Virginia Christine Movies

Renee Taylor and Joseph Bologna cowrote as well as starred in this 1976 TV remake of the 1941 Tracy-Hepburn vehicle Woman of the Year. Except for a handful of updated details, the storyline is substantially the same in both versions: A down-to-earth male sportswriter (Bologna, in the Spencer Tracy part) marries a high-profile female international news commentator (Taylor, in the Katharine Hepburn part). In fine "golden age" tradition, the stars are complemented with an excellent supporting cast, including Richard Bakalyan as a punch-drunk bartender, Leon Belasco as a refugee Russian musician and John Fiedler as a justice of the peace. Only Anthony Holland's swishy male secretary strikes a discordant note. The remake's "reconciliation" finale wisely avoids the ponderous, sexist slapstick setpiece at the end of the original film, wherein Katharine Hepburn nearly destroys her kitchen by cooking her first breakfast. A surefire audience pleaser, Woman of the Year was curiously premiered in July of 1976, a time when most potential viewers were out of the house. ~ Hal Erickson, Rovi

Chad Everett guest stars as Daniel Sayres, a singularly despicable con artist. Decked out with a phony USAF uniform and a "borrowed" identity from the Vietnam casualty list, Sayres specializes in tricking gullible women into marrying him, whereupon he steals all their money. The FBI is alerted to Sayres' racket when one of his victims turns up murdered. Inspector Erskine (Efrem Zimbalist Jr.) must act quickly before Sayres' latest bride, Margaret Caine (Kathleen Widdowes), meets the same grisly fate as her predecessor. ~ Hal Erickson, Rovi

Erkine (Efrem Zimbalist Jr.) and Rhodes (Stephen Elliott) give chase when Hanna Crandall, a key government witness against a Red spy ring, escapes FBI surveillance and boards a train bound for Canada. A pair of Communist assassins are also trailing Hanna, and are on the verge of silencing her for keeps when they are interrupted by Richard Lenk (James Callahan), a fellow passenger who takes a liking to Hanna, unaware that she is in dire peril--at least at first. Virginia Christine, best known to TV addicts as "Mrs. Olsen" in a series of popular coffee commercials, delivers a surprising characterization in this episode. ~ Hal Erickson, Rovi

The title of this episode refers to the Virginia town which serves as the home of the FBI Training Academy. One of Quantico's most promising trainees is Charlie Hunter (Michael Callan), who'd grown up in a slum neighborhood with his mentally unbalanced cousin Willard Smith (Robert Walker Jr.). Upon learning that Willard is planning to blow up the Supreme Court Building with a homemade bomb, Charlie is faced with a dilemma that could cost him his career--to say nothing of his life. ~ Hal Erickson, Rovi

Don Siegel directed this intensely pessimistic re-make of Robert Siodmak's 1946 film noir masterpiece The Killers, based upon a story by Ernest Hemingway. As the story opens two professional looking men in business suits -- Charlie (Lee Marvin) and Lee (Clu Gulager) -- push their way into a school for the blind and terrorize a secretary until she reveals the whereabouts of Johnny North (John Cassavetes). When Charlie and Lee trace Johnny to an automobile repair class, Johnny just stands there as the two men gun him down. Afterwards, Charlie wonders why Johnny just stood there, accepting his death. He also starts to wonder about his hefty paycheck for the murder and rumors that Johnny was involved in a million-dollar heist. He decides to pay Johnny's old friend Earl Sylvester (Claude Akins) a visit at his auto shop in Florida. Earl recalls the summer day long ago when former race car driver Johnny caught the eye of the rich and beautiful Sheila Farr (Angie Dickinson). Johnny has been preparing for a race, but Sheila's attentions sidetrack him. The day of the big race, Earl notices that Sheila is visited by a group of rich gangsters, headed by Browning (Ronald Reagan, in a very surprising performance). During the race, Johnny is involved in a terrible crash, effectively ending his racing career. However, it seems Browning is arranging a mail heist and hires Johnny to drive the getaway car. ~ Paul Brenner, Rovi

Now calling himself "Bill Martin", Kimble (David Janssen) arrives in a town where several women have fallen victim to a serial killer. A local vigilante committee, by nature suspicious of all outsiders, immediately assumes that Kimble is responsible for the killing spree. Joanne Mercer (June Harding), a mentally challenged girl shunned by the community, takes pity and Kimble and allows him to hide in her cellar--little imagining that the real murderer is likewise hiding only a few feet away. ~ Hal Erickson, Rovi

Based on the novel by Irving Wallace, The Prize takes place in Stockholm, where several laureates gather to accept their Nobel Prizes. At first, the film concentrates on iconoclastic novelist Paul Newman, but he is temporarily shunted to the background when physics expert Edward G. Robinson is kidnaped and replaced by his wicked twin brother. The real Robinson is to be spirited behind the Iron Curtain, while the "fake" Robinson is to disrupt the awards ceremony with an anti-American tirade. Newman gets wind of the plot, and with the help of Swedish foreign office functionary Elke Sommer, he endeavors to rescue the real Robinson and expose the phony-who has yet another trick up his sleeve before the film is over. We'll go along with the fantastic plot convolutions of The Prize, provided we don't have to swallow the premise of another man's voice emanating from that familiar Eddie Robinson mug. ~ Hal Erickson, Rovi

Federal agent Elliot Ness (Robert Stack) and gangster boss Vince Majeski (Claude Akins) are both very interested when fugitive hoodlum Johnny Meizo (Rip Torn) returns from Brazil. It seems that just before leaving the States, Meizo had stolen $200,000 of Majeski's money. On the lam from both the Feds and the Mob, Meizo hides out with his sister-in-law Doris (Virginia Christine) and her nephew Arnie (Tim Considine, taking time off from his regular TV duties on My Three Sons). Upon realizing that Arnie is becoming as cold-blooded as he is, Vince suddenly has an epiphany and tries to save the boy from a life of crime. A young Joyce Van Patten appears briefly as an ill-fated nightclub dancer. ~ Hal Erickson, Rovi

In 4 for Texas, Frank Sinatra and Dean Martin star as Zack Thomas and Joe Jarrett, a pair of rival mountebanks who spend most of the film battling over who will control the gambling and wenching in 1870 Galveston. Though they'd as soon cut each other's throats than cooperate, Zack and Joe are forced to unite against a pair of common enemies: crooked banker Harvey Burden (played by Victor Buono, a favorite of director Robert Aldrich) and cold-blooded outlaw/hired-gun Matson (Charles Bronson, virtually the only person in the film who takes his role seriously). The heroes also battle over the affections of well-endowed heroines Elya Carlson (Anita Ekberg) and Maxine Richter (Ursula Andress), both of whom are sharp-witted businesswomen who match Zack and Joe scam for scam. The Three Stooges show up for a moment, in which they repeat their "point to the right" and "State of Texas" routines, and get into a fracas with feisty little old lady Jesslyn Fax. Also making guest appearances are Arthur Godfrey and Teddy Buckner and His All Stars. ~ Hal Erickson, Rovi

From at least the 1930s on to the 1970s, the upbeat protestant minister, Reverend Norman Vincent Peale, ministered to the well-heeled and upwardly mobile of the United States from his pulpit at the Riverside church on Fifth Avenue in New York City. At least as positive-thinking as the similarly cheery Dale Carnegie (How To Win Friends and Influence People), his lift-yourself-by-your-bootstraps message of good cheer was perceived as unorthodox by many within the churches he grew up in. After many decades of preaching his message, summed up in his best-selling book The Power of Positive Thinking, he was enshrined as a sort of secular saint. His influence reached to Presidents and corporate heads, and his name became synonymous with a kind of extraverted wholesomeness which has long since vanished. This biopic traces his career in the most respectful possible manner. ~ Clarke Fountain, Rovi

Rod Serling penned the story on which this crime melodrama was based. The trouble begins when as a policeman rushes toward the scene of a robbery. En route he hears a woman scream in a dark alley and gets there just in time to see someone tearing away. The cop calls out, but the runner does not stop. The cop opens fire and fatally shoots a young teenage boy. Apparently the youth had only accidentally bumped the lady and knocked her down. Though the cop is eventually acquitted, his reputation amongst his peers is destroyed. This leads the disgraced officer to launch his own investigation in hopes of clearing his sullied name. ~ Sandra Brennan, Rovi

After the end of World War II, the world gradually became aware of the full extent of the war crimes perpetrated by the Third Reich. In 1948, a series of trials were held in Nuremberg, Germany, by an international tribunal, headed by American legal and military officials, with the intent of bringing to justice those guilty of crimes against humanity. However, by that time most of the major figures of the Nazi regime were either dead or long missing, and in the resulting legal proceedings American judges often found themselves confronting the question of how much responsibility someone held who had "just followed orders." Judgment at Nuremberg is a dramatized version of the proceedings at one of these trials, in which Judge Dan Haywood (Spencer Tracy) is overseeing the trials of four German judges -- most notably Dr. Ernst Janning (Burt Lancaster) and Emil Hahn (Werner Klemperer) -- accused of knowingly sentencing innocent men to death in collusion with the Nazis. Representing the defense is attorney Hans Rolfe (Maximilian Schell), while prosecuting the accused is U.S. Col. Tad Lawson (Richard Widmark). As the trial goes on, both the visiting Americans and their reluctant German hosts often find themselves facing the legacy of the war, and how both of their nations have been irrevocably changed by it. Judgment at Nuremberg also features notable supporting performances by Marlene Dietrich, Judy Garland, and Montgomery Clift. Originally written and produced as a play for television, the screen version of Judgment at Nuremberg was nominated for 11 Academy Awards, with Maximilian Schell and Abby Mann taking home Oscars for (respectively) Best Actor and Best Adapted Screenplay. ~ Mark Deming, Rovi