Margot Capelier Movies

John Frankenheimer directed this $20 million international action thriller from a screenplay by Richard Weisz (pseudonym for David Mamet) and J.D. Zeik. In Paris, Irish organizer Deidre (Natascha McElhone) assembles a team to grab a mysterious briefcase from criminals. They are never told who hired them or the true identity of their targets. The hired specialists: Former CIA officer Sam (Robert De Niro), former Euro intelligence agent Vincent (Jean Reno), German electronics expert Gregor (Stellan Skarsgard), driver Larry (Skip Sudduth), and British weapons wrangler Spence (Sean Bean). After a Seine shootout, the action moves to the South of France, with a recon mission in Cannes, and a chase that brings everyone to Nice. Inevitable betrayals ensue, along with more pursuits. ~ Bhob Stewart, All Movie Guide

Patrice Chereau (Queen Margot) directed this French drama about a train trip to an artist's funeral. Friends of painter Jean-Baptiste Emmerich (Jean-Louis Trintignant, seen in flashbacks) gather at a Paris railroad station for a four-hour journey to Limoges, where Emmerich wanted to be buried. The dozen travelers include art historian Francois (Pascal Greggory) and his lover Louis (Bruno Todeschini), who develops an interest in teenage Bruno (Sylvain Jacques). Traveling parallel with the train is a station wagon with Jean-Baptiste's body, and this vehicle is driven by Thierry (Roschdy Zem), husband of Catherine (Dominique Blanc), who's on the train with their daughter. Francois plays a taped interview with Jean-Baptiste, revealing his sexual appeal to both men and women. Lucie (Marie Daems) is convinced that she was his main love. Also on board is his nephew, Jean-Marie (Charles Berling) and Jean-Marie's estranged wife, Claire (Valeria Bruni-Tedeschi), After the funeral in "Europe's largest cemetery," the storyline continues in the mansion of Jean-Baptiste's brother, Lucien (also played by Trintignant). With hand-held camerawork for almost two-thirds of the film, the production involved two extra cars connected to a real scheduled train, headed one way in the morning and returning in the afternoon, with cast and crew logging some 12,000 kilometers over two weeks. Source music runs the gamut from James Brown to Jim Morrison. The title refers to the dying words uttered by the painter -- which actually are the last words spoken by filmmaker Francois Reichenbach who died in 1993 (and appropriated here by his friend, co-scripter Daniele Thompson). One of Francois Reichenbach's best-known films (and subject of an entire book) is the documentary Medicine Ball Caravan (aka We Have Come for Your Daughters,1971), a curious effort to duplicate the success of Woodstock (1970) by simply inviting a large number of musicians, hippies, and counterculture types aboard a cross-country train and filming the result. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

In this mainstream French comedy, a television writer creates a hit series based on the experiences of her housekeeper. The writer Nathalie does this in desperation as she has a deadline and is utterly blocked. She goes to Petlet and begins transcribing her memories of the lively goings on in her rural home village. Each memory is an episode in itself, and the show becomes a smash hit, but when Petlet realizes that her boss has been cashing on her life stories and taking all the credit, she gets angry and quits leaving Nathalie with no maid and no one to watch her children. Later Petlet's adult children demand that their mother return to demand credit and a piece of the action. But Petlet remains undecided. ~ Sandra Brennan, All Movie Guide

The concluding chapter in filmmaker Krzysztof Kieslowski's "Three Colors" trilogy, Red stars the luminous Irène Jacob as Valentine, a young student and fashion model who befriends a bitter former judge (Jean-Louis Trintignant, his character a proxy for Kieslowski himself). Their accidental meeting is just one of the many chance encounters woven through the narrative fabric of this feature, the most accomplished effort in Kieslowski's highly ambitious series. Like its predecessors, Red corresponds to a color of the French flag, as well as the color's symbolic attributes. The subject here is fraternity, and indeed, its central characters are all closely connected, their destinies locked on a collision course. The film's final scene even ties up the trilogy by bringing together the protagonists of the other features. ~ Jason Ankeny, All Movie Guide

This drama was based on the true story of a young German Jew who survived the Holocaust by falling in with the Nazis. Solomon Perel (Marco Hofschneider) is the son of a Jewish shoe salesman coming of age in Germany during the rise of Adolf Hitler. In 1938, a group of Nazis attack Solomon's family home; his sister is killed, and 13-year-old Solomon flees to Poland. Solomon winds up in an orphanage operated by Stalinist forces; when German forces storm Poland, Solomon's fluent German allows him to join the Nazis as a translator, posing as Josef Peters, an ethnic German. In time, "Peters" is made a member of the elite Hitler Youth, but since Solomon is circumcised, he can be easily revealed as a Jew, and he lives in constant fear that his secret will be discovered. Solomon's close calls include an attempted seduction by Robert Kellerman (André Wilms), a homosexual officer, and his relationship with Leni (Julie Delpy), a beautiful but violently anti-Semitic woman who wants to bear his child for the glory of the master race. Europa, Europa (shown in Europe as Hitlerjunge Salomon) also features the real Solomon Perel, who appears briefly as himself. ~ Mark Deming, All Movie Guide

Bertrand Blier's films have explored the sometimes misogynistic sexuality of younger men, but here he offers an absorbing, funny, and moving take on a middle-aged man's adulterous affair. Gerard Depardieu stars as Bernard, an affluent car dealer who finds himself in the grip of a violent passion for his new secretary, a rather plain-looking, middle-aged woman played by Josiane Balasko. Seemingly a happily married man with a beautiful wife (Carole Bouquet) and children, he can't understand what is happening as his life is turned upside down. While it may seem that Blier simply enjoys tweaking convention, he's clearly after far more than laughs given the tenderness he finds in the scenes between the adulterous lovers. Bernard's age has suddenly made him more vulnerable, a state of emotion that he realizes Colette grasps intuitively. Depardieu and French comedienne Balasko make a completely believable couple, and the photography of the great Philippe Rousselot is stunning. ~ Michael Costello, All Movie Guide

Following the disastrous Pirates (1986), director Roman Polanski got back on creative track with this finely-wrought thriller that, while failing to impress at the box office, was nevertheless his most critically well-received film of the decade. Harrison Ford stars as Richard Walker, an American doctor who has come to Paris, where he's scheduled to deliver a paper to a medical conference. Richard has brought along his wife Sondra (Betty Buckley), because Paris was the site of their honeymoon 20 years earlier. Sondra picks up the wrong suitcase at the airport, which leads to her kidnapping and an ever-more complicated quest that takes Richard into the seedy and dangerous underworld of European drug smuggling and terrorist arms sales. Along the way, he is rebuffed by skeptical officials at the American Embassy and meets Michelle (Emmanuelle Seigner), a sexy courier who agrees to help him in exchange for the money she's owed for trafficking in narcotics. Playing cleverly on American fears about Europe's Byzantine politics and "decadent" society, Frantic received, from many observers, perhaps the greatest compliment possible for a thriller, comparison to the work of Alfred Hitchcock. ~ Karl Williams, All Movie Guide

In this French science fiction thriller, nuclear war breaks out over Europe, and a group of visitors to a local chateau take cover in the basement. When they venture outside after the fighting stops, they discover that the chateau has sustained serious damage and the surrounding lands have been laid to waste. The survivors try to rebuild the house as best they can, and they begin growing food in order to sustain themselves, until they encounter Fulbert (Jean-Louis Trintignant), a deranged fascist who is leading a band of ragged survivors who live in several abandoned railroad cars. The survivors of the chateau defeat Fulbert, and his forces join with the people of the chateau to build a new society. However, they are soon ambushed by government troops, who are rounding up survivors of the nuclear attack and relocating them to concentration camps. Three of the chateau survivors are able to escape and attempt to make their way to safety. Malevil (named for the chateau where most of the action takes place) won a 1981 Cesar Award in France for Best Production Design. ~ Mark Deming, All Movie Guide

Set in the City of Light, this crime melodrama chronicles the attempts of a US drug agent to stop a major drug-lord. Though the agent realizes his three predecessors have been assassinated, and that the French government doesn't necessarily approve of the Yank's harassment of a French citizen, he is determined to succeed. Then a Parisian cop quietly suggests that Anthony Quinn himself hire an assassin to kill the drug lord. He thinks about it long and hard, before agreeing to it. Later he is shocked to learn that the assassin is an old war buddy. The hit man then works overtime to cozy up to the criminal and earn his trust. While he is doing that, the agent learns that events have changed and he must capture the drug lord alive. Unfortunately, he must first find a way to call off the professional killer before it is too late. ~ Sandra Brennan, All Movie Guide