Lois Chiles Movies
A former top model who went on to utilize her smoldering sensuality as Bond girl Holly Goodhead in 1979's Moonraker, actress Lois Chiles crafted a successful onscreen career with roles in such acclaimed indies as Diary of a Hit Man (1991) and Curdled (1996). A native of Alice, TX, who graduated from the University of Texas in 1969, Chiles was discovered by a Glamour magazine photographer while attending Finch College and soon found herself whisked into the world of high fashion. After conquering catwalks and haute couture, the model made her cinematic debut in the racially charged drama Together for Days (1972). She subsequently landed high-profile roles in The Way We Were (1973), The Great Gatsby (1974), and Coma (1978), but it was her role of the suggestively named NASA scientist (and, of course, James Bond love interest) in Moonraker that truly got the attention of audiences. Although Chiles had originally been offered a role in the Bond film The Spy Who Loved Me, she had turned it down while taking some time off from the silver screen. Following a chance meeting with The Spy Who Loved Me and Moonraker director Lewis Gilbert on a plane, Chiles was convinced to return to the screen for another opportunity. That was only the beginning of her lucrative film career, and following a healthy run on the popular television drama Dallas, Chiles returned to film work with supporting roles in Creepshow 2 and Broadcast News (both 1987). Although she never attained leading-lady status, Chiles remained a successful fixture of independent film throughout the 1990s, even appearing in such A-list releases as Austin Powers: International Man of Mystery and Speed 2: Cruise Control (both 1997). Chiles remained active onscreen in the early 2000s, and was frequently seen in numerous made-for-TV movies, including Warning: Parental Advisory and Sudden Fear (both 2002). ~ Jason Buchanan, All Movie Guide
Documentarist Christopher Monger's Special Thanks to Roy London profiles famed acting coach London (1943-93), a man with resounding professional success (including a litany of former pupils who graduated to A-list Hollywood triumph) but a rocky and notoriously complicated personal life. In this program, Monger examines London through the eyes of many of the said pupils, including Jeff Goldblum, Hank Azaria, Garry Shandling, Geena Davis and Patrick Swayze. The title, of course, refers to the "special thanks" mention to fall in the end credits of many a feature film. ~ Nathan Southern, All Movie Guide
- 2002
First screened at the Hamptons International Film Festival, the 60-minute documentary Bond Girls Are Forever made its cable TV debut a mere 16 days before the premiere of the newest James Bond theatrical feature, 2002's Die Another Day. (Coincidence? We don't think so) Through vintage film clips of past Bond movie epics, and with the participation of several former "Bond Girls" as interviewees (among them Dr. No's Ursula Andress and Diamonds Are Forever's Jill St. John), the documentary traced the evolution of the typical James Bond heroine from decorative damsel in distress to gutsy (but still decorative) participant in the action. In addition to the provocatively named romantic partners enjoyed by the various movie Bonds over the past 40 years, the viewer is treated with the input of Judi Dench, the most recent actor to play 007's no-nonsense superior officer, M. Bond Girls Are Forever was co-produced and narrated by Maryam d'Abo, who appeared opposite Bond number four, Timothy Dalton, in The Living Daylights. ~ Hal Erickson, All Movie Guide
- Starring:
- Maryam D'Abo, Jill St. John, (more)
- 1994
Jazz great Billy Strayhorn wrote the song which gives this film its title, "Lush Life". This film will be an especial treat to afficianados of jazz in all its forms. The story concerns the efforts of session musician Al Gorky (Jeff Goldblum) to arrange a once-in-a-lifetime jam session for his frequent recording partner, Buddy Chester (Forest Whitaker). The kicker is that Chester is dying of a brain tumor, and while he wants this session, he doesn't want anybody who's being invited to know. For a long time now, Al has been sliding, slacking off in his musical and his personal life. His wife Janis (Kathy Baker) thinks its about time he won free of the lure of the hipster lifestyle of the '60s, and gave up the dope and easy women. Chester has one final gift to give his friend: he won't allow Al to play in the super-session he's asked him to arrange unless he can sharpen up his playing. ~ Clarke Fountain, All Movie Guide
- Starring:
- Jeff Goldblum, Forest Whitaker, (more)
- 1992
In this drama, a middle-aged philanderer gets involved with a deceptively sweet young thing who coyly manipulates him into a very dangerous situation. ~ Sandra Brennan, All Movie Guide
- Starring:
- Shannen Doherty, William Devane, (more)
- 1990
For the first time in Murder She Wrote history, a murderer whom Jessica Fletcher (Angela Lansbury) had turned over to the police in a previous episode makes a comeback appearance. The man in question is Jessica's first publisher (and erstwhile sweetheart!) Preston Giles (Arthur Hill), who had been exposed as the killer in the series' very first episode. Released on parole, Preston goes back to work at a high-level corporation. Although Jessica had hoped to avoid a reunion with Giles, she is unable to do so when he is accused of murdering his company's duplicitous financial controller. ~ Hal Erickson, All Movie Guide
- 1990
In this drama a woman suffers terribly after she finally admits having an affair with her married doctor. Her husband does not accept the news gracefully and trouble ensues. ~ Sandra Brennan, All Movie Guide
- 1986
Loretta Young was originally to have starred in made-for-TV Dark Mansions, but she didn't like the script and passed up the project; her role was quickly filled by another Hollywood veteran, Joan Fontaine. Aaron Spelling and Douglas Cramer, the guys who brought you Love Boat, "go gothic" in this Seattle-based tale of the supernatural. While writing the history of a shipbuilding family, Linda Purl learns a little too much for her own wellbeing. Per the film's title, most of the story takes place in a haunted house-and it's a lulu. Michael York, Philip Drake and Melissa Sue Anderson costar. Dark Mansions was first telecast August 23, 1986. ~ Hal Erickson, All Movie Guide
- 1984
Three ultra-marathoners are on a 72-mile race in the New Mexico desert when they encounter a group of weekend-warrior survivalist types who want to "play with the little runner boys." The runners are in the race of their lives when the demented trigger boys won't leave them alone in this Deliverance descendant. ~ All Movie Guide
- Starring:
- Ronny Cox, Lois Chiles, (more)
In this dark comedy, a woman fascinated with crime has an unexpected brush with a famous murderer's handiwork. Gabriela (Angela Jones) is a Colombian immigrant living in Miami who has been fascinated with violent death since she saw a falling corpse pass by her window as a child. Today she works for a cleaning service that specializes in mopping up the blood, gore, and bone fragments left behind at crime scenes, and she is tickled to discover one day that she's cleaning up after an execution by her favorite at-large serial murderer, The Blue Blood Killer (William Baldwin), so named because his victims are all wealthy women. But Gabriela doesn't know that the killer is still in the building; he managed to lock himself in the wine cellar while trying to escape, and he is slowly trying to remove the bolts from its lock while Gabriela makes the place livable again. However, while cleaning, she discovers a piece of evidence that could confirm the identity of the killer, just as he's about to emerge from the cellar. Curdled is an expanded version of a short film that director Reb Braddock made in 1991; the short inspired one of the episodes in Quentin Tarantino's film Pulp Fiction, and Tarantino in turn helped produce this feature-length remake, as well as making a cameo appearance. ~ Mark Deming, All Movie Guide
- Starring:
- William Baldwin, Angela Jones, (more)
A provocative drama about sex, love, and trust, Bliss concerns Joseph (Craig Sheffer) and Maria (Sheryl Lee), a young married couple whose relationship is in serious trouble. While they love each other, Maria has difficulty opening up to Joseph, and, after six months of marriage, he makes the unhappy discovery that she's been unable to have an orgasm with him (though she's been willing to let him think otherwise). At work, Joseph and his co-workers notice a steady stream of beautiful women visiting an apartment across the street; the scuttlebutt around the office is that some sort of shady sex therapist works out of the building. One day, Joseph is shocked to see Maria visiting the apartment, and he bursts in and demands to know what's happening. The apartment does indeed house an unlicensed sex therapist, who goes by the name of Balthazar (Terence Stamp), and, before long, Joseph realizes that Balthazar's teaching are about the mind as much as the body, and that he's less concerned with orgasm than with "bliss," which he considers an emotional and spiritual as well as physical state. Before long, Joseph has convinced Balthazar to teach him what he knows about tantric healing and sex, in the hope that he can help heal Maria's emotional scars, as well as help himself become a better man. Bliss was the debut feature for writer/director Lance Young. ~ Mark Deming, All Movie Guide
- Starring:
- Craig Sheffer, Sheryl Lee, (more)
A nubile young babysitter (Alicia Silverstone) has no idea that she is the center of a maelstrom of male sexual fantasies. Based on a disturbing short story by Robert Coover, the drama presents a non-linear account of a perfectly mundane event. Having a social engagement, a couple calls for their babysitter. She arrives, they go out, her boyfriend comes over, and the weirdness begins -- for director Guy Ferland makes little distinction between the character fantasies and what is really occurring. Something will happen, and then it will happen again; only the outcome is different. What makes this dark film so disturbingly creepy is that none of the males involved, neither the frustrated boyfriend, the horny husband who hired her, or even her little charge has nice fantasies about her. The film contains several sexual scenes and some scenes of violence. ~ Sandra Brennan, All Movie Guide
- Starring:
- Alicia Silverstone, Jeremy London, (more)
- 1991
- R
Wim Wenders' sprawling cyberpunk noir epic -- shot in no less than nine different countries -- is set in 1999 and stars Solveig Dommartin as Claire, a young Frenchwoman who comes into contact with a large sum of money stolen during a bank heist; in her travels she picks up a mysterious American hitchhiker (William Hurt), who himself steals some of the money before parting from her company. Upon discovering the theft, Claire sets out on his trail, with both a Hammett-styled German private eye (Rudiger Vogler) as well as her former lover, a novelist portrayed by Sam Neill, in tow. The hitchhiker is really Sam Farber, the son of an underground scientist (Max Von Sydow), and his mission is to travel the globe in order to acquire the funding necessary to develop the technology which will allow his blind mother (Jeanne Moreau) to "see" visual recordings of her family members; the second half of the film takes place largely in the Farbers' compound in the Australian Outback, where Sam, Claire and the others take refuge while attempting to bring the sight project to its fruition, in the meantime pondering earth's future in the wake of a nuclear disaster in outer space. Wenders' most ambitious film to date, budgeted at $23 million, Until the End Of the World is also among his most seriously flawed efforts -- despite a keen sense of cultural perception, a fascinating sci-fi take on life in the near-future and stunning Robby Muller cinematography, the picture never quite gels. Much of the blame seems to fall upon its distributors -- upon its wide release in 1991, the movie was drastically cut to a running time of 2 1/2 hours, resulting in a disjointed narrative that doesn't shift gears so much as grind them as the action moves from country to country. Still, while a three-hour version, issued on laserdisc in Japan, comes closer to realizing the full scope of Wenders' epic vision, rumors of a five-hour director's cut -- said to have been screened to thunderous applause at a handful of film festivals -- continue to persist, suggesting that a masterpiece may well exist here after all. ~ Jason Ankeny, All Movie Guide
- Starring:
- William Hurt, Solveig Dommartin, (more)
- 1991
- R
Kenneth Pressman adapted his play Insider's Price for this turgid and morally-bankrupt motion picture entertainment. Forest Whitaker stars as Dekker, a hit man fed up with his profession and ready to quit -- right after one last job. This last job proves to be the looniest and most gruesome one of all -- an ex-gangster named Zidzyk (Lewis Smith) hires him for a hit. Zidzyk has found God and has set up his tabernacle in a porno parlor. He wants Dekker to ice his wife Jain (Sherilyn Fenn) and their infant child and requests that Dekker bring back a body part to him as proof of purchase. Dekker agrees to the terms and goes to visit Jain, who engages in an extending monologue that captures the heart of Dekker -- if not the audience. When Zidzyk realizes that Dekker is a softy, he hires a second hit man to do the job. Dekker knows his business and is ready to defend Jain and face the second killer. ~ Paul Brenner, All Movie Guide
- Starring:
- Forest Whitaker, Sherilyn Fenn, (more)
Writer/director/producer James L. Brooks scores on all counts with this clear-eyed look at the television news business and the dysfunctional types who work in it. Brooks' intelligent script introduces us to Jane Craig (Holly Hunter), an ambitious producer at the network news division's Washington D.C. branch, who is calm under fire yet has a good cry at her desk every morning over her empty personal life. Jane works well with Aaron Altman (Albert Brooks), an excellent reporter who lacks the visual charisma to make him a star. Into their lives comes Tom Grunick (William Hurt), a regional newscaster who admits he can't write news and doesn't understand many of the events he's covering, but has the presence and physical appeal that the increasingly entertainment-oriented network wants for its news programs. Jane is also physically attracted to him, which drives her crazy, because Grunick stands for everything she's fighting against in the news business, while Altman is devastated by her attraction because he secretly yearns for Jane. As Grunick becomes a rising star at the network, and layoffs of the old guard loom, the three leads deal with their feelings for each other, their careers, and their values. Hunter, Hurt, and Brooks are all superb, as is the excellent supporting cast (including an unbilled turn by Jack Nicholson as the network's smarmy national anchor). Brooks' script is funny, poignant, gritty, and brutally honest in its examinations of the television industry and the ways in which professionals interact on and off the job. ~ Don Kaye, All Movie Guide
- Starring:
- William Hurt, Albert Brooks, (more)
This less-satisfying sequel to the 1982 George A. Romero/Stephen King anthology presents a new trio of King stories, framed in a similar EC Comics-style format -- this time featuring some rather lackluster animated segments involving horror-host "The Creep," who introduces each chapter with pun-heavy gallows humor. The stories vary widely in quality: first there's "Old Chief Wood'nhead," involving a cigar-store Indian who quite literally guards the entrance to an old general store and comes to life to avenge the murders of the elderly couple (George Kennedy and Dorothy Lamour) who owned it. The middle segment, "The Raft," features a group of obnoxious teenagers stranded on a raft in the middle of a lake at the mercy of a murderous oil slick which looks like a bunch of plastic garbage bags stitched together. Both of these suffer in comparison to the closing segment, "The Hitchhiker," in which a bored, promiscuous socialite (Lois Chiles) mows down a hitchhiker who refuses to stay dead, returning again and again to torment her at every turn, rasping "Thanks for the ride, lady!" Despite its strengths -- a livelier pace, some creatively gory set pieces -- this is a much cheaper-looking effort than its predecessor, with the deft guidance of Romero conspicuously absent (long-time collaborator Michael Gornick took up the directorial reins); as a result, King's gross-out sensibilities don't come off as well. Makeup maestro Tom Savini appears in heavy makeup as a live-action version of The Creep, and King pops in for a bit part as a redneck trucker. ~ Cavett Binion, All Movie Guide
- Starring:
- Lois Chiles, George Kennedy, (more)
Indications were that this action sequel was in trouble before production began, when the male lead from the first film, Keanu Reeves, declined a role in the follow-up. Sandra Bullock returns as Annie Porter, an accident-prone ditz who is thrilled when her boyfriend Alex (Jason Patric) presents her with two tickets for a cruise ship vacation to the Bahamas. The trip is a peace offering presented because Annie has just learned that Alex is a police officer who's been lying to her about his choice of profession. Little does the happy couple know that the disgruntled John Geiger (Willem Dafoe), designer of the ship's computer system, has plotted a violent takeover of the vessel and a diamond hijacking that puts everyone on board in mortal danger. Being the dashing police officer he is, Alex leaps into action and tries to stop Geiger, but not before the ship crashes at top velocity into a Caribbean port town. Sandra Bullock agreed to star in this flop of a sequel in order to get financial backing for a pet project, Hope Floats (1998), a low-budget drama that turned a healthy profit. ~ Karl Williams, All Movie Guide
- Starring:
- Sandra Bullock, Jason Patric, (more)
Ione Skye plays Diane Court, high-school valedictorian on the verge of heading to England on a prestigious scholarship. This is especially thrilling to Diane's divorced father, James (John Mahoney), who has always shared a special relationship with the girl, less father/daughter than friend/friend. When Diane begins dating irresponsible army brat Lloyd Dobler (John Cusack), her father despairs at her choice of an "underachiever." Pressured by her dad to break off the relationship, Diane spends the rest of the summer being pursued by the lovestruck Lloyd, who does everything he can to win her back. Diane finally realizes there's more to life than perfection when her sainted father comes under the scrutiny of the IRS. ~ Hal Erickson, All Movie Guide
- Starring:
- John Cusack, Ione Skye, (more)
An academically inclined young woman learns to be careful with her wishes after her dream of changing places with her pretty and popular sister comes true. ~ Sandra Brennan, All Movie Guide
- Starring:
- Katherine Heigl, Danielle Harris, (more)
Don't mistake this movie for the stormy special-effects blockbuster of the same name; the two films are light years apart. Based on Mary Robison's novel Oh!, this Twister was the quirky first feature from screenwriter/director Michael Almereyda (Nadja, The Eternal) about an eccentric soda-pop tycoon and his dysfunctional family. Suzy Amis plays Maureen Cleveland, a single mother who lives with her precocious daughter Violet (Lindsay Christman) and her very strange brother Howdy (Crispin Glover) in the family mansion, tended by the young live-in housekeeper Lola (Charlaine Woodward). Maureen's ex-boyfriend Chris (Violet's father) comes back to town with the intention of rescuing Maureen and Violet from Kansas so they can start a family of their own. This turns out to be more difficult than he expected. Maureen is still angry about their break-up and seems unresponsive to his earnest and somewhat clumsy displays of affection. Howdy is too busy writing nonsensical songs and hanging out with his new girlfriend Stephanie (Jenny Wright) to be of any help. To complicate matters, their father Eugene (Harry Dean Stanton) shows up with a prudish children's TV evangelist named Virginia (Lois Chiles) and announces their engagement. No one gets along, and soon all are trapped indoors during a particularly bad Kansas twister. As the storm rages outside, Maureen and Howdy cook up a plan to find their long-lost mother, who may be the only person who can explain why they are all so odd. Like Almereyda's later films, Twister is a kaleidoscope of absurd conversations, oddball characters, and events that seem to happen for no reason at all. It's a perfect vehicle for Crispin Glover, who delivers some of the film's wackiest dialogue as the rich kid comfortably living in his own fantasy world. Tim Robbins makes an appearance as Stephanie's jealous ex-boyfriend Jeff, and author William S. Burroughs has a cameo as a farmer shooting targets in an empty barn. ~ Anthony Reed, All Movie Guide
- Starring:
- Harry Dean Stanton, Suzy Amis, (more)
Alan Alda wrote, directed, and starred in this satirical film about the corruption of the film industry's approach to history. Alda plays Michael Burgess, a college professor who has written a historical novel about the American Revolution. The book has been turned into a script, and a Hollywood film crew descends on his North Carolina hometown to make the movie. Predictably, the director and actors make a mess of his concept, and Burgess becomes frustrated as the town is turned upside down. Desperately, he tries to salvage his concept with some last-minute script changes. To make things more complicated, Burgess falls in love with the glamorous female lead in the film, Faith Healy (Michelle Pfeiffer). Meanwhile, his long-time girlfriend, Gretchen (Lise Hilboldt) is pressuring him to get married. The film's male star, Elliott James (Michael Caine), finally shows up in town and becomes Burgess's rival for Faith's affections. Silent film star Lillian Gish appears as Burgess's smother. ~ Michael Betzold, All Movie Guide
- Starring:
- Alan Alda, Michael Caine, (more)
In this adaptation of Ian Fleming's 1955 novel, James Bond (Roger Moore) must thwart Sir Hugo Drax (Michel Lonsdale), who plans to wipe out all of humankind and replace it with a super race that he has cultivated in a massive space station. The girl in the case is American secret agent Holly Goodhead, intelligently played by Lois Chiles. "Jaws," the steel-mouthed henchman played by Richard Kiel in The Spy Who Loved Me (1977), makes a return appearance in Moonraker, turning good guy (complete with a girlfriend of his own) in the process. Bernard Lee makes his last appearance as "M" in this most costly of James Bond's 1970s escapades. ~ Hal Erickson, All Movie Guide
- Starring:
- Roger Moore, Lois Chiles, (more)
Peter Ustinov began his long association with the Hercule Poirot character of murder mystery novelist Agatha Christie with this lavish but financially disappointing follow-up to the popular Murder on the Orient Express (1974). During a luxurious pleasure cruise down the Nile aboard a lavish vessel populated with wealthy passengers, widely despised heiress and home wrecker Linnet Ridgeway (Lois Chiles) is murdered. Also aboard is famed Belgian detective Poirot (Ustinov) and his taciturn traveling companion, Colonel Race (David Niven). Poirot undertakes an investigation into Ridgeway's killing. Among the colorful suspects are Salome (Angela Lansbury) and Rosalie Otterbourne (Olivia Hussey), Doctor Bessner (Jack Warden), Mrs. Van Schuyler (Bette Davis), Miss Bowers (Maggie Smith), and Jacqueline De Bellefort (Mia Farrow). As more bodies pile up, however, it appears that nearly everyone aboard has a motive. The script for Death on the Nile (1978) was adapted by Anthony Shaffer, the writer of Sleuth (1972) and the identical twin brother of Amadeus (1984) author Peter Shaffer. ~ Karl Williams, All Movie Guide
- Starring:
- Peter Ustinov, Jane Birkin, (more)
A feisty, feminist intern uncovers a medical conspiracy in this icy thriller about mysterious goings-on at Boston Memorial Hospital. When her best friend and aerobics partner, Nancy Greenly (Lois Chiles), emerges in a vegetative state from a routine abortion, Dr. Susan Wheeler (Genevieve Bujold) does some digging and discovers an overabundance of anesthesia-induced comas among otherwise healthy young patients. The male authority figures who challenge Susan's technically illegal tampering with medical records include her boss, Dr. Harris (Richard Widmark); the chief anesthesiologist, Dr. George (Rip Torn); and even her boyfriend, Dr. Mark Bellows (Michael Douglas), who doesn't want Susan's shenanigans to get in the way of his shot at chief resident. As Susan continues her crusade, the paper trail leads to the Jefferson Institute, a mysterious, experimental facility in which vegetative patients are stored en masse, suspended from the ceiling by wires threaded through their long bones, in order to reduce the cost of long-term care. A shadowy assailant begins to stalk Susan just as she uncovers the link between the Jefferson Institute and the comas at Boston Memorial, setting the stage for climactic suspense scenes involving morgues, malpractice and endless institutional corridors. Writer/director Michael Crichton adapted his second feature film from Robin Cook's bestseller of the same name. Tom Selleck, who would star in Crichton's Runaway several years later, appears briefly in Coma as another victim of lethal anesthesia. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Geneviève Bujold, Michael Douglas, (more)
This third film version of F. Scott Fitzgerald's classic 1925 novel was one of the most hyped movies of the summer of 1974. Robert Redford stars as self-made millionaire Jay Gatsby, who uses his vast (and implicitly ill-gotten) fortune to buy his way into Long Island society. Most of all, Gatsby wants to win back the love of socialite Daisy Buchanan (Mia Farrow), now married to "old money" Tom Buchanan (Bruce Dern). Calmly observing the passing parade is Nick Carraway (Sam Waterston), Gatsby's best friend, who narrates the film. Francis Ford Coppola's screenplay is meticulously faithful to the original novel, but Theoni V. Aldredge's costume design and Nelson Riddle's nostalgic musical score won the film its only Oscars. The huge supporting cast includes Howard Da Silva, who played Wilson in the 1949 Great Gatsby, and a very young Patsy Kensit as Daisy's daughter. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Redford, Mia Farrow, (more)
"Gorgeous goyish guy" meets Jewish radical girl in Sydney Pollack's glossy romance. In 1937, frizzy-haired Red co-ed Katie Morosky (Barbra Streisand) briefly captures the attention of preppy jock Hubbell Gardiner (Robert Redford) with her passionate pacifism, while the writing talent beneath his privileged exterior entrances her. Almost eight years later, the two are reunited in New York, when well-coiffed leftist radio worker Katie spies military officer Hubbell snoozing in a nightclub. Through her force of will, and in spite of his smug rich friends, the two opposites fall in love, sparring over Katie's activist zeal and Hubbell's writerly ambivalence after a failed first novel. They head to Hollywood so that Hubbell can write a screenplay for his buddy-turned-producer J.J. (Bradford Dillman). But the House Committee on Un-American Activities' Communist witch hunt in 1947 tears the pair apart, as a pregnant Katie refuses to keep silent about the jailing of the Hollywood Ten, while a faithless Hubbell decides to save his career. When the two meet again at the dawn of the '60s, TV hack Hubbell and A-bomb protestor Katie feel the old pull, but they have to decide if it's worth the grief. Although blacklisted writers had returned to Hollywood -- and won Oscars -- by the early 1970s, the HUAC sections of Arthur Laurents's screenplay were still considered dicey, resulting in substantial cuts; Laurents reportedly blamed star Redford for not fighting them hard enough. Regardless of the edits, and critics' complaints about the film's schlockiness, 1973 audiences went for the well-executed and still politically tinged weepie, turning The Way We Were into one of the most popular films of 1973 and Redford into a major heartthrob. Streisand won an Oscar nomination for Best Actress and the Streisand-sung title tune won for Best Song. Despite the eviscerated politics, The Way We Were poignantly captures the insoluble dilemma of reconciling private desires with public awareness. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Barbra Streisand, Robert Redford, (more)
