perry Seibert, Rovi
Sam Peckinpah's 1965 feature Major Dundee was recut and rescored for re-release theatrically in 2005, 40 years after its original release. The "Extended Version," as it is known officially, tells essentially the same story as the original but with clearer motivations for the characters (which often seemed vague or obscure in the 1965 edition) and much greater effectiveness. Major Amos Charles Dundee (Charlton Heston) is a West Point graduate who somehow -- it's not clear -- exceeded his orders while serving in the Battle of Gettysburg and, as punishment, has been taken out of combat and put in charge of a Union prison in New Mexico. He then gets word that marauding Apaches under Sierra Charriba (Michael Pate) have raided an American settlement, slaughtering the troops who were pursuing them and kidnapping three young boys, whom they've taken to their lair south of the Rio Grande (and if this sounds a lot like the plot of John Ford's Rio Grande, it's because they used the same story as inspiration). Dundee assumes responsibility for capturing or destroying the raiders and rescuing the captives, but because he has far too few men, he's forced to recruit prisoners, including his one-time friend, Confederate Captain Benjamin Tyreen (Richard Harris), and other "gentlemen of the South," to fill out his ranks. Tyreen and his men despise Dundee, but agree to serve on this mission in exchange for the chance for possible pardon of commutation of sentence (Tyreen and some of his men are facing the rope, for killing a guard in an escape attempt).
The mission takes them deep into Mexico, where they free the children but now find themselves being stalked by the very Apaches that they were hunting, as well as having to fight off the French troops stationed there. And as they quickly see, the French troops, though white and supposedly "civilized" like themselves, treat the native Mexicans in ways that make the Apaches look almost saintly. In the end, this ragtag group of soldiers, malcontents, deserters, traitors, and criminals finds a larger cause in their quest -- bigger even than their own survival -- as they discover something uniquely fine and honorable in being an American, and in American ideals. It takes the sacrifice and deaths of many to get to that point, but the movie -- in this version -- gets us there convincingly, if in decidedly grim and bittersweet fashion. Though based on fiction and shot under incredibly (indeed, legendarily) chaotic conditions, the movie ultimately proves to be a rousingly disturbing examination of what it means to be an American, and the meaning of American ideals. ~ Bruce Eder, Rovi
The mission takes them deep into Mexico, where they free the children but now find themselves being stalked by the very Apaches that they were hunting, as well as having to fight off the French troops stationed there. And as they quickly see, the French troops, though white and supposedly "civilized" like themselves, treat the native Mexicans in ways that make the Apaches look almost saintly. In the end, this ragtag group of soldiers, malcontents, deserters, traitors, and criminals finds a larger cause in their quest -- bigger even than their own survival -- as they discover something uniquely fine and honorable in being an American, and in American ideals. It takes the sacrifice and deaths of many to get to that point, but the movie -- in this version -- gets us there convincingly, if in decidedly grim and bittersweet fashion. Though based on fiction and shot under incredibly (indeed, legendarily) chaotic conditions, the movie ultimately proves to be a rousingly disturbing examination of what it means to be an American, and the meaning of American ideals. ~ Bruce Eder, Rovi
- Starring:
- Charlton Heston, Richard Harris, (more)
- 1964
Raul (Igancio Lopez Tarso) is a white man who enjoys the simple way of life practiced by the Indians of Mexico. He does his best to try and help the tribe, but he becomes a victim of greedy land grabbers who covet the tribal property. Jaime Fernandez and Aurora Clavel play the Indians. The feature, written and directed by Luis Alcoriza, appeared at the 1965 Cannes Film Festival. ~ Dan Pavlides, Rovi
- Starring:
- Ignacio Tarso, Jaime Fernandez, (more)
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