Monika Bleibtreu Movies

This lavish, broadly scaled feature from director Kai Wessel dramatizes the life of Hildegarde Knef (1925-2002), arguably the most popular actress and chanteuse in post-WWII Germany. Yet in lieu of presenting a chronological and all-inclusive account of Knef's decades-long career, Wessel and screenwriter Maria von Heland use Knef's 1966 concert at the Berlin Philharmonie as a narrative framing device from which they exclusively flash back to the years depicting the performer's early ascent to stardom; the film thus ends as Knef is just beginning to achieve acclaim and recognition as a vocalist. The backstory commences in 1943, when 17-year-old Knef (Heike Makatsch) aspires to show business life. She applies for a job at Babelsberg Studios, under the aegis of casting director Else Bongers (Monica Bleibtreu) who becomes her lifelong mentor. Knef finds it relatively easy to break in to the industry; unfortunately, her political leanings reflect great naïveté, and these are the years of The Third Reich, when Propaganda Minister Josef Goebbels supervises all German art and culture -- and the actress falls into Nazism without hesitation. Hilde soon grows smitten with Third Reich film head Ewald von Demandowsky (Anian Zollner), then -- after the war ends with the loss of the Nazi party -- catches the eye of genial producer Erich Pommer (Hanns Zischler), a man appointed to rebuild the German movie industry. Shirking past Nazi ties, Knef ventures to America at the invitation of mogul David O. Selznick, and spends the next several years repeatedly shuffling back and forth between the U.S. and Deutschland as opportunities surface in both countries. Following a scandal involving a nude swimming scene in the movie The Sinner and a marriage to actor David Cameron (Dan Stevens), Hilde fixes her sights on a singing career and finally achieves the breakthrough of which she has long dreamed. ~ Nathan Southern, All Movie Guide

An embittered, 80-year-old piano teacher working in a women's prison takes on the most challenging student in her enduring career in director Chris Kraus' low-key musical drama. For years, Miss Krueger (Monica Bleibtreu) has been teaching classical piano to some of the most hardened female prisoners in all of Germany, but upon meeting brooding new inmate Jenny (Hannah Herzsprung), Miss Krueger finally seems to have found the one student she can't break through to -- until she hears Jenny play, that is. A former piano prodigy whose abusive childhood prompted her to neglect her natural gift for music in the name of survival, Jenny is a violent offender whose notorious temper has, as an adult, repeatedly landed her behind bars. Though she does still display considerable talent on the ivory, her decidedly antisocial behavior compelled the troubled prisoner to repeatedly sabotage opportunities to take part in recitals that would, at the very least, provide a momentary respite from her grim day-to-day existence. ~ Jason Buchanan, All Movie Guide

Infused with a mood of apprehension and decay, this film concerns theatrical luminary Bertolt Brecht (played by Josef Bierbichler) and his inner circle on the final day of their summer vacation in 1956. Set entirely in Brecht's summer house in the East German countryside, the guests consist largely of the writer's lovers, past and present. Brecht's wife Hellene Weigel (Monika Bleibtreu) -- Helli for short -- has taken a remarkably charitable view of her husband's philandering. Brecht's current mistress, young actress Kathe Reichel (Jeanette Hain) is one of their guests, along with political dissident Wolfgang Harich (Samuel Fintzi) and his wife, who is having an affair with Brecht with her husband's approval. Also, there is ex-lover and dissolute drunk Ruth Berlau (Margit Rogall); Brecht's editorial assistant, Elisabeth Hauptmann (Elfriede Irrall); and the playwright's teenaged daughter, Barbara. Each guest angles to garner Brecht's attention. Preparing to leave for a rehearsal in Berlin, Helli is visited by a young Stasi officer who informs her that Wolfgang will be arrested and charged with treason. Fearing for her husband's bad heart, she entreats the apparatchik to do the deed after Brecht has left. As arrangements are made behind Brecht's back, a feeling of doom soon pervades the cottage. This film was screened at the 2000 Cannes Film Festival. ~ Jonathan Crow, All Movie Guide

Detective Jon Bogdan (Peter Maffay) becomes wheelchair-bound when he is injured in a restaurant bombing perpetrated by the notorious Dr. Proper (Michael York). He rolls into action trying to track down the bomber. When he regains the use of his legs, Jon stays in his chair to give his enemies the illusion he is paralyzed. Elliot Gould has a forgettable role in this equally forgettable film-noir styled crime thriller. ~ Dan Pavlides, All Movie Guide