Nancy Beatty Movies

The Pulitzer Prize-winning novel by E. Annie Proulx becomes this drama from director Lasse Hallström. Kevin Spacey stars as Quoyle, a struggling, emotionally drained newspaper reporter suffering through a wretched marriage with the abusive Petal (Cate Blanchett), a promiscuous wild woman who tries to sell their daughter, Bunny, into adoption before she's killed in a car wreck. Retrieving his daughter, Quoyle sets out for Newfoundland, his ancestral home, with his long-lost Aunt Agnis (Judi Dench). Although he initially finds life on the island to be as forbidding and severe as Agnis herself, Quoyle gets work as a shipping columnist for the local newspaper "The Gammy Bird," owned by eccentric fisherman Jack Buggit (Scott Glenn). Quoyle's work soon finds an appreciative audience and he begins to rebuild his life, dating local single mother Wavey (Julianne Moore), learning some sea craft, discovering his family's dark history, and finally earning some self-respect. Agnis, in the meantime, starts her own successful business and faces a traumatic incident from her childhood involving Quoyle's late father. The Shipping News (2001) co-stars Rhys Ifans and Pete Postlethwaite. ~ Karl Williams, All Movie Guide

This made-for-TV feature is based on the true story of Dean Kraft, who worked within the traditional medical community as a hands-on healer. Discovering his unique gift at an early age, Kraft (played as an adult by Anthony Michael Hall) is reluctant to utilize his healing talents, agreeing to do so only under emergency conditions. Even when he comes to terms with his abilities, Kraft must face the often hostile skepticism of "mainstream" doctors and caregivers. The story reaches a melodramatic apex when Kraft attempts to bring a doubting doctor's daughter out of a coma. Scott Davis Jones' teleplay is careful to neither fully confirm nor flatly deny Kraft's healing prowess, permitting viewers to draw their own conclusions. A Touch of Hope made its NBC network debut on October 10, 1999. ~ Hal Erickson, All Movie Guide

The first thirteen episodes of the satirical Canadian series The Newsroom were originally telecast as two separate "seasons" on CBC, with the last seven half-hours comprising Season Two (they have since been released on DVD as "The Complete First Season"). TV news director George Findlay (played by series creator-writer Ken Finkleman) continues resorting to the sleaziest methods possible to advance himself professionally and obtain high ratings during his second season on the air. Offering token opposition to George's cutthroat tactics are his new boss Nancy Trimbell (Nancy Beatty), and regional programming head Gillian Soros (Elisa Moolecherry), whose tireless efforts to find a "Canadian" angle on each and every news story that crosses her desk reaches hitherto unscaled heights of absurdity. Also added to the cast is Karen Hines as Karen Mitchell, the latest in a long line of beleaguered news-segment producers, and Pamela Sinha as on-air reporter Rani Sandhu. In the first of the seven new episodes, George exhibits more paranoia than usual after being besieged by bizarre voice mails, and being left couch-less by an unknown furniture thief. Shortly thereafter, the series is plunged into a three-part story arc wherein a nearby nuclear meltdown throws George's staff into a panic--and keeps our "hero" up nights trying to figure out how to make a nuclear expert seem interesting on TV. Elsewhere, thickheaded news anchor Jim Walcott (Peter Keleghan) runs for political office, an ambition all but thwarted by his so-called campaign manager George before being stopped literally dead in its tracks by a totally unanticipated act of violence. The Canadian-based guest stars this season are certainly an eclectic mix, including movie director David Cronenberg, newspaper columnists Linda McQuaig and Jeffrey Simpson, Conservative commentator Hugh Segal, hockey player Eddie Shack, novelist John Haslett Cuff, and TV producer Pamela Wallin ~ Hal Erickson, All Movie Guide

The Section One team is forced to abandon a wounded Michael (Roy Dupuis) after a botched operation in Eastern Europe. Nikita (Peta Wilson) is all for returning to rescue Michael, but is told that such an undertaking would be "too risky." (Hmmm...Why hasn't such a possibility ever bothered Nikita's superiors in the past?) Meanwhile, Michael must depend upon the kindness of Angie (Nancy Beatty), a nurse he has been forced to kidnap, if he hopes to elude the minions of Secret Police head Petrosian (Nigel Bennett). But nothing is entirely what it seems, with friends becoming enemies and vice versa in a dizzying kaleidoscope of plot twists. ~ Hal Erickson, All Movie Guide

Canadian actress Genvieve Bujold headlines this taut tale of an attorney whose irate client holds her daughter at gunpoint and threatens to kill her unless the lawyer commit suicide. ~ Sandra Brennan, All Movie Guide

When government tax-auditor Alex Hartwell is sent to the hamlet of Walton to check the books of the Turnbull Chemical company, the last thing he expects is to find himself involved in corruption, murder, romantic mayhem and intrigue in this darkly slapstick Canadian comedy. Things go amiss right from the start when he arrives and finds that his pre-booked hotel room has been taken and he must then stay in the creepy, ramshackle Michelle Apartments in a room that belonged to a woman who died the night before he arrived. After settling into the unsettling place, Alex sends out his laundry and it comes back with a pair of purple undies belonging to Madeline, his seductive neighbor, who is married to a mentally unstable and insanely jealous Dean. Prior to Alex's arrival, Dean was incarcerated for fighting with his wife. The next day Alex meets with company-president Mr. Turnbull and finds him a few-cents-short-of-a-dollar. As he talks to the crazy CEO, he begins suspecting that the fellow has frequently helped himself to the company coffers. Later that night, Alex ends up necking with Madleine. Unfortunately, they are caught in mid-smooch by Dean who has just been released from the slammer. It's downhill from there and murderous chaos reigns. ~ Sandra Brennan, All Movie Guide

This Nova Scotia-set domestic drama centers on the tragic events that led a common-law wife to murder her mate. ~ Sandra Brennan, All Movie Guide

Sea of Love is a sexy, atmospheric thriller, very much in the style of Alfred Hitchcock, with involving characters, steamy love scenes, and surprising plot twists. Frank Keller (Al Pacino), is a lonely, tired, disillusioned, police detective, who has a problem with alcohol. Frank is investigating a serial killer, whom he believes finds victims by using personal ads in magazines, killing them while playing the old record "Sea of Love." In a scene both amusing and touching, Frank and his partner, Sherman (John Goodman) --aided by Frank's father (William Hickey in a lovely cameo) place a personal ad, hoping to lure the killer. Helen Cruger (Ellen Barkin), a tough, sexy single mother answers the ad and begins an affair with Frank, despite the fact that she is one of the prime suspects in the case. The suspense builds as Frank, though deeply drawn to Helen, becomes more and more suspicious of her. In a splendidly crafted script from Richard Price, the plot is compelling, with plenty of action, terrific authentic dialogue and superb characterization. Ellen Barkin gives a marvelous performance as an independent, sensual and intriguing femme fatale; John Goodman is excellent as Sherman, giving a likable, shrewd, and subtly comic performance; and Pacino, in perhaps his best performance since Dog Day Afternoon, plays Frank as a man on the edge, reckless and self-destructive, lost and alone. Frank falls in love with Helen, in spite of himself, because of his loneliness and need. Pacino's skill in showing the vulnerability and neediness of Frank explains the somewhat implausible actions of his character in continuing their affair despite the mounting evidence against Helen. Harold Becker directs with great flair, bringing the story believability, without lapsing into false sentimentality. ~ Linda Rasmussen, All Movie Guide

Marlo Thomas fully justifies her star status in the made-for-television Nobody's Child. Ms. Thomas portrays the real-life Marie Balter, a Massachusetts woman consigned to a mental hospital after a suicide attempt at age 16. For the next 20 years, Marie is and out of the institution, mostly under the care of a sensitive doctor (Caroline Cava) who treats her for panic disorder and depression. Finally able to curb her inner demons without the use of drugs and therapy, Marie leaves the hospital for good, hoping to pursue a normal life. She falls in love with another ex-mental patient (Ray Baker), and strives successfully to earn a college diploma (she later became a health administrator). Aside from Marlo Thomas' Emmy-winning performance, Nobody's Child boasts the stunning camerawork of longtime Ingmar Bergman associate Sven Nykvist. One scene, in which Marie Balter imagines she sees serpents emerging from a typewriter, is as frightening a piece of celluloid as has ever been presented on television. ~ Hal Erickson, All Movie Guide

A Matter of Sex is the calculatedly misleading title of a based-on-fact TV movie, which originally bore the more suitable title Women of Willmar. In 1976, the women working in a bank in Willmar, Minnesota become incensed because less-qualified men are being promoted over them. Head teller Jean Stapleton, with the help of attorney Peter Dvorsky and the Equal Employment Opportunity Commission, organizes an employee's union. When the chauvinistic bank officers cause negotiations to break down, Stapleton and seven other female employees go on strike--a job action which lasts for two years, despite political and social pressure from the community. Director Lee Grant, whose daughter Dinah Manoff is cast as one of the strikers, had previously helmed a documentary based on the same incident, The Willmar Eight--which was telecast on PBS the night before the January 1984 network premiere of A Matter of Sex. ~ Hal Erickson, All Movie Guide