Janet Brady Movies

Swedish director Lasse Hallstrom's follow-up to the underrated Once Around earned far more attention than its predecessor thanks to the judicious casting of perennial thinking woman's heartthrob Johnny Depp and a certain up-and-coming thespian by the name of Leonardo DiCaprio. A prisoner of his dysfunctional family's broken dreams in tiny Endora, IA, Gilbert (Depp) serves as breadwinner and caretaker for his mother and siblings following his father's suicide and his older brother's defection. Momma (Darlene Cates) is a morbidly obese shut-in who hasn't left the house in seven years; her children include retarded Arnie (DiCaprio), who's about to turn 18 despite a host of negative medical forecasts, and terminally embarrassed Ellen (Mary Kate Schellhardt), who's emerging from an awkward adolescence. When he's not taking care of the difficult but tender Arnie, Gilbert spends his time fixing up the family's tattered farmhouse, working at a failing mom-and-pop grocery store and hanging with local misfits Bobby (Crispin Glover), an overly ambitious junior undertaker, and Tucker (John C. Reilly), a handyman who hankers after a job at the new burger franchise. Into this complicated but essentially unchanging social universe steps Becky (Juliette Lewis), a thoughtful young woman who's been escorting her nomadic grandmother from state to state in a mobile-home caravan. As Becky teaches Gilbert to finally consider his own happiness for a change, she disrupts both his family obligations and his long-running affair with a lonely housewife (Mary Steenburgen). Adapted by Peter Hedges from his own novel of the same name, What's Eating Gilbert Grape was the first and only film role for non-actress Cates, whom the filmmakers discovered on an episode of the Sally Jesse Raphael Show titled "Too Heavy to Leave Their House." ~ Brian J. Dillard, All Movie Guide

Lethal Weapon 2 reteams Mel Gibson and Danny Glover as, respectively, "loose cannon" LA detective Martin Riggs and Riggs' partner, the cautious family man Roger Murtaugh. The villain this time is a South African diplomat (Joss Ackland) who doubles as a drug dealer. Though Riggs knows what's going on thanks to characterless character witness Joe Pesci, he can't touch the villain because of "diplomatic immunity." After perils too numerous to mention, Riggs and Murtaugh shoot it out with the heavies on the deck of a South African cargo ship. Lethal Weapon 2, of course, contains as one of its comic high-points a now famous suspense scene: Mel Gibson agonizingly attempting to extricate a terrified Danny Glover from a booby-trapped toilet seat. Gibson, Glover, Donner and Joe Pesci would be reunited three years later for Lethal Weapon 3 and in 1998 for Lethal Weapon 4. ~ Hal Erickson, All Movie Guide

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, All Movie Guide

A blushing bride (Melissa Gilbert) doesn't catch on that something's fishy when her new husband (Joe Penny), last name "Moran", introduces her to his distinctly Italian family, who kiss each other's hands a lot. In fact, she doesn't tumble to the fact that her "perfect" spouse is a Mafiosa until it's Too Late. Before she knows what's happening, the wide-eyed (and soft-headed) girl is swept up in drug trafficking. To keep the Italian anti-defamation league at arm's length, the producers of this film contrive to have Tony Franciosa portray an Italian-American FBI agent who comes to the heroine's rescue. Blood Vows: The Story of a Mafia Wife was originally telecast January 18, 1987. ~ Hal Erickson, All Movie Guide

Pretty boy actor C. Thomas Howell stars in this dark, violent suspense film about the strange psychological bond between a traveling serial killer and one of his intended victims. Driving cross-country from Chicago to San Diego, Jim (Howell) narrowly avoids an accident when he falls asleep at the wheel. He picks up a hitchhiker to help stay awake, but within five minutes, the erratic John Ryder (Rutger Hauer) has threatened not only Jim's life, but also his manhood, brandishing a switchblade to the boy's crotch and ordering him to keep driving. Jim manages to escape, but soon Ryder begins a game of cat-and-mouse across the Texas highways, taunting the lad from the windows of passing cars, then leaving the corpses of his victims in their vehicles by the side of the road for Jim to discover. A sympathetic face arrives in the form of Nash (Jennifer Jason Leigh), the waitress at an otherwise deserted truck stop in this bleak, abandoned landscape, but the local police soon arrive, intent on hanging Jim out to dry for the string of grisly murders. The stakes continue to mount in Ryder's little game until Jim finds himself embroiled in a statewide manhunt with Nash at his side. Former cinematographer Robert Harmon made his directorial debut with this popular thriller; screenwriter Eric Red, also making his debut, would go on to write similarly brooding genre fare including Near Dark, Bad Moon, and Alien 3. ~ Brian J. Dillard, All Movie Guide

Produced at the height of the teen sex comedy cinema craze in the mid-1980s, Secret Admirer (1985) was the directorial debut of David Greenwalt, who would later move from screwball comedy to horror with the television series The X-Files, Buffy the Vampire Slayer and Angel. C. Thomas Howell stars as Michael Ryan, a high school student who receives an anonymous love note in his locker. Hoping that it's from Deborah Ann Fimple (Kelly Preston), a gorgeous but air-headed classmate who only dates college boys, Michael hatches a scheme with Toni (Lori Loughlin), who is friendly with both him and Deborah, to write her back. What Michael doesn't know, however is that the first letter was really from Toni, who has more than friendship in mind. In the meantime, the unsigned missives fall into the wrong hands, leading Michael's mother, Connie (Dee Wallace-Stone) to believe that her husband George (Cliff De Young) is having an affair with his night school teacher, Elizabeth (Leigh Taylor-Young), who is none other than Deborah's mother. George had better watch his back, however, as Elizabeth's husband is Lieutenant Lou Fimple (Fred Ward), a tough cop who's having a very bad week. As the romantic complications pile up, Toni becomes Michael's Cyrano de Bergerac, penning his letters but pining for him as he gets closer to winning Deborah over. ~ Karl Williams, All Movie Guide

Star Trek II: The Wrath of Khan is fondly regarded as being the closest in spirit to the 1966-69 TV series that spawned it. Admiral Kirk (William Shatner) escapes the tedium of a desk job to join Mr. Spock (Leonard Nimoy) and Dr. Leonard "Bones" McCoy (DeForest Kelley) on another space mission. While boldly going where no man etc. etc., Kirk crosses the path of his old enemy Khan (Ricardo Montalban), who as any die-hard Trekker can tell you, was the chief antagonist in the 1966 Trek TV episode "Space Seed." Leading a crew of near-savage space prisoners, Khan insinuates himself into the Genesis Project, which is designed to introduce living organisms on long-dead planets. Intending to harness this program for his own despotic purposes, Khan engages in battle with the Enterprise crew. ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story (originally telecast as a single one-hour episode), Laverne (Penny Marshall) and Shirley (Cindy Williams) have come to regret their impulsive decision to quit their brewery jobs and join the WACS. Now the girls are in the hands of merciless drill sergeant Alvinia T. Plout (Vicki Lawrence). The situation reaches the crisis stage during a series of staged combat games, with L&S caught in the crossfire between the "Red Team" and the "Blue Team". ~ Hal Erickson, All Movie Guide