Julie Christie Movies
One of the most luminous actresses to grace the British screen, as well as those of the rest of the world, Julie Christie is known for both her onscreen magnetism, which has not faded as she has grown older, and her offscreen reclusiveness. The daughter of an India-based British tea planter, she was born in Chukua, Assam, India, on April 14, 1941, and grew up on her father's tea plantation. Educated in England and on the Continent, she planned to become an artist or a linguist before she altered her life's goals by enrolling in the Central School of Speech Training in London. In 1957, she first stepped on-stage as a paid professional with the Frinton Repertory of Essex.Celebrated less for her stage work than for her continuing role in a popular British TV serial, A for Andromeda, Christie made her film debut in a small role in Crooks Anonymous (1963). After a rather charming ingénue stint in The Fast Lady (1963) (the lady was a car, not the ingénue), she received her first prestige part in Billy Liar (1963), gaining critical acclaim for this and her subsequent supporting part in Young Cassidy (1965). Thus, Christie was not the "newcomer" that some perceived her to be when she shook film audiences to their foundations in Darling (1965), a poignant time capsule about a stylishly amoral sexual butterfly. Christie won numerous awards for Darling, not the least of which were the British Film Academy award and the American Oscar.
Her star further ascended into box-office heaven when she was cast in the big-budget Doctor Zhivago (1965), in which she gave a radiant performance as the tragic Lara. She followed this with a dual role in Truffaut's Fahrenheit 451 (1967) and a starring turn in John Schlesinger's acclaimed 1967 adaptation of Thomas Hardy's Far From the Madding Crowd. Roles of wildly varying quality followed, until in 1971 Christie began a professional and romantic liaison with Warren Beatty. The romance was over within a few years, but Beatty and Christie ultimately worked together on three major films of the 1970s: McCabe and Mrs. Miller (1971), Shampoo (1975), and Heaven Can Wait (1978).
Few of Christie's films of the 1970s and 1980s seemed worthy of her talents -- The Go-Between (1971) and her cameo in Nashville (1975) being exceptions -- though, in fact, she was less interested in pursuing a career than in campaigning for various social and political causes. Christie's performance in the British TV movie The Railway Station Man (1992) was a choice example of her devotion to social issues -- in this case, the ongoing ideological (and shooting) war in Ireland. Indeed, Christie had become such an enigma that it was a surprise to many audiences when she turned up as Gertrude in Kenneth Branagh's 1996 adaptation of Hamlet. She won acclaim for the role, embellished the following year with her portrayal of Nick Nolte's estranged wife in Afterglow. Nominated for her third Best Actress Oscar for her performance, Christie convinced many that, although she had chosen to neglect the limelight for awhile, she hadn't chosen to neglect her talent.
Christie's fifth decade as a performer found her continuing to work with a variety of collaborators, earning a Screen Actors Guild nomination as part of the ensemble of Finding Neverland. She worked with the young Canadian actress Sarah Polley on The Secret Life of Words, a role that led directly to CHristie being cast in Polley's directorial debut - the alzheimer's drama Away From Her. Christie's work in that film earned her some of the strongest reviews of her lengthy career and garnered her numerous year end accolades including Best Actress awards from the Golden Globes, the New York Film Critics, and the Screen Actors Guild, as well as a nomination from the Academy in that same category. ~ Hal Erickson, All Movie Guide
- 1963
The star of this slapstick comedy is not a person but an antique Bentley sports car, the source of several misadventures. Murdoch Troon (Stanley Baxter) is a simple civil servant who has his heart set on romancing Claire (Julie Christie in an early role), the daughter of wealthy businessman Charles Chingford (James Robertson Justice). As a part of his scheme to appear irresistible, Murdoch takes driving lessons so he will be able to impress Claire in the Bentley. Both the lessons and his driving test produce moments of hilarity, and as might be expected, there cannot be a movie featuring a car without a wacky, wild chase. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- James Robertson Justice, Stanley Baxter, (more)
Billy Fisher (Tom Courtenay) is known to his blue-collar British mates as Billy Liar because of his vivid imagination. This film version of the Keith Waterhouse-Willis Hall stage play "visualizes" some of Billy's more outrageous fabrications. He periodically escapes the drudgery of his job at a funeral parlor by conjuring up impossible adventures, usually involving the conquest of women. In one of her first film roles, Julie Christie plays one of two "real" girls who wish that Billy would come down to earth and pop the question. Following this film adaptation, Billy Liar was transformed into a stage musical, and later resurfaced as a British TV series. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Courtenay, Julie Christie, (more)
This comedy features a 12-step Program for habitual hoods. The recovering criminal takes a job as a department store Santa, and again finds himself confronted with temptation. ~ Sandra Brennan, All Movie Guide
Julie Christie won an Oscar for her portrayal of a bored, amoral fashion model in this cynical melodrama from director John Schlesinger. Following the break-up of a teenage marriage, Diana Scott (Christie) drifts into the world of modeling and acting, where she meets a television news reporter, Robert Gold (Dirk Bogarde), who leaves his family for her and introduces her to a more powerful and wealthy set. Soon Diana meets somebody more attractive: public relations mogul Miles Brand (Laurence Harvey). After briefly leaving and then drifting back into Robert's life, experiencing an orgy and even getting an abortion, Diana eventually leaves the swinging London scene behind and settles down to an unfulfilling if comfortable life as the wife of millionaire Italian widower Cesare (Jose-Luis deVillalonga). Shocking in its day, Darling (1965) won Oscars for its costumes and script from Frederic Raphael. ~ Karl Williams, All Movie Guide
- Starring:
- Julie Christie, Dirk Bogarde, (more)
- 1965
Young Cassidy is based upon the autobiographical writings of firebrand Irish author Sean O'Casey. Rod Taylor is Cassidy, a boisterous boy who digs ditches to support his mother (Flora Robson) and sister (Sian Phillips). In his spare time, Cassidy is active with the Irish revolutionary movement against the occupying British. He still finds time enough for romance, notably with trashy chorine Julie Christie (in her first major role) and timid librarian Maggie Smith. Cassidy's latent writing talents are encouraged by such Irish literary giants as W.B. Yeats (Michael Redgrave) and Lady Gregory (Edith Evans), and in typically expeditious Hollywood fashion Our Hero almost instantly becomes a Man of Letters. John Ford began the direction of Young Cassidy, but fell ill and had to relinquish his responsibilities to Jack Cardiff; even the most diehard auteurist will have trouble discerning the personal "signature" of either director. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Taylor, Julie Christie, (more)
Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music. ~ Hal Erickson, All Movie Guide
- Starring:
- Omar Sharif, Julie Christie, (more)
In the future, an oppressive government maintains control of public opinion by outlawing literature and maintaining a group of enforcers known as "firemen" to perform the necessary book burnings. This is the premise of Ray Bradbury's acclaimed science-fiction novel Fahrenheit 451, which became the source material for French director François Truffaut's English-language debut. While some liberties are taken with the description of the world, the narrative remains the same, as fireman Montag (Oskar Werner) begins to question the morality of his vocation. Curious about the world of books, he soon falls in love with a beautiful young member of a pro-literature underground -- and with literature itself. Critics were divided on the effectiveness of the result; some praised the unique design and eerie color cinematography by Nicolas Roeg, while others found the film's stylized approach overly distancing and attacked the central performances as unnatural. In any case, however, the film inarguably succeeds in making Truffaut's reverence for the written word abundantly clear, especially during the film's justifiably famous finale. ~ Judd Blaise, All Movie Guide
- Starring:
- Oskar Werner, Julie Christie, (more)
This 1967 version of Thomas Hardy's novel should have done better at the box office than it did, given the star power of Julie Christie and the visual and aural fidelity to its source material. Julie Christie plays Bathsheba Everdene, a country heiress who is loved by three different men: Terence Stamp, Peter Finch and Alan Bates. Convinced that she is the intellectual superior of all three, Bathesheba loses many early opportunities for lasting happiness. Finally shedding herself of her haughty attitude, Bathsheba unconditionally accepts the love of Bates. The euphoric exuberance of Nicolas Roeg's photography is matched by the direction of John Schlesinger and the screenplay by Frederick Raphael. Only the nittiest of nitpickers would complain that some of the medium shots don't match the closeups (watch Terence Stamp's clown makeup in one scene). ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Christie, Terence Stamp, (more)
- 1967
Peter Whitehead's 1967 documentary of London scene in the swinging-60's is a visual treat for Mod enthusiasts everywhere. Featuring a who's-who of the scene, Tonight Let's All Make Love In London is a visual patchwork of 60's culture, seen through the eyes of the people leading it. Mick Jagger, Michael Caine, Vanessa Redgrave, Allen Ginsberg, and Julie Christie are all here, alongside counter-culture artists and other musicians who helped shape their generation and future ones to come. Most of the musical content comes in the form of extremely rare concert footage and inside studio recording sessions, while other segments include candid interviews, strange political demonstration footage, and even a segment on the radical art of body painting! Yes, politics and sex are on the palette here as the psychedelic soundtrack from a very young Pink Floyd, swirls and pushes the film on towards the climax of it's brisk 70 minute running time. Languishing in distribution limbo for too long, Tonight Let's All Make Love In London is a fitting testimonial to the changing times in the mid-60's and one that should be able to live on in the years to come for the young and old to look back on and enjoy. ~ Jeremy Wheeler, All Movie Guide
Petulia is Richard Lester's ode to the Swinging Sixties: a time of psychedelic instability when neither those who were square, nor those who were hip, really had it right. George C. Scott is Archie Bollen, a divorced San Francisco doctor in the midst of "discovering himself." Julie Christie is Petulia Danner, a peculiar young beauty recently married into an established family. Archie's sterile apartment and detached, bemused manner exemplify his inability to emote. Petulia's forward nature and desperate tenderness betray her fear of her sullen, abusive, pretty-boy husband (Richard Chamberlain). The physician and the newlywed embark on a schizophrenic love affair amid Pepsi references, automated motels, roller derbies, and a cameo by Big Brother and the Holding Company -- but they never achieve the daring to truly change their lives. ~ Aubry Anne D'Arminio, All Movie Guide
- Starring:
- Julie Christie, George C. Scott, (more)
- 1970
- PG
In this psychological drama, Catherine (Julie Christie) is an attractive young woman living in Rome who is infatuated with a man named Gregory, whom she's never actually met. When her father informs her that he intends to remarry, Catherine is not interested in attending the wedding until she learns that Gregory will also be a guest. She flies to Geneva for the ceremony and imagines Gregory to be an athlete in an advertising poster she sees at the airport; she's lost in fantasies about him, even as her brother Daniel (John Hurt), with whom she once had an incestuous relationship, attempts to seduce her. While she misses meeting Gregory, she does run into the sports star from the poster (Michael Sarrazin); they soon repair to a hotel where they make love. However, Catherine discovers that his chiseled looks don't match his drab personality, and she soon leaves him behind. Before returning to Rome, Catherine makes a last attempt at finding Gregory, whom she's been told is also looking for her. ~ Mark Deming, All Movie Guide
- Starring:
- Julie Christie, Michael Sarrazin, (more)
- 1971
The third collaboration between director Joseph Losey and writer Harold Pinter, following The Servant and Accident, continues their exploration of class rituals and the darker recesses of desire. Pinter's script adapts the 1953 L.P. Hartley novel about Leo Colston, a middle-aged man (Michael Redgrave), recalling a summer of his early adolescence at a country estate. Young Leo (Dominic Guard) observes the machinations of the adults in the household, all but two of whom conveniently ignore his presence. Marion Maudsley (Julie Christie) is promised in marriage to another aristocrat, but she is secretly in love with farm worker Ted Burgess (Alan Bates). They enlist Leo as their messenger, with tragic consequences for all concerned. The older Leo has never married, and as the story winds on, it becomes clear that his own infatuation with Marion irrevocably altered his life. The Go-Between won several British Academy Awards, including one for Pinter's screenplay, and was one of four films awarded a grand prize at the 1971 Cannes Film Festival. ~ Tom Wiener, All Movie Guide
- Starring:
- Julie Christie, Alan Bates, (more)
Memorably described by Pauline Kael as "a beautiful pipe dream of a movie," Robert Altman's McCabe & Mrs. Miller reimagines the American West as a muddy frontier filled with hustlers, opportunists, and corporate sharks -- a turn-of-the-century model for a 1971 America mired in violence and lies. John McCabe (Warren Beatty) wanders into the turn-of-the-century wilderness village known as Presbyterian Church, with vague plans of parlaying his gambling winnings into establishing a fancy casino-brothel-bathhouse. McCabe's business partner is prostitute Mrs. Miller (Julie Christie), who despite her apparent distaste for McCabe helps him achieve his goal. Once McCabe and Mrs. Miller become successful, the town grows and prospers, incurring the jealousy of a local mining company that wants to buy McCabe out. Filmed on location in Canada, McCabe & Mrs. Miller makes use of such Altman "stock company" performers as Shelley Duvall, René Auberjonois, John Schuck, and Keith Carradine. The seemingly improvised screenplay was based on a novel by Edmund Naughton and the movie features a soundtrack of songs by Leonard Cohen. McCabe & Mrs. Miller joined such other Altman efforts as M*A*S*H, The Long Goodbye, and Thieves Like Us in radically revising familiar movie genres for the disillusioned Vietnam era. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren Beatty, Julie Christie, (more)
A married couple is haunted by a series of mysterious occurrences after the death of their young daughter in this enigmatic chiller. Based on a story by Daphne du Maurier, whose works inspired Alfred Hitchcock's Rebecca and The Birds, the film centers on Laura and John Baxter (Donald Sutherland and Julie Christie), who have recently relocated to Venice so that John can oversee the architectural restoration of an old church. Both hope that the change of environment will allow them to forget the recent tragic demise of their child, but they instead find themselves surrounded by reminders of death, as the city attempts to deal with a series of unexplained murders. The eeriness intensifies when they encounter a blind psychic and her eccentric sister, who promise to contact her daughter's spirit. Laura embraces the idea, but John remains skeptical until he experiences his own visions: fleeting glimpses of someone in a red coat similar to one that belonged to his daughter. ~ Judd Blaise, All Movie Guide
- Starring:
- Julie Christie, Donald Sutherland, (more)
A frankly adult comedy about the sex lives of the aimless and the rich, Shampoo is also a pointed commentary on the demise of 1960s idealism at the dawn of the Nixon era. It is Election Day, 1968, and randy Beverly Hills hairdresser George Roundy (Warren Beatty) is too worried about attending to all of his women's tonsorial and sexual needs, while trying to swing a bank loan to fund his own salon, to notice the fateful Presidential race. As George juggles the demands of girlfriend Jill (Goldie Hawn) and mistress Felicia (Lee Grant), not to mention Felicia's daughter (Carrie Fisher), he meets Felicia's husband Lester (Jack Warden) to get money for the salon and discovers that his beloved ex-girlfriend Jackie (Julie Christie) is now Lester's mistress. Lester asks George to escort Jackie to a banquet for Nixon supporters, leading to a series of climactic confrontations at the dinner and a Hollywood orgy that expose the conflicting demands of sex, love, and security among these terminally narcissistic L.A. denizens. As Nixon's victory speech drones in the background the following day and Paul Simon's mournful '60s music plays on the soundtrack, George's free-wheeling world collapses around him for reasons that he can barely begin to comprehend. Produced and co-written (with Chinatown scribe Robert Towne) by its star Warren Beatty, Shampoo became Beatty's second critical and popular success as a producer after Bonnie and Clyde, and it bolstered Hal Ashby's track record as director. Shampoo earned Grant an Oscar for Best Supporting Actress, as well as a Supporting Actor nomination for Warden and Beatty's first nomination as writer. With Nixon's 1974 Watergate disgrace adding an extra edge to the humor for 1975 audiences, this tragic bedroom farce became one of the highest-grossing films in Columbia Pictures' history at the time. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Warren Beatty, Julie Christie, (more)
Following 24 characters through 5 days in the country music capital, Robert Altman's 1975 epic presents a complexly textured portrayal (and critique) of American obsessions with celebrity and power. Among the various stars, aspirants, hangers-on, observers, and media folk are politically ambitious country icon Haven Hamilton (Henry Gibson) and his fragile star protegée Barbara Jean (Ronee Blakley); Tom (Keith Carradine), a self-absorbed rock star who woos lonely married gospel singer Linnea Reese (Lily Tomlin); Sueleen Gay (Gwen Welles), a talentless waitress painfully humiliated at her first singing gig; Albuquerque (Barbara Harris), a runaway wife with dreams of stardom; nightclub owner Lady Pearl (Barbara Baxley), who reminisces about "those Kennedy boys"; single-minded groupie L.A. Joan (Shelley Duvall); vapid BBC commentator Opal (Geraldine Chaplin); and campaign guru John Triplette (Michael Murphy), who is trying to organize a concert rally for the unseen but always heard populist presidential candidate-cum-demagogue Hal Phillip Walker. Everything comes to a head during a climactic concert at Nashville's replica of the Parthenon temple, as the entertainment-hungry audience is momentarily woken out of its stupor by unexpected violence, only to be lulled into a restorative sing-along to "It Don't Worry Me." ~ Lucia Bozzola, All Movie Guide
- Starring:
- Henry Gibson, Barbara Baxley, (more)
Adapted from a lesser-known novel from SF/Horror author Dean R. Koontz, this claustrophobic thriller presents a computerized nemesis incorporating the murderous elements of 2001's HAL with the world-domination goal of the title villain in Colossus: The Forbin Project. Brilliant cybernetics expert Dr. Alex Harris (Fritz Weaver) develops a revolutionary new supercomputer dubbed Proteus IV (voice of Robert Vaughn, uncredited) which is capable of almost human self-awareness and capacity for intellectual growth. Unfortunately for Alex and his wife Susan (Julie Christie), Proteus is also imbued with a very human desire to grow beyond the limitations of his own knowledge -- as well as to escape the isolation of the laboratory -- and taps into the home terminals of the Harris' high-tech dream house, in which he makes Susan a virtual prisoner. As she is put through a tortuous series of physical and mental tests, the Proteus mainframe takes severe steps to prevent any interference -- even resorting to the murder of Harris' assistant (Gerrit Graham). Susan's confusion eventually turns to dread when she begins to realize Proteus' true intentions... to evolve beyond mere circuitry and assume a human form by impregnating her with his "seed." Despite the lurid premise, this is probably the most conventional effort from controversial director Donald Cammell (Performance, Wild Side), and the film's theme of the computer's ominously pervasive role in human affairs -- in this case forcing its way into our bodies as well as our lives -- seems oddly prescient today. Christie's convincing performance makes the most of a role which has her shouting at the walls and ceiling for two-thirds of the movie. ~ Cavett Binion, All Movie Guide
- Starring:
- Julie Christie, Fritz Weaver, (more)
Opting for light entertainment after the critical satire of Shampoo (1975), producer-director-writer-star Warren Beatty remade the 1941 comic fantasy Here Comes Mr. Jordan. Dimly amiable L.A. Rams quarterback Joe Pendleton (Beatty) is prematurely called to Heaven by an over-eager escort (Buck Henry, who co-directed) after a traffic accident. When archangel Mr. Jordan (James Mason) discovers the error, he offers to return Joe to his body, only to find that it has been cremated. On the verge of playing in the Super Bowl, Joe demands a fit body rather than the old about-to-be-murdered industrialist Farnsworth he has been offered, but he reconsiders when he sees environmentalist Betty Logan (Julie Christie) in Farnsworth's house. Assuming Farnsworth's body while keeping his sweet self, Joe hires his beloved coach Max Corkle (Jack Warden) to get him in shape (after convincing Max who he really is), sets Farnsworth's business on an eco-friendly path, and romances Betty. Farnsworth's homicidal wife (Dyan Cannon) and secretary (Charles Grodin), however, are still determined to succeed in their plan to kill him. When Mr. Jordan finally finds the Super Bowl body Joe wanted, Joe has to trade his old self for the new life -- but will he remember his love for Betty? Heaven Can Wait offered contemporary yet old-fashioned escapism and tapped into the late-1970s vogue for nostalgic fun, becoming one of 1978's most popular summer movies after Grease. Updating the original while following its blueprint, Beatty and co-writer Elaine May switched Joe's sport and turned Joe into a man of his '70s moment, adoring Betty for her convictions and favoring "green" policies over corporate greed. Gently breathing life into a classic form, Heaven Can Wait found romantic innocence in a jaded time, and it went on to receive nine Oscar nominations, including Best Picture. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Warren Beatty, Julie Christie, (more)
Based on the acclaimed novel by Doris Lessing, this dystopian science fiction tale concerns a woman struggling to make her way in a post-apocalyptic society. D (Julie Christie) is living in a city that's at the point of collapse following a catastrophic nuclear war; lawlessness and violence rule the day, and gangs of brutal youth roam the streets. With the help of her teenage companion Emily (Leonie Mellinger), D tries to make her way, and in order to cope, she often escapes into a fantasy world in which she lives in genteel Victorian surroundings in the 19th century. Memoirs of a Survivor received the International Fantasy Film Award and the Audience Jury Award at Portugal's 1982 Fantasporto Film Festival. ~ Mark Deming, All Movie Guide
- Starring:
- Julie Christie, Christopher Guard, (more)
- 1981
Narrated by Julie Christie and banned from television, this is an unflinching look at wildlife abuse - documenting in a graphic way the cruelties imposed upon animals by man in the name of capitalism and science. The graphic violence to animals is examined through interviews, secretly-shot footage and military film clips. ~ Tana Hobart, All Movie Guide
Two women, related but separated by one generation and 60 years, have parallel experiences in the evocative mystical environment of India in this period drama from producer Ismail Merchant and director James Ivory. Although a little slow-paced for some, and slightly confusing because the stories of the two women are intercut, the scenery and script evoke a time and place that mesmerize. Based on the 1975 novel by Ruth Prawer Jhabvala, a long-time collaborator in Merchant-Ivory Productions, the story begins with Ann (Julie Christie) who discovers some letters written by her grandfather's first wife Olivia (Greta Scacchi) that open up a whole new world as Ann travels to India to continue researching her grandmother's past. The letters reveal that when she was young, the free-spirited grandmother fell in love with an Indian nobleman (Shashi Kapoor) and left her husband -- an administrator in the British colonial government -- for her lover. After Ann arrives in India, her life and the modern rush of cars and people are played off against flashbacks to Olivia's life in a colonial setting. When the environment of each woman is compared and the nature of their momentous decisions placed side-by-side, their rites of passage and the society that dominated their choices stand out in high relief. Ruth Prawer Jhabvala won "Best Adapted Screenplay" at the 1983 British Academy Awards for her script of Heat And Dust. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Julie Christie, Christopher Cazenove, (more)
- 1982
A disastrous war causes much trauma and a housewife spends much time exploring her relationships with authority, evil street gangs and a teenage boarder. ~ All Movie Guide
The returning soldier is amnesia victim Alan Bates, who remembers nothing of his life before suffering shell-shock--not even his long-term marriage to snooty Julie Christie. Spinsterish Ann-Margret, who has long harbored a fondness for Bates, hopes to take advantage of his memory loss. But both Christie and Ann-Margret are challenged by a third woman, Bates' childhood sweetheart Glenda Jackson. Poor Bates deals with all of this by not dealing with it. A fairly faithful rendition of the Rebecca West novel on which it is based, Return of the Soldier ambles along at its own languid pace to a inconclusive conclusion. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Christie, Alan Bates, (more)
- 1982
The Last Strange Voyage of Donald Crowhurst is a non-fiction book by Ron Hall and Nicholas Tomblin about a man who first cheated to win an international sailing competition and then disappeared from his sailboat in the final lap of the race -- a story that serves as the inspiration for this film. Director Christian de Chalonge and writer Andre G. Brunelin have changed the setting to France, with a Frenchman named Julien Dantec (Jacques Perrin) as the sailboat enthusiast and the international race is now a French competition. Julien is actually an electronics professional who is down on his luck when he decides to enter the race. He is led astray from his original good intentions by a low-life press agent who convinces him it would be well worth his while to win the race by illegal maneuvering. As he sets off, flashbacks tell how he came to be on the sailboat; later he has long monologues -- several of them, and in-between he occasionally battles to stay afloat on an uncooperative sea. For awhile, he sets down in Brazil when he considers abandoning the race, but seemingly compelled to finish what he started, he continues onward with his ill-fated journey. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Jacques Perrin, Julie Christie, (more)
- 1983
Lacking any particular plot line, this feminist film focuses on the adventures of Ruby (Julie Christie) who goes to the Yukon to search out her roots -- her father was a gold prospector there -- and also details the experiences of Celeste (Colette Laffont) as she tries to get her male bosses to answer her questions related to banking and money. Observations on the worse aspects of male chauvinism may turn off some viewers, while others will appreciate director Sally Potter's effort to expose bias. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Julie Christie
