John Alvin Movies

The fact that star Errol Flynn had been recently embroiled in a real-life rape trial only served to increase the box-office "pull" of Warner Bros. Northern Pursuit. Flynn is cast as Canadian mountie Steve Wagner, assigned to track down and capture downed Nazi pilot Hugo von Keller (Helmut Dantine) in the snowier Hudson Bay regions. Once Wagner and fellow mountie Jim Austin (John Ridgely) catch up with Von Keller, they pretend to be on his side, hoping that he'll reveal his espionage plans. Taken in, Von Keller leads the mounties towards a secret Nazi hideaway, where the Germans have hidden a huge bombing plane, to be used against North America. The fact that Wagner is posing as a Nazi sympathizer hardly endears him to Von Keller's hostage Laura McBain (Julie Bishop), but when the truth is revealed she professes her love for him. In the light of Flynn's recent legal problems, one line in Northern Pursuit invariably brought down the house in 1943: After assuring Laura that she's the only woman he's ever loved, Wagner/Flynn turns to the camera and quips "What am I saying?" ~ Hal Erickson, All Movie Guide

Janie, adapted from the Broadway play by Josephine Bentham and Herschel Williams, was one of a 1940s cycle of stage-to-film comedies about teenagers. Joyce Reynolds stars as Janie, a typical teen whose life is turned topsy turvy by the installation of a military base near her home town. Edward Arnold and Ann Harding, exasperated and understanding respectively, play Janie's parents. Robert Hutton is the soldier and Richard Erdman the hometown boy who vie for Janie's attentions. The film is cloying at times, but survives as a reasonably accurate representation of teenage life in the war years, right down to the "coded slang" used to throw parents off the track. Janie ends with the Army marching out and the Marines marching in, leaving the door wide open for a sequel, which appeared in 1946 under the title Janie Gets Married. ~ Hal Erickson, All Movie Guide

In his final epic Western, Errol Flynn plays cattleman Clay Hardin, who, on a trek south of the border, has discovered that San Antonio saloon proprietor Roy Stuart (Paul Kelly) is actually a cattle rustler of major proportions. Determined to bring Stuart to justice, Clay runs into difficulties when he mistakes feted chanteuse Jeanne Starr (Alexis Smith) for being on the saloon owner's payroll. Meanwhile, Stuart's French-accented partner, and enemy, Legare (Victor Francen), uses the taut situation to benefit himself. Then Clay's longtime friend, Charlie Bell (John Litel), is brutally slain and Jeanne's manager, Sacha Bozic (S.Z. Sakall) is forced to skip town, Bozic, unbeknownst to Clay, having witnessed the murder. The real killer is eventually forced to confess and San Antonio erupts in a climactic gun battle that culminates in a shootout at the historic Alamo. With Hungarian actor Sakall providing some much-needed comedy relief, Alexis Smith, Doodles Weaver, and a chorus perform a few songs, including: Ray Heindorf, M.K. Jerome, and Ted Koehler's "Some Sunday Morning"; "Put Your Little Foot Right Out," by Larry Spier; and Jack Scholl and Charles Kisco's "Somewhere in Monterey." According to some reports, both Raoul Walsh and Robert Florey directed a few additional scenes. ~ Hans J. Wollstein, All Movie Guide

A few corny moments aside, Objective Burma must rate as one of the best combat films of WW2. Errol Flynn stars as Captain Nelson, who leads a hardy band of paratroopers behind enemy lines in Burma, for the purpose of destroying a Japanese radar station. Their mission accomplished, Nelson and his men prepare to make their escape by plane, but this proves to be impossible. It is therefore necessary for the surviving paratroops to make a grueling 150-mile journey by foot through the Japanese-held jungle, in hopes of eventually reaching their own lines. With the exception of Henry Hull, who delivers a mannered, strained performance as an Ernie Pyle-like war correspondent, the performances are uniformly excellent, with Flynn, George Tobias and William Prince standing out. Director Raoul Walsh and cinematographer James Wong Howe stage the combat scenes (filmed on the "Lucky" Baldwin Santa Anita ranch) with brutal efficiency, showing little but conveying a lot in the way of gore and carnage. The strangest sequence (at least to modern viewers) has the paratroopers expressing horror and disgust at a vicious sneak attack by the Japanese-which occurs only a few reels after the Americans have staged an equally merciless attack on a Japanese unit! In England, Objective Burma was taken to task by newspaper journalist who felt that the Americans were unfairly taking full credit for the success of the Burmese campaign. The ensuing hue and cry compelled Warner Bros. to issue an apology, and to withhold the British release of the film until 1952, at which time it was accompanied by a lengthy prologue title extolling England's contribution to the Burma invasion. Originally released at 142 minutes, Objective Burma is usually shown on TV in its 128-minute reissue form. ~ Hal Erickson, All Movie Guide

In this comedy, an adaptation of the play The Animal Kingdom, a liberal, social reformist photographer falls in love with a wealthy gadabout, and finds she abhors his decadent life even though she loves him. She then takes up with another whom she marries. Unfortunately, she still loves the playboy. This does not make her new hubby very happy especially when she and her ex-love meet again and begin carrying on. The husband ends up headed for a quickie divorce in Reno. ~ Sandra Brennan, All Movie Guide

Faced with the challenge of writing a screenplay based on the life of fabulously wealthy, fabulously successful composer Cole Porter, one Hollywood wag came up with a potential story angle: "How does the S.O.B. make his second million dollars?" By the time the Porter biopic Night and Day was released, the three-person scriptwriting team still hadn't come up with a compelling storyline, though the film had the decided advantages of star Cary Grant and all that great Porter music. Roughly covering the years 1912 to 1946, the story begins during Porter's undergraduate days at Yale University, where he participated in amateur theatricals under the tutelage of waspish professor Monty Woolley (who plays himself). Though Porter's inherited wealth could have kept him out of WWI, he insists upon signing up as an ambulance driver. While serving in France, he meets nurse Linda Lee (Alexis Smith), who will later become his wife. Focusing his attentions on Broadway and the London stage in the postwar years, Porter pens an unbroken string of hit songs, including "Just One of Those Things," "You're the Top," "I Get a Kick Out of You," "Begin the Beguine," and the title number. The composition of this last-named song is one of the film's giddy highlights, as Porter, inspired by the "drip drip drip" of an outsized rainstorm, runs to the piano and cries "I think I've got it!" The film's dramatic conflict arises when Porter is crippled for life in a polo accident. Refusing to have his legs amputated, he makes an inspiring comeback, even prompting a WWI amputee to remark upon his courage! Corny and unreliable as biography, Night and Day is redeemed by the guest appearances of musical luminaries Mary Martin (doing a spirited if disappointingly demure version of her striptease number "My Heart Belongs to Daddy") and Ginny Simms, the latter cast as an ersatz Ethel Merman named Carole Hill. Jane Wyman, seen as Porter's pre-nuptial sweetheart Gracie Harris, also gets to sing and dance, and quite well indeed. Beset with production problems, not least of which was the ongoing animosity between star Grant and director Michael Curtiz, Night and Day managed to finish filming on schedule, and proved to be an audience favorite -- except for those "in the know" Broadwayites who were bemused over the fact that Cole Porter's well-known homosexuality was necessarily weaned from the screenplay. ~ Hal Erickson, All Movie Guide

Filmed in "glorious" Trucolor, a low-budget substitute for Technicolor, Under Colorado Skies remains a standard B-Western, neither better nor worse than the majority of late-1940s sagebrush fare from genre specialist Republic Pictures. Monte Hale stars as a medical student moonlighting as a bank teller. Arriving on the scene in the middle of a robbery, Hale discovers that one of the bandits (John Alvin) is the brother of his girlfriend (Adrian Booth). To shield the wayward youth from prosecution, our hero accepts blame for both the robbery and the death of the bank's owner (Raymond Bond), but manages to escape on the way to jail. Hooking up with entertainers Foy Willing & the Riders of the Purple Sage, he then goes undercover as a performer in a saloon owned by Paul Hurst. Learning the whereabouts of the bandits, Monte fakes his own death and is later able to flush out their leader, the nefarious William Haade. As always, Hale does well in both the fistfights and as a balladeer, accompanied here by Foy Willing and the Riders in such selections as "San Antonio Rose", by Bob Wills, "Holiday for the Blues", by Willing and Sid Robin, and "Wait for the Wagon", by George P. Knauff and Sid Robin. In one of her eight westerns with Hale, Adrian Booth is, as always, a fetching sight and the veteran Paul Hurst makes a welcome addition to the Hale oeuvre. Hurst would go on to appear in all but one of Hale's subsequent vehicles, providing his own brand of homey comic relief. ~ Hans J. Wollstein, All Movie Guide

Jack Carson and Robert Hutton make a curious but copacetic comedy duo in the Warner Bros. musical Love and Learn. The stars are cast as Jingles and Bob, a pair of would-be songwriters hoping to get a break on Broadway. Along comes Barbara Wyngate (Martha Vickers), a wealthy young woman who hopes to make it on her own in the Big Apple. Hiding her true identity, Barbara helps the boys behind the scenes without their knowing it. Inevitably, Jingles and Bob clash over Barbara's affections, a problem that isn't resolved until the last possible moment. Craig Stevens, TV's future Peter Gunn, is featured in another of those "stuffed shirt" characterizations in which he was then specializing at Warners. ~ Hal Erickson, All Movie Guide

Robert Montgomery's 1946 film Lady in the Lake attempted to tell the entire story with a "subjective camera": shooting the film from the point of view of the main character, with the camera acting as his "eyes". The first hour or so of Dark Passage does the same thing--and the results are far more successful than anything seen in Montgomery's film. Humphrey Bogart heads the cast as an escaped convict, wrongly accused of his wife's murder. After being forced to beat up a man (Clifton Young) from whom he's hitched a ride, Bogart hides out in the apartment of Lauren Bacall, while recovering from plastic surgery, and tries to set about locating the actual murderer. ~ Hal Erickson, All Movie Guide

This cute film is Doris Day's film debut and in it she plays Georgia Garrett, a substitute traveller on an ocean cruise. Her friend Elvira Kent (Janis Paige) had scheduled the cruise but at the last minute cancels when she suspects that her husband is cheating on her and she decides to stay at home to check up on him. So she gets her friend Georgia to go on the cruise in her stead. Meanwhile the husband hires a detective to watch Elvira while on the cruise, because, he too, suspects cheating. Of course, the detective falls for the substitute Elvira (Doris Day), making a somewhat complicated scenario with many possibilities. This is a fun-filled spoof with lots of good tunes by Doris Day. ~ All Movie Guide

Even after three appearances as oriental sleuth Charlie Chan, Roland Winters showed no interest in taking the role seriously. Shanghai Chest finds Charlie in the employ of the U.S. government, assigned to solve a series of puzzling murders. The victims all appear to have died by snakebite, which would have been impossible under the circumstances. Further confusing the issue is the fact that all fingerprints at the scenes of the crime have been left by a man who's supposed to be dead. Even with the dubious assistance of son Tommy (Victor Sen Yung) and chauffeur Birmingham Brown (Mantan Moreland), the clever Mr. Chan cracks the case. ~ Hal Erickson, All Movie Guide

In this children's move, a teenager and his loyal dog wander the wild West. ~ Sandra Brennan, All Movie Guide