Wanda Christine Movies

In this family drama, a white Southerner discovers that his family history isn't what he thought it was -- with the fact that he's half-black only one of his many surprises. Earl Pilcher, Jr. (Robert Duvall) runs a gas station in Arkansas; he's a typical middle-aged Southern man who likes his pickup truck and loves his momma. Shortly after his mother's death, he receives some very unexpected news; she wasn't really his mother after all. It seems that years ago, Earl Sr. (James N. Harrell) raped the family's African-American maid, Willie Mae, who nine months later died while giving birth to Earl Jr. To avoid further scandal, Mrs. Pilcher simply raised Earl Jr. as her own. While the family has kept the matter a secret all these years, Earl Jr. has a half-brother living in Chicago, and it was his mother's wish that the two should some day meet and become friends. Earl travels to Chicago and tracks down Ray Murdock (James Earl Jones), a veteran police officer and Willie Mae's other son. Earl Jr. quickly learns that Ray has little interest in getting to know him better; he knows all the facts behind the matter, and he's always blamed Earl for the death of his mother. However, Earl Jr. isn't used to life in a big city up north, and after he's mugged and carjacked, Ray grudgingly takes in his half-brother, letting him stay in the home he shares with his son Virgil (Michael Beach) and Aunt T. (Irma P. Hall), who raised Ray as a boy. A Family Thing was written by Billy Bob Thornton shortly before his breakthrough as writer, director, and star of Sling Blade. ~ Mark Deming, Rovi

In this comedy, stockbroker Jon Aldrich (Tom Selleck) is the man who has it all, until his ill, aging parents (Don Ameche and Anne Jackson) move in with him. As his perfect life begins to disintegrate bit by bit, Jon becomes more and more depressed and disillusioned. Finally, broke and friendless, Jon begins to listen to his addled parents' insistence that he do away with them and use their insurance money to start again. ~ Iotis Erlewine, Rovi

Based on a true events, this is the story of Charles Stuart, who claimed that a robber had shot him and killed his pregnant wife. Needless to say, the investigation started turning up some pieces that just didn't fit into this puzzle. ~ Tana Hobart, Rovi

In this drama, based on Shirley Lauro's play, a burned-out college speech professor finds himself inspired by an eager, sincere student who desires to leave his ghetto past. ~ Sandra Brennan, Rovi

Oscar-nominated in 1961 for his performance as pool hustler Fast Eddie Felson in The Hustler, Paul Newman won that award a quarter century later when he reprised the role in The Color of Money. At the end of The Hustler, Felson was banned for life from playing the game professionally. In the intervening years, he has become what the despicable George C. Scott was in the 1961 film: a front man for younger hustlers, claiming the lion's share of the winnings. His latest "client" is arrogant young Tom Cruise, who is goaded into accepting Felson's patronage by his avaricious girl friend Mary Elizabeth Mastrantonio. Cruise learns not only the refinements of the game, but also the dirty trickery that will help him lure in the suckers. As Cruise becomes successful on these terms, Felson seethes with jealousy, hitting the bottle and carelessly allowing himself to fall victim to another hustler. He tells Cruise to get lost, and vows to make an honest comeback. It is inevitable from this point onward that the younger and the older player will square off in a game for the biggest stakes of all: Fast Eddie Felson's self-respect. Both the original Hustler and The Color of Money were based on novels by Walter Tevis. ~ Hal Erickson, Rovi