Richard E. Butler Movies

A successful retired jock and his geeky younger brother play out their sibling rivalry by coaching rival little league football teams in this family comedy. Ed O'Neill plays the older brother, Kevin O'Shea, a former Heisman Trophy winner whose gridiron exploits have made him a local hero in his small Illinois hometown. Kevin is the almost unanimous choice to head up the town's Pop Warner football team, and he happily builds an imposing team from the best local players. One of the few objectors is Kevin's young brother Danny (Rick Moranis), an awkward, bespectacled gas station owner who empathizes with the kids rejected from the team, including his own athletic daughter Becky (Shawna Waldron). As revenge, Danny starts his own competing team of misfits, taking on the coaching duties himself. Naturally, despite the total ineptitude of Danny and his players, they eventually find themselves major underdogs in a climactic battle against Kevin's well-trained juggernaut. Director Duwayne Dunham and a team of four screenwriters hit all the expected sports film conventions, throwing in a few innocent romantic subplots and cameos by real football players for good measure. ~ Judd Blaise, All Movie Guide

Another of Disney's Touchstone Pictures rehashes of a lightweight French farce, Three Fugitives goes the trend one better by importing French director Frances Veber to supervise a shot-for-shot remake of his French original Les Fugitifs. Nick Nolte stars as a bank robber named Lucas, recently released from prison, who ambles into a bank to open up a checking account. Into the bank enters the inept Ned (Martin Short), who tries to rob the place and takes Lucas hostage. The police, knowing Lucas's criminal history, assume Lucas and Ned are pulling the heist together. With no choice in the matter, Lucas is compelled to engineer their getaway. Complicating the situation further is Ned's six-year-old daughter Meg (Sarah Rowland Doroff), who has been mute since the death of her mother. With his bank account depleted, Ned has robbed the bank to get money to send Meg to a special school. Meg loves her father, but finds herself drawn to the gruff Lucas. As the three go on the lam from the cops, the trio of misfits bond as a makeshift family. ~ Paul Brenner, All Movie Guide

A maniacal murderer is stalking New York City cops in this urban crime thriller. Jack Forrest (Bruce Campbell) is suspected of being the killer until Lieutenant McCrae (Tom Atkins) is found dead. Jack takes over the case after McCrae's death with help from undercover cop and sweetheart Theresa (Laurene Landon). Commissioner Pike (Richard Roundtree) is under fire to solve the case as more men in blue meet their maker much too soon. ~ Dan Pavlides, All Movie Guide

With Howard Hawks's Bringing Up Baby (1938) as his blueprint, Peter Bogdanovich resurrected and payed homage to 1930s screwball comedy in What's Up, Doc? (1972). When wacky co-ed Judy Maxwell (Barbra Streisand, in the Katharine Hepburn part) spies nebbishy musicologist Howard Bannister (Ryan O'Neal in bespectacled Cary Grant mode) in a San Francisco hotel lobby, she decides that Howard and his precious igneous rocks are right up her alley. Too bad Howard already has a fiancée, the propriety-fixated Eunice (Madeline Kahn in her film debut). Using all her arcane knowledge from brief stays at numerous colleges, Judy tries to charm her way to a $20,000 grant for Howard, and Howard himself, at a banquet with grantor Frederick Larrabee (Austin Pendleton). Things get even more complicated the next day when Judy's underwear-filled overnight bag gets mixed up with Howard's rock bag, which gets mixed up with Mrs. Van Hoskins' bag of jewels, which gets mixed up with Mr. Smith's bag of top secret government papers. All sides converge at Larrabee's mod townhouse and the chase begins. Retaining Hawks' machine-gun pace (as well as the sly pop culture referentiality of Billy Wilder), Bogdanovich and writers Buck Henry, David Newman, and Robert Benton updated the opposites-attract screwball convention for contemporary times. O'Neal gently parodied not only Grant but also his own Love Story (1970) preppy, while Kahn represents stiff-wigged 1950s manners as opposed to Streisand's long-haired, pants-wearing free spirit. The happy ending, in which Cole Porter-belting youth wins out over old manners, found favor with audiences, as What's Up, Doc? became one of the most popular films of 1972, and the second hit in a row for Bogdanovich after 1971's The Last Picture Show. ~ Lucia Bozzola, All Movie Guide