Julie Christie Movies
One of the most luminous actresses to grace the British screen, as well as those of the rest of the world, Julie Christie is known for both her onscreen magnetism, which has not faded as she has grown older, and her offscreen reclusiveness. The daughter of an India-based British tea planter, she was born in Chukua, Assam, India, on April 14, 1941, and grew up on her father's tea plantation. Educated in England and on the Continent, she planned to become an artist or a linguist before she altered her life's goals by enrolling in the Central School of Speech Training in London. In 1957, she first stepped on-stage as a paid professional with the Frinton Repertory of Essex.Celebrated less for her stage work than for her continuing role in a popular British TV serial, A for Andromeda, Christie made her film debut in a small role in Crooks Anonymous (1963). After a rather charming ingénue stint in The Fast Lady (1963) (the lady was a car, not the ingénue), she received her first prestige part in Billy Liar (1963), gaining critical acclaim for this and her subsequent supporting part in Young Cassidy (1965). Thus, Christie was not the "newcomer" that some perceived her to be when she shook film audiences to their foundations in Darling (1965), a poignant time capsule about a stylishly amoral sexual butterfly. Christie won numerous awards for Darling, not the least of which were the British Film Academy award and the American Oscar.
Her star further ascended into box-office heaven when she was cast in the big-budget Doctor Zhivago (1965), in which she gave a radiant performance as the tragic Lara. She followed this with a dual role in Truffaut's Fahrenheit 451 (1967) and a starring turn in John Schlesinger's acclaimed 1967 adaptation of Thomas Hardy's Far From the Madding Crowd. Roles of wildly varying quality followed, until in 1971 Christie began a professional and romantic liaison with Warren Beatty. The romance was over within a few years, but Beatty and Christie ultimately worked together on three major films of the 1970s: McCabe and Mrs. Miller (1971), Shampoo (1975), and Heaven Can Wait (1978).
Few of Christie's films of the 1970s and 1980s seemed worthy of her talents -- The Go-Between (1971) and her cameo in Nashville (1975) being exceptions -- though, in fact, she was less interested in pursuing a career than in campaigning for various social and political causes. Christie's performance in the British TV movie The Railway Station Man (1992) was a choice example of her devotion to social issues -- in this case, the ongoing ideological (and shooting) war in Ireland. Indeed, Christie had become such an enigma that it was a surprise to many audiences when she turned up as Gertrude in Kenneth Branagh's 1996 adaptation of Hamlet. She won acclaim for the role, embellished the following year with her portrayal of Nick Nolte's estranged wife in Afterglow. Nominated for her third Best Actress Oscar for her performance, Christie convinced many that, although she had chosen to neglect the limelight for awhile, she hadn't chosen to neglect her talent.
Christie's fifth decade as a performer found her continuing to work with a variety of collaborators, earning a Screen Actors Guild nomination as part of the ensemble of Finding Neverland. She worked with the young Canadian actress Sarah Polley on The Secret Life of Words, a role that led directly to CHristie being cast in Polley's directorial debut - the alzheimer's drama Away From Her. Christie's work in that film earned her some of the strongest reviews of her lengthy career and garnered her numerous year end accolades including Best Actress awards from the Golden Globes, the New York Film Critics, and the Screen Actors Guild, as well as a nomination from the Academy in that same category. ~ Hal Erickson, All Movie Guide
Writer-director Isabel Coixet's (My Life Without Me) beautifully wrought chamber drama The Secret Life of Words opens on Hanna (Sarah Polley), a laconic, backward and introverted girl in her early '30s, quietly drowning in her own isolation. Partially deaf from working an untold number of hours in a loud factory, Hanna must wear a hearing aid. When her supervisors -- deeply concerned about the four years that have lapsed in Hanna's life without a break -- force her to go on holiday for a month, she hesitantly takes off for a coastal village in the north of Ireland. Once there, she decides to dine in a local restaurant, and overhears, by chance, a telephone conversation conducted by Victor (Eddie Marsan), regarding an accident on a nearby oil rig that he precipitated, which left a victim, Josef (Tim Robbins) in its wake. Hanna tells Victor that she is a nurse, and is instantly flown to the rig to treat the bedbound Josef -- temporarily blind from extensive cornea damage, and his body blanketed with severe burns. She also encounters the structure's motley and eccentric band of workers -- from ecologist Martin (Daniel Mays), who spends his time studying mutated mussels that collect on the ship's base and the waves that strike the side of the rig, to Josef, to chef Simon (Javier Camára), who prepares "gourmet" food no one else can stand, to Dimitri (Sverre Anker Ousdal), an elderly gentleman who is as much of a loner as Hanna. As Hanna begins to foresee a new place for herself among these individuals, a relationship gradually develops between Hanna and Josef, who holds his new friend rapt with lyrical, evocative, magisterial tales from his past -- unknowingly drawing Hanna, one step at a time, toward inner joy, self-expression, and revelation of her own sad and complex story. ~ Nathan Southern, All Movie Guide
- Starring:
- Sarah Polley, Tim Robbins, (more)
In the late '60s, American culture experienced a period of change as the youth movement challenged conventional attitudes about politics, sex, drugs, and gender issues, while the advancement of the Vietnam War found many citizens questioning the actions and wisdom of their government for the first time. As American attitudes continued to evolve, so did the American film industry; as costly big-budget blockbusters nearly brought the major studios to the brink of collapse, smaller and more personal films such as Bonnie and Clyde, Easy Rider, and Five Easy Pieces demonstrated there was a ready audience for bold and challenging entertainment. As the '60s faded into the 1970s, American cinema moved into an exciting period of creativity and stylistic innovation, which led to such landmark films as The Godfather, MASH, The Last Picture Show, Shampoo, One Flew Over the Cuckoo's Nest, Chinatown, and Taxi Driver, and new freedom for directors and screenwriters. Ironically, however, it was another pair of big-budget blockbusters directed by students of the new wave of filmmaking -- Jaws and Star Wars -- which brought the studios back to power and put an end to Hollywood's flirtation with offbeat creativity. A Decade Under the Influence is a documentary which explores the rise and fall of new American filmmaking in the 1970s, and features interviews with many of the key directors, screenwriters, and actors whose work typified the movement, including Francis Ford Coppola, Robert Altman, Martin Scorsese, Paul Schrader, Roger Corman, Dennis Hopper, Jon Voight, and Julie Christie. A Decade Under the Influence received its world premier at the 2003 Sundance Film Festival, and an expanded version of the film was later shown on the premium cable outlet The Independent Film Channel; the documentary was the final work of co-director Ted Demme, who died shortly before the film was completed. ~ Mark Deming, All Movie Guide
- Starring:
- Martin Scorsese, Francis Ford Coppola, (more)
- 2001
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The story of a vengeful ghost (which spawned both a popular silent thriller and a mid-'60s TV miniseries that drew record ratings in France) returns to the big screen in this adaptation of the story by Arthur Bernede. A collection of artifacts from an archeological dig in Egypt are brought to the famous Louvre museum in Paris, and while experts are using a laser scanning device to determine the age of a sarcophagus, a ghostly spirit escapes and makes its way into the museum's electrical system. Museum curator Faussier (Jean-Francois Balmer) brings in a noted Egyptologist, Glenda Spencer (Julie Christie), to examine the findings, and she announces that the mummy inside the coffin was actually the evil spirit Belphegor. Lisa (Sophie Marceau), who lives across the street from the museum, follows her runaway cat into the museum after closing time, where she is accidentally given a shock that sends the stray spirit into her body. Soon, Lisa is disguising herself as Belphegor and making off with the rare Egyptian treasures on display at the museum, convinced that they are rightfully hers. When "Belphegor" proves more than a match for the Louvre's security forces, renowned detective Verlac (Michel Serrault) is brought out of retirement to find out why the museum's Egyptian collection has been shrinking. Belphegor: Le Fantome Du Louvre enjoyed the distinction of being the first feature film to be shot in part inside the world-famous museum. ~ Mark Deming, All Movie Guide
- Starring:
- Sophie Marceau, Michel Serrault, (more)
Stanislav Sokolov and Derek Hayes direct this claymation version of the The King of Kings using the voice talents of such well-regarded British actors as David Thewlis, Miranda Richardson, Alfred Molina, Ian Holm -- and Ralph Fiennes as Jesus. ~ Jonathan Crow, All Movie Guide
- Starring:
- Ralph Fiennes, Michael Bryant, (more)
- 1996
The line between reality and fiction becomes increasingly blurred as an ailing screenwriter struggles with a story that seems to come to life before his eyes. A self-destructive loaner whose battle with pancreatic cancer has left him embittered and in great pain, Daniel Feeld (Albert Finney) decides to focus his attention on an a new screenplay entitled "Karaoke." A lurid tale concerning the murder of a young girl working in a seedy karaoke bar, the story soon begins to invade Feeld's reality when he overhears people speaking the dialogue that he had written and finds that the people working in a local karaoke dive not only share his character's names, but their lives as well. Drawn to the suspiciously familiar plight of hostess Sandra (Saffron Burrows), Feeld's suspicions of thuggish club-owner Arthur "Pig" Mallion (Hywel Bennett) begin to mount as Feeld increasingly questions both his health and sanity. ~ Jason Buchanan, All Movie Guide
- Starring:
- Albert Finney, Richard E. Grant, (more)
- 1992
The first theatrical feature for director Michael White, The Railway Station Man is based on the novel by Jennifer Johnston and tells the story of an Irish woman, played by Julie Christie, recently widowed when her husband is killed by the IRA. As she slowly attempts to recover from the tragedy, she meets an American man, played by Donald Sutherland, who is in town working on the railroad station. When the two grow closer, she finds herself torn between romantic feelings and suspicions about the mysterious man's past. ~ Matthew Tobey, All Movie Guide
- Starring:
- Julie Christie, Donald Sutherland, (more)
- 1988
This two-part TV movie, produced in Australia, was based on the tragically true story of an Australian teenager (John Polson) condemned to death for dealing in drugs in Malaysia. Part One set up the circumstances which landed Polson and his friend Hugo Weaving on Malaysia's death row. In Part Two, Polson's mother, played by Julie Christie, races desperately against time to save her son from the gallows. She enlists the support of the Queen of England, the Pope, and a large international organization of concerned citizens--but the Malaysian government remains unmoved. Evocatively filmed in Macao, Dadah Is Death had the bad luck to premiere on American TV opposite the highly rated miniseries Favorite Son. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Christie, John Polson, (more)
- 1988
This German drama chronicles the lives of a family of industrialists whose lives are forever changed by Hitler and WW II. ~ Sandra Brennan, All Movie Guide
- 1986
Ridha Behi's Champagne Amer (Bitter Champagne) is about a son who carries on an affair with his father's mistress, without realizing the connection that they share. The film is also known as Secret Obsession. Julie Christie and Ben Gazzara co-star. ~ Perry Seibert, All Movie Guide
- Starring:
- Patrick Bruel, Jean Carmet, (more)
- 1983
Lacking any particular plot line, this feminist film focuses on the adventures of Ruby (Julie Christie) who goes to the Yukon to search out her roots -- her father was a gold prospector there -- and also details the experiences of Celeste (Colette Laffont) as she tries to get her male bosses to answer her questions related to banking and money. Observations on the worse aspects of male chauvinism may turn off some viewers, while others will appreciate director Sally Potter's effort to expose bias. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Julie Christie
- 1983
British filmmaker John Schlesinger directs Separate Tables, a made-for-cable TV version of the Terence Rattigan plays Table By the Window and Table Number Seven. This 50-minute adaptation features Julie Christie and Alan Bates, each in a dual role. Set in a sleepy British town, a group of residents hide out in a hotel during the off-season and try to forget their troubles. Things get upset when former model Ann Shankland (Julie Christie) comes to visit her alcoholic ex-husband John Malcolm (Alan Bates). He is a struggling writer secretly in love with the hotel's owner, Pat Cooper (Claire Bloom). Other residents of the hotel include the overbearing Mrs. Railton-Bell (Irene Worth), whose distrubed daughter Sibyl (Christie) is strangely attracted to Major Pollock (Bates), a man who claims to be a military officer. The feature-length version of Separate Tables was released theatrically in 1958, starring Burt Lancaster and Wendy Hiller. ~ Andrea LeVasseur, All Movie Guide
Two women, related but separated by one generation and 60 years, have parallel experiences in the evocative mystical environment of India in this period drama from producer Ismail Merchant and director James Ivory. Although a little slow-paced for some, and slightly confusing because the stories of the two women are intercut, the scenery and script evoke a time and place that mesmerize. Based on the 1975 novel by Ruth Prawer Jhabvala, a long-time collaborator in Merchant-Ivory Productions, the story begins with Ann (Julie Christie) who discovers some letters written by her grandfather's first wife Olivia (Greta Scacchi) that open up a whole new world as Ann travels to India to continue researching her grandmother's past. The letters reveal that when she was young, the free-spirited grandmother fell in love with an Indian nobleman (Shashi Kapoor) and left her husband -- an administrator in the British colonial government -- for her lover. After Ann arrives in India, her life and the modern rush of cars and people are played off against flashbacks to Olivia's life in a colonial setting. When the environment of each woman is compared and the nature of their momentous decisions placed side-by-side, their rites of passage and the society that dominated their choices stand out in high relief. Ruth Prawer Jhabvala won "Best Adapted Screenplay" at the 1983 British Academy Awards for her script of Heat And Dust. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Julie Christie, Christopher Cazenove, (more)
- 1982
A disastrous war causes much trauma and a housewife spends much time exploring her relationships with authority, evil street gangs and a teenage boarder. ~ All Movie Guide
- 1982
The Last Strange Voyage of Donald Crowhurst is a non-fiction book by Ron Hall and Nicholas Tomblin about a man who first cheated to win an international sailing competition and then disappeared from his sailboat in the final lap of the race -- a story that serves as the inspiration for this film. Director Christian de Chalonge and writer Andre G. Brunelin have changed the setting to France, with a Frenchman named Julien Dantec (Jacques Perrin) as the sailboat enthusiast and the international race is now a French competition. Julien is actually an electronics professional who is down on his luck when he decides to enter the race. He is led astray from his original good intentions by a low-life press agent who convinces him it would be well worth his while to win the race by illegal maneuvering. As he sets off, flashbacks tell how he came to be on the sailboat; later he has long monologues -- several of them, and in-between he occasionally battles to stay afloat on an uncooperative sea. For awhile, he sets down in Brazil when he considers abandoning the race, but seemingly compelled to finish what he started, he continues onward with his ill-fated journey. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Jacques Perrin, Julie Christie, (more)
Based on the acclaimed novel by Doris Lessing, this dystopian science fiction tale concerns a woman struggling to make her way in a post-apocalyptic society. D (Julie Christie) is living in a city that's at the point of collapse following a catastrophic nuclear war; lawlessness and violence rule the day, and gangs of brutal youth roam the streets. With the help of her teenage companion Emily (Leonie Mellinger), D tries to make her way, and in order to cope, she often escapes into a fantasy world in which she lives in genteel Victorian surroundings in the 19th century. Memoirs of a Survivor received the International Fantasy Film Award and the Audience Jury Award at Portugal's 1982 Fantasporto Film Festival. ~ Mark Deming, All Movie Guide
- Starring:
- Julie Christie, Christopher Guard, (more)
- 1981
Narrated by Julie Christie and banned from television, this is an unflinching look at wildlife abuse - documenting in a graphic way the cruelties imposed upon animals by man in the name of capitalism and science. The graphic violence to animals is examined through interviews, secretly-shot footage and military film clips. ~ Tana Hobart, All Movie Guide
- 1971
The third collaboration between director Joseph Losey and writer Harold Pinter, following The Servant and Accident, continues their exploration of class rituals and the darker recesses of desire. Pinter's script adapts the 1953 L.P. Hartley novel about Leo Colston, a middle-aged man (Michael Redgrave), recalling a summer of his early adolescence at a country estate. Young Leo (Dominic Guard) observes the machinations of the adults in the household, all but two of whom conveniently ignore his presence. Marion Maudsley (Julie Christie) is promised in marriage to another aristocrat, but she is secretly in love with farm worker Ted Burgess (Alan Bates). They enlist Leo as their messenger, with tragic consequences for all concerned. The older Leo has never married, and as the story winds on, it becomes clear that his own infatuation with Marion irrevocably altered his life. The Go-Between won several British Academy Awards, including one for Pinter's screenplay, and was one of four films awarded a grand prize at the 1971 Cannes Film Festival. ~ Tom Wiener, All Movie Guide
- Starring:
- Julie Christie, Alan Bates, (more)
This 1967 version of Thomas Hardy's novel should have done better at the box office than it did, given the star power of Julie Christie and the visual and aural fidelity to its source material. Julie Christie plays Bathsheba Everdene, a country heiress who is loved by three different men: Terence Stamp, Peter Finch and Alan Bates. Convinced that she is the intellectual superior of all three, Bathesheba loses many early opportunities for lasting happiness. Finally shedding herself of her haughty attitude, Bathsheba unconditionally accepts the love of Bates. The euphoric exuberance of Nicolas Roeg's photography is matched by the direction of John Schlesinger and the screenplay by Frederick Raphael. Only the nittiest of nitpickers would complain that some of the medium shots don't match the closeups (watch Terence Stamp's clown makeup in one scene). ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Christie, Terence Stamp, (more)
- 1967
Peter Whitehead's 1967 documentary of London scene in the swinging-60's is a visual treat for Mod enthusiasts everywhere. Featuring a who's-who of the scene, Tonight Let's All Make Love In London is a visual patchwork of 60's culture, seen through the eyes of the people leading it. Mick Jagger, Michael Caine, Vanessa Redgrave, Allen Ginsberg, and Julie Christie are all here, alongside counter-culture artists and other musicians who helped shape their generation and future ones to come. Most of the musical content comes in the form of extremely rare concert footage and inside studio recording sessions, while other segments include candid interviews, strange political demonstration footage, and even a segment on the radical art of body painting! Yes, politics and sex are on the palette here as the psychedelic soundtrack from a very young Pink Floyd, swirls and pushes the film on towards the climax of it's brisk 70 minute running time. Languishing in distribution limbo for too long, Tonight Let's All Make Love In London is a fitting testimonial to the changing times in the mid-60's and one that should be able to live on in the years to come for the young and old to look back on and enjoy. ~ Jeremy Wheeler, All Movie Guide
In the future, an oppressive government maintains control of public opinion by outlawing literature and maintaining a group of enforcers known as "firemen" to perform the necessary book burnings. This is the premise of Ray Bradbury's acclaimed science-fiction novel Fahrenheit 451, which became the source material for French director François Truffaut's English-language debut. While some liberties are taken with the description of the world, the narrative remains the same, as fireman Montag (Oskar Werner) begins to question the morality of his vocation. Curious about the world of books, he soon falls in love with a beautiful young member of a pro-literature underground -- and with literature itself. Critics were divided on the effectiveness of the result; some praised the unique design and eerie color cinematography by Nicolas Roeg, while others found the film's stylized approach overly distancing and attacked the central performances as unnatural. In any case, however, the film inarguably succeeds in making Truffaut's reverence for the written word abundantly clear, especially during the film's justifiably famous finale. ~ Judd Blaise, All Movie Guide
- Starring:
- Oskar Werner, Julie Christie, (more)
Julie Christie won an Oscar for her portrayal of a bored, amoral fashion model in this cynical melodrama from director John Schlesinger. Following the break-up of a teenage marriage, Diana Scott (Christie) drifts into the world of modeling and acting, where she meets a television news reporter, Robert Gold (Dirk Bogarde), who leaves his family for her and introduces her to a more powerful and wealthy set. Soon Diana meets somebody more attractive: public relations mogul Miles Brand (Laurence Harvey). After briefly leaving and then drifting back into Robert's life, experiencing an orgy and even getting an abortion, Diana eventually leaves the swinging London scene behind and settles down to an unfulfilling if comfortable life as the wife of millionaire Italian widower Cesare (Jose-Luis deVillalonga). Shocking in its day, Darling (1965) won Oscars for its costumes and script from Frederic Raphael. ~ Karl Williams, All Movie Guide
- Starring:
- Julie Christie, Dirk Bogarde, (more)
- 1965
Young Cassidy is based upon the autobiographical writings of firebrand Irish author Sean O'Casey. Rod Taylor is Cassidy, a boisterous boy who digs ditches to support his mother (Flora Robson) and sister (Sian Phillips). In his spare time, Cassidy is active with the Irish revolutionary movement against the occupying British. He still finds time enough for romance, notably with trashy chorine Julie Christie (in her first major role) and timid librarian Maggie Smith. Cassidy's latent writing talents are encouraged by such Irish literary giants as W.B. Yeats (Michael Redgrave) and Lady Gregory (Edith Evans), and in typically expeditious Hollywood fashion Our Hero almost instantly becomes a Man of Letters. John Ford began the direction of Young Cassidy, but fell ill and had to relinquish his responsibilities to Jack Cardiff; even the most diehard auteurist will have trouble discerning the personal "signature" of either director. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Taylor, Julie Christie, (more)
Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music. ~ Hal Erickson, All Movie Guide
- Starring:
- Omar Sharif, Julie Christie, (more)
- 1963
The star of this slapstick comedy is not a person but an antique Bentley sports car, the source of several misadventures. Murdoch Troon (Stanley Baxter) is a simple civil servant who has his heart set on romancing Claire (Julie Christie in an early role), the daughter of wealthy businessman Charles Chingford (James Robertson Justice). As a part of his scheme to appear irresistible, Murdoch takes driving lessons so he will be able to impress Claire in the Bentley. Both the lessons and his driving test produce moments of hilarity, and as might be expected, there cannot be a movie featuring a car without a wacky, wild chase. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- James Robertson Justice, Stanley Baxter, (more)
Billy Fisher (Tom Courtenay) is known to his blue-collar British mates as Billy Liar because of his vivid imagination. This film version of the Keith Waterhouse-Willis Hall stage play "visualizes" some of Billy's more outrageous fabrications. He periodically escapes the drudgery of his job at a funeral parlor by conjuring up impossible adventures, usually involving the conquest of women. In one of her first film roles, Julie Christie plays one of two "real" girls who wish that Billy would come down to earth and pop the question. Following this film adaptation, Billy Liar was transformed into a stage musical, and later resurfaced as a British TV series. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Courtenay, Julie Christie, (more)
