Audrey Christie Movies

If you're wondering what Citizen Kane might have looked like had it been produced by MGM, we submit for your approval Keeper of the Flame. War correspondent Spencer Tracy is assigned to write the life story of a recently deceased super-patriot. One would suppose that the much-beloved decedent's life would be an open book, yet his widow Katharine Hepburn refuses to release any details concerning her late husband. Tracy gains Hepburn's confidence, and she agrees to help him with his article. Several curious incidents lead Tracy to believe that Hepburn was in some way responsible for her husband's death. While this is not entirely the case, Tracy stumbles upon a truth that has been carefully hidden from the public by the dead man's "damage control" people. Adapted by Donald Ogden Stewart from a novel by I. A. R. Wylie, Keeper of the Flame is perhaps the most dour of the Tracy/Hepburn vehicles; those expecting the usual battle-of-the-sexes repartee between the two stars would be better off with Adam's Rib or Pat and Mike. ~ Hal Erickson, All Movie Guide

Carousel was adapted from the 1945 Rodgers and Hammerstein Broadway musical of the same name--which, in turn, was based on Liliom, a play by Ferenc Molnar. Gordon MacRae stars as carnival barker Billy Bigelow, who much against his will falls in love with Maine factory girl Julie Jordan (Shirley Jones). Billy proves an improvident and unreliable husband, but Julie stands by him. Upon discovering that Julie is pregnant, the unemployed Billy sees an opportunity for some quick money by joining his unsavory pal Jigger (Cameron Mitchell). The scheme goes awry, and Billy dies. Standing before the Pearly Gates, Billy is given a chance to redeem himself by the kindly Starkeeper (Gene Lockhart). He is allowed to return to Earth to try to brighten the life of his unhappy 15-year-old daughter Louise (Susan Luckey). Billy offers Louise a star that he has stolen from the sky; when Louise backs off in fear, Billy slaps her. He feels like a failure until he and his Heavenly Friend (William LeManessa) attend Louise's school graduation ceremony. There the invisible Billy watches as the principal (Gene Lockhart again) inspires Louise (and, by extension, Julie) by assuring her that so long as she has hope in her heart, she'll never walk alone. Frank Sinatra, the film's original Billy Bigelow, dropped out of the production due to laryngitis. ~ Hal Erickson, All Movie Guide

Meredith Willson's second Broadway hit (the first and biggest was The Music Man) proved a lucrative vehicle for the equally unsinkable Debbie Reynolds. Based on a true story, the film casts Debbie as hoydenish Molly Brown, who wangles her way into Denver High Society when she marries "overnight millionaire" Johnny Brown (Harve Presnell). When the local social arbiters give Molly the brush-off, she pulls off a coup by bringing a representative of European royalty, Prince Louis de Laniere (Vassili Lambrinos) into the Colorado community. Her admiration for the prince causes a rift in her marriage; it takes the sinking of the Titanic--wherein Molly heroically commandeers one of the lifeboats and is responsible for rescuing several of the passengers--to bring Molly and Johnny together again. While the energetic performances of such songs as I Ain't Down Yet and Belly Up to the Bar Boys are to be cherished, the real highlight of The Unsinkable Molly Brown is a society ball which ends up in a pie fight between the Denver "elite" and Molly's rambunctious mining-town cronies. Treated condescendingly by the critics, the film struck a responsive chord with audiences to the tune of a $7.5 million gross. ~ Hal Erickson, All Movie Guide

Not a remake of the 1934 Helen Morgan vehicle of the same title, Frankie and Johnny stars Elvis Presley as Johnny, a Mississippi gambler, and Beverly Hillbillies regular Donna Douglas as his girl friend Frankie. In keeping with the old ballad, the romance of Frankie and Johnny is threatened by the intervention of seductress Nellie Bly (Nancy Kovack). Nellie brings Johnny luck at the gaming tables while Frankie sees red. Frankie and Johnny was written by onetime Marx Brothers contributor Nat Perrin and directed by future Tonight Show helmsman Fred de Cordova. ~ Hal Erickson, All Movie Guide

Doris Day peers through layers of camera gauze to star in The Ballad of Josie, a second-rate variation of Cat Ballou. For openers, Day is arrested for the billiard-cue bludgeoning of her late husband. Upon her acquittal, she takes up sheep ranching in Wyoming. To prove herself as good as any man, Day organizes the other frontier wives into a woman's suffrage movement. She succeeds in establishing her equality, winning good-guy Peter Graves in the process. Ballad of Josie was produced by Norman MacDonnell, who was on firmer Western ground when he was producer of the radio and TV series Gunsmoke. ~ Hal Erickson, All Movie Guide

Hoping to get out of her rut, Olivia (Michael Learned) allows Corabeth (Ronnie Claire Edwards) to give her a brand-new hairstyle--which ends up as a source of ridicule from the rest of the family. Meanwhile, Grandma Walton is ticked off over the news that Rev. Fordwick (John Ritter) will allow Zelda Maynard (Audrey Christie) to share Grandma's organ-playing duties at church. Whereas Olivia's "rebellion" from conformity has disastrous results, Grandma's rebellion from church policy may be even more devastating! ~ Hal Erickson, All Movie Guide

This TV movie delves into the unhappy later years of novelist F. Scott Fitzgerald (here played by Jason Miller). Broke and virtually written-out by the late 1930s, Fitzgerald is compelled to accept screenwriting work in Tinseltown where he is frustrated that his work is extensively rewritten and revised -- if not rejected altogether. On a personal level, Fitzgerald must deal with his wife Zelda (Tuesday Weld), now sequestered in a North Carolina mental institution. Seeking some reason for living, Fitzgerald inaugurates an affair with Hollywood columnist Sheila Graham (Julia Foster). Not all that incisive, and saddled with an unsympathetic drunkard as a central character, F. Scott Fitzgerald is still superior to Hollywood's previous version of the Fitzgerald/Graham romance, Beloved Infidel. ~ Hal Erickson, All Movie Guide

In this made-for-television drama, an older woman (Joanne Woodward), who fights to get by in her new career as a real estate agent, gets quiet revenge upon the street punks who slashed the tires of her car. ~ Sandra Brennan, All Movie Guide